Another October means movie theaters yet again rolling out the orange carpet for their Halloween themed programming, and since we are the foremost experts of Halloweenocity in the area, we pulled all the best screenings together for you. Weirdly enough no one is showing John Carpenter’s Halloween this year, which…
I spent last night at the fabulous Texas Theatre watching 20,000 Days on Earth, the new documentary about legendary Australian songsmith Nick Cave. You need to go and see it there before its extremely limited run closes on Thursday, and here is why. First off, it’s not even really a…
Alan Scherstuhl and Stephanie Zacharek of the Village Voice, along with LA Weekly’s Amy Nicholson, talk about one of the big movies of the year, Gone Girl, which opens in about 3,000 U.S. theaters on Friday, but the trio also makes room for lesser-known films like The Blue Room, Men,…
Everything about Gone Girl, David Fincher’s adaptation of Gillian Flynn’s enormously popular 2012 thriller about a deteriorating marriage and a wife gone missing, is precise and thoughtful — it’s as well planned as the perfect murder, with its share of vicious, shivery delights. But at the end of the perfect…
Should we trust artists to tell the story of artists? On the plus side, who understands them better? If there’s a secret language of imagination and creativity, then the members of this sprawling tribe must be the ones who speak it best. On the other hand, could there be anything…
Every child who’s thrown a tantrum, packed a bag and plotted to run away has shivered with the same vengeful thought: I wish I could see how sad they’ll be when I’m gone. The Left Behind franchise implies that evangelicals haven’t grown up. This new film version, the latest in…
In one Nick Cave song, a pedophiliac outlaw caps a murder spree by killing the devil himself. In another, the narrator muses on Miley Cyrus while seeking the “God particle” down a boulevard lined with burning trees. Cave is fluent in apocalyptic imagery and the Bible; his songs are filled…
Annabelle, an effective prequel to horror pastiche The Conjuring, surpasses its predecessor simply by virtue of occasionally being scary. Both films are over-reliant on deafening sound effects and side-eye glimpses of underwhelming ghosts. But Annabelle’s scare scenes are better paced and more thoughtfully lensed. Its hokey, funhouse-worthy spooks — a…
Yesterday, D Magazine’s Frontburner blog got their fingers sticky in some scoop batter via the boob tube. The Internet’s cutest repetitive Preschooler, the “Apparently Kid” got his first reporting gig from Ellen Degeneres, who is sending him to cover the State Fair of Texas. On a scale of 1 to…
First, we had Scott Schuman and his collection of photographs, The Sartorialist. Then came the onslaught of fashion, DIY, and lifestyle blogs. We loved it. We still love it. Don’t tell you don’t check Refinery29 every morning (or that you’re not following them on Facebook and Instagram), or that you…
As Bob McCall in The Equalizer, Denzel Washington plays a regular Joe who turns into an eye-gouging, brain-drilling nightmare for Boston’s Russian mob. At first Washington “toodles about a Home Depot-like store, helping customers, decked out in New Balance shoes and jeans so last-century you’ll be looking for pleats,” writes…
When The Brittany Murphy Story aired on Lifetime earlier this month, articles upon articles slammed the movie for its bad acting, bad wigs, and ultimately bad writing (surprise!). But among all of the negative press, actor Adam Hagenbuch seemed to receive the most praise for his portrayal of Murphy’s boyfriend,…
The Boxtrolls is a kiddie charmer that makes you laugh, cower and think of Hitler. That’s an unusual trifecta, but then again, this is an unusual film. If the German Expressionists were skilled at stop-motion animation, they’d have already made it. This is cartoon Caligari, a fable set on a…
Before its regular-Joe hero gets bitten by a radioactive equation and becomes the Equalizer, who’s sort of the Rain Man of puncturing Russian mobsters’ windpipes with corkscrews, Antoine Fuqua’s eye-gouging, brain-drilling, crowd-pleasing latest gives you a reel or two to remember what movies felt like back when they were about…
Simon Pegg has always been more like a cartoon than a real boy. He’s one part Charlie Brown to two parts Tintin, a round-faced runt who can channel both childlike depression and old-fashioned cowlicked pluck. In Pegg’s new film, Hector and the Search for Happiness, director Peter Chelsom simply allows…
Groupie has come to be an ugly word, a misogynist dig that’s used all too casually by men and women alike. A groupie is a woman who doesn’t “do” anything; she gets all of her glamour via her association with a strong man, most often a rock star. How can…
When you think about it, wrestling isn’t a sport where athletic prowess wins the day. It’s all about presentation, style and keeping the crowd at a certain level of enthusiastic insanity. It’s like ribbon dancing but with more machismo, less clothes and a better storyline. It’s also a sport of…
Every year, the Dallas VideoFest gives an award of special achievement to a pioneer of television and film in honor of the late TV comedian Ernie Kovacs. This year, that supreme honor will go to comedian, writer, musician and Richard Nixon impersonator Harry Shearer. The Dallas VideoFest announced that the…
Photo by Atsushi Nishijima – © 2014 – Universal PicturesNeeson in A Walk Among the Tombstones.Special guest Inkoo Kang, film critic at TheWrap and news editor at Indiewire’s Women and Hollywood blog, joins Alan Scherstuhl of the Village Voice and Amy Nicholson of the LAWeekly to discuss a variety of…
They’ve done it at last: made a Liam Neeson-stomps-some-ass flick where, as the credits roll, there’s more stuff to be glad you saw than Neeson himself. Based on one of those Lawrence Block novels that’s pretty smart but also too invested in the mechanics of rape and torture, the movie’s…
Surprisingly moving for a film assembled from such familiar scenes, Craig Johnson’s The Skeleton Twins mushes together queasy/quirky indie family drama with the beats of a romantic comedy. You know the outline just from eyeballing the poster: Kristen Wiig’s Maggie and Bill Hader’s Milo find their way toward loving each…
Kevin Smith is a bright guy who over the years has become a little too taken with his own persona, his own jokes, his own cult following. No matter how awkwardly pontifical or ill-shapen his movies have gotten in the past 10 years, there’s always a herd of noisy Jay…
