Duvall and Downey Jr. Can’t Save The Judge

God save us from old coots and the actors who play them. Actors, like the rest of us, grow old, and there aren’t a whole lot of good roles available to them. But do we really need to see Robert Duvall playing a withered grouch for the millionth time? There’s…

What’s the Fun of a Dracula who Hates Neck-Biting?

Dracula Untold, a Dracula Begins-style sword-and-fangs curio, plays like someone said, “What if we took a vampire flick but did a find-and-replace swapping out all that bare-neck sensuality for some video-game ass-kicking?” Or: “Remember what the Star Wars prequels did for Darth Vader? Let’s foist the same kind of tragic…

Jason Reitman’s Men, Women & Children Despairs at our Wi-Fi World

The tragedy of Jason Reitman’s Men, Women & Children is that it was released the year it was made. A snapshot of today’s cultural disconnection, in which Facebook, texting, World of Warcraft and streaming smut lure people away from dinner with their families, the film’s so current that its observations…

The Tragedy of Gary Webb Stings Even When Kill the Messenger Flags

It was a mystery that reporter Gary Webb would have jumped on: a man who’d made powerful enemies allegedly committing suicide with two gunshots to the head. The tragedy is that Webb was the deceased. Michael Cuesta’s earnest, ire-inducing Kill the Messenger is a David-and-Goliath story where truth is the…

Podcast: Gone Girl Explores Marriage, the Media, and Missouri

Alan Scherstuhl and Stephanie Zacharek of the Village Voice, along with LA Weekly’s Amy Nicholson, talk about one of the big movies of the year, Gone Girl, which opens in about 3,000 U.S. theaters on Friday, but the trio also makes room for lesser-known films like The Blue Room, Men,…

Gone Girl Is Smartly Crafted, Well Acted, and a Bit Too Slick

Everything about Gone Girl, David Fincher’s adaptation of Gillian Flynn’s enormously popular 2012 thriller about a deteriorating marriage and a wife gone missing, is precise and thoughtful — it’s as well planned as the perfect murder, with its share of vicious, shivery delights. But at the end of the perfect…

Left Behind Is Sinfully Boring

Every child who’s thrown a tantrum, packed a bag and plotted to run away has shivered with the same vengeful thought: I wish I could see how sad they’ll be when I’m gone. The Left Behind franchise implies that evangelicals haven’t grown up. This new film version, the latest in…

Demonic Doll Movie Annabelle Is Surprisingly Unnerving

Annabelle, an effective prequel to horror pastiche The Conjuring, surpasses its predecessor simply by virtue of occasionally being scary. Both films are over-reliant on deafening sound effects and side-eye glimpses of underwhelming ghosts. But Annabelle’s scare scenes are better paced and more thoughtfully lensed. Its hokey, funhouse-worthy spooks — a…

Podcast: In The Equalizer, Denzel Kills, Summarizes Hemingway, Kills Again

As Bob McCall in The Equalizer, Denzel Washington plays a regular Joe who turns into an eye-gouging, brain-drilling nightmare for Boston’s Russian mob. At first Washington “toodles about a Home Depot-like store, helping customers, decked out in New Balance shoes and jeans so last-century you’ll be looking for pleats,” writes…