Ian Olds’ loose local-color thriller Burn Country works from the thesis that rural America is as complex and dangerous to justice-minded visitors as the most contested regions of Afghanistan. As Afghan national Osman (Dominic Rains) gets to know his new town, taking over the police blotter at the local newspaper,…
It’s December, which means it’s time to curl up in front of the TV in a fetal position and pray for 2017. Since this year has been Satan’s masturbatory fantasy, we deserve to glue our eyelids open and soak in the sweet, sweet escapism. And on January 1st, fortified by…
Alia Shawkat’s great comic skill is for the continually fresh expression of a determined disgust. That eager face of hers, beneath its constellations of freckles and her great Harpo-frizzed curls, is forever souring up with disappointment, even as her characters strive not to let this on. To feel let down…
In October, 200 coffee shops across the United States and Canada were made into Luke’s Diner for a day to promote the new revival of Gilmore Girls. No special signings or souvenirs — just the regular drink in a commemorative sleeve, served by the usual barista in a branded apron,…
Nice girls play by the rules. They turn their shoulders inward and nibble on the ends of their slim fingers, nervous about all those difficult thoughts in their heads. And their hair is always perfect and feathery like a baby bird on a collector’s plate. If this description sounds angry,…
Aisholpan Nurgaiv has never met this eagle she’s posing with — borrowed from a local animal wrangler — on a balcony at the London Hotel in West Hollywood. In 90-degree heat, she’s a 15-year-old girl sweating in her Mongolian winter clothes, including a hat made from the first fox she…
When last we saw Howard Hughes onscreen, Leonardo DiCaprio was repeating “the way of the future” ad infinitum as he gazed into the mirror. Warren Beatty’s long-in-the-making Rules Don’t Apply isn’t nearly as concerned with the future as Martin Scorsese’s The Aviator was, looking instead to the past and all…
A Dallas theater showed Ben Fountain/Ang Lee’s new film in a very cool way. But then, it vanished. You’d be hard-pressed to find a Dallas nightstand that hasn’t felt the weight of Billy Lynn’s Long Halftime Walk. The New York Times bestseller, penned by local author/writing superstar Ben Fountain, is…
A French Village starts off on June 12, 1940, with a premiere that includes a German fighter plane shooting at children on a school trip. The scene is suspenseful but also staged with deliberate restraint, like a dream slowly turning into a nightmare before anybody quite realizes it. The series…
Oh man, are we in a backlash on liberal, PC culture right now. I mean, if you can call electing the KKK’s and Nazi party’s greatest white hope to the highest office in the world a backlash. I can’t even count how many people — strangers, family, trolls — have…
Maybe it was the agitated, election-induced state of mind I was in when I saw it, but Disney’s Moana feels like a movie about how easy it can be to give up, and how important it is not to. It’s funny, joyful, and sweet, and yet down below, running beneath…
As Allied opens, Brad Pitt parachutes so gently and quietly onto a stretch of Moroccan desert that at first you think he might be dead. And maybe he sort of is — maybe he has to be. Pitt’s Max Vatan is a pinched, terse figure in the first act of…
Fantastic Beasts and Where to Find Them, written as an original screenplay by author J.K. Rowling, is an expansion of her Harry Potter universe, and a test: Without lovable, adolescent leads Harry, Hermione Grainger, and Ron Weasley, or the elaborate narrative backbone provided by Rowling’s novels, can the wizarding world…
Tom Ford has entirely overstuffed his nesting-doll domestic drama-cum-thriller Nocturnal Animals, and yet I spent much of the film worrying that it might not have a point. Its aesthetic footprint is huge, but its impact decidedly small scale. That’s not always a bad thing; there’s a perverse elegance to so…
Anna Biller’s ripe, vibrant The Love Witch is an act of reclamation — and love. In this out-of-time extravaganza of feminist-satanist serial-killer erotica, the writer/director/producer — plus editor and set and costume designer — has crafted the best kind of homage or parody, the kind that honors every thrill and…
Billy Lynn’s Long Halftime Walk is a small film burdened with the epic, thanks to both its subject and its setting. Based on Ben Fountain’s 2012 novel, it depicts a day in the life of a young soldier (Joe Alwyn) briefly returning from Iraq to be honored with his squad…
The Amazon series Good Girls Revolt, centered on a landmark 1970 gender discrimination case at Newsweek, is the kind of period drama that’s more interested in commenting on the present than recreating the past. The storyline, about professional journalists, plays fast and loose with the facts, and creator Dana Calvo…
Ben Younger’s workmanlike but nevertheless rousing Bleed for This accomplishes something that’s a tall order for any boxing movie: It makes the inspirational training-montage sequences weird. Those are generally the most requisite and unexciting element of the genre, but Bleed for This freshens them thanks to the strange and disturbing…
Sure, teen comedies make stars of their leading ladies and fellas, but what about the authority figures? Eugene Levy’s nameless dad in American Pie is peripheral but memorable as a bumbly guiding force. Tina Fey’s Ms. Norbury in Mean Girls is a motherly but revelatory mess of a teacher. Harry…
Brazil might not want you to know it, but Aquarius is something special. Writer-director Kleber Mendonça Filho’s follow-up to the similarly exceptional Neighboring Sounds was notably not chosen as its country’s submission to the Oscars this year, a decision that may or may not be linked to a protest the filmmakers lodged…
Dog Eat Dog is like nothing Paul Schrader has ever done before. The director of films as diverse as American Gigolo, Mishima: A Life in Four Chapters, Affliction and Blue Collar (and the screenwriter of Taxi Driver, Raging Bull and The Last Temptation of Christ), Schrader is no stranger to…
One day, Denis Villeneuve will make a truly great movie. This is, apparently, a controversial opinion. Many out there feel strongly that the Canadian filmmaker has been leaping from triumph to triumph in recent years — with Sicario, Prisoners and Enemy under his belt — while some consider him a…
