The horror anthology — multiple short films, often from different directors, all tied together with a wraparound framing device — has been a staple of the genre since at least 1919 and the German Eerie Tales. Since then, horror has thrived in the short form, though television was the preferred…
Every Western that gets made feels like it could be the last one, and yet the genre refuses to ride off into the sunset. Martin Koolhoven’s Brimstone doesn’t breathe new life into the oater, but the Dutch writer/director has clearly studied the gunslingers of yore. His film strives for a…
Science fiction has gotten so high and mighty on TV that it now can be easy to admire but hard to love. Westworld and Mr. Robot may win Emmys and prompt think-pieces, but their self-reflective chill keeps the audience at arm’s length — few things are as annoying as getting…
For a movie in which a major character’s death is discovered when a giant lizard-monster vomits out his skull, Kong: Skull Island is a surprisingly breezy affair. It’s not so much that the characters or situations are particularly lighthearted. The film offers up plenty of wartime atmosphere and grim backstory,…
It’s March! Time to celebrate spring by staying inside and watching more TV! National Treasure (Hulu), March 1Originally a UK Channel 4 miniseries, this is a four-hour deep-dive into rape and sexual assault allegations against a beloved celebrity comedian. Sound familiar? I have some apprehension that it’ll try too hard…
How could this not work? Table 19 boasts the right premise and a top-shelf cast: Anna Kendrick, Stephen Merchant, June Squibb, Craig Robinson and the great Lisa Kudrow as the randos consigned to a wedding reception’s least choice table, the one way in the back by the bathrooms. Mostly strangers…
The one thing I know for sure is that most Oscar voters don’t care that a film as seemingly pleasant as Damien Chazelle’s modern musical La La Land has proven so divisive. Even as lyrics from “City of Stars” have become inspirational memes, artists like songwriter Elon Rutberg are calling…
Movie actors intend no less than to live forever, a goal that seems likely for the ever-likable, endlessly surprising Bill Paxton, who died last weekend at age 61 from complications following heart surgery. (Too damn soon.) No softie, Paxton created memorable movie villains, including the loves-his-work vampire in Near Dark…
A stylized painting of Woody Allen, a golden gun to his forehead, stares down at Hannah Horvath (Lena Dunham) in the astonishing third episode of Girls’ final season. She’s seated in the study of a best-selling wunderkind novelist, planted in the middle of his sofa while he faces her, coldly,…
Logan is a punch in the gut in all the right ways. Onscreen, the X-Men series has always found ways to morph and expand, from time-traveling fantasy to social allegory to political thriller. And it’s done so as other comic-book franchises have ossified, with the DC movies (foolishly) doubling down…
There’s a reason Zoey Deutch is often “the girl” in comedies. Her face expresses multitudes, and the funny guys need a woman with priceless reactions to sell their punch lines. She’s endured dick jokes for Robert De Niro and Zac Efron in Dirty Grandpa, played oblivious straight woman to the…
Agnieszka Smoczynska’s The Lure is a cautionary tale of sisterhood, sexuality, and the sometimes self-destructive things people do for love. The film, which won the award for best debut at the Gdynia Film Festival, is also a diabolically wicked Polish-language musical about two beautiful mermaids who climb ashore in Warsaw…
Television’s smartest network drama went out last year with a slap. The Good Wife, the hour-long CBS procedural about savvy lawyers and sexy investigators, looked as if it was going to end where it began, with Alicia Florrick (Julianna Margulies) standing by her politician husband Peter (Chris Noth) at a…
No, I Don’t Feel at Home in This World Anymore is not a documentary about all the things going through your head right now, but in his directing debut, actor Macon Blair (Blue Ruin, Green Room) certainly captures something of the spirit of the times. As this stylized, deliriously violent,…
Director George Mendeluk has stated that he wanted to make Bitter Harvest to bring wider attention to the Holodomor, the forced famine imposed by Joseph Stalin that killed between three and seven million ethnic Ukrainians in the early 1930s. That’s certainly a subject worthy of a film, but the question…
Jordan Peele’s Get Out is the most trenchant studio release in years, a slow-building, often hilarious horror thriller built upon a dead-serious idea: that a black man walking alone through white suburbs is in as much danger as any slasher-flick teenager. Peele opens with that image, showing us, in a…
It was interesting, and more than a little inspiring, to watch the public outcry against the nomination of Betsy DeVos as Secretary of Education over the past couple of weeks — especially the online campaign in which, in response to DeVos’ ill-informed attacks on America’s supposedly failing public education system,…
Maybe this’ll teach us not to judge a movie by its marketing campaign. Thanks to posters and trailers focused solely on its American star, Matt Damon, Zhang Yimou’s The Great Wall has been pilloried as an example of a Chinese myth being given the Hollywood white-savior treatment. In fact, the…
The movies never get the Midwest right. When, onscreen, have you seen white people at the grocery store mouth that shy, apologetic “oop” noise every time someone walks close enough that they feel they must shift out of the way? Or a father lecturing his children about the greatness of…
Even zombies need sensible snacks. In Sheila Hammond’s case, that means a baggie of severed fingers, which she munches like baby carrots while stalking her next victim in a parking garage, her pink “kill poncho” pulled tightly around her shoulders. In Santa Clarita Diet, the new 10-episode Netflix original series,…
Romantic comedies seem to have soured more than most movie genres. It could be due to their insistence on happy endings, or perhaps it’s the rigid structure that demands easily avoidable conflict followed by the protagonist breathlessly chasing down his or her true love just in time for the end…
In recent months, there have been serious calls for liberal city dwellers to reach beyond their “bubble” to better understand their rural counterparts. What’s rarely brought into the conversation: that large swathes of the so-called liberal elite have roots in rural places. These people, myself included, came of age among…
