Bob Dylan: Like a Complete Unknown

I’m Not There is the movie of the year — but to whom does Todd Haynes’s Bob Dylan biopic actually belong, and when was it really made? The great attention-grabber of last month’s New York Film Festival, I’m Not There is as notable for its stunt casting as its elusive…

Before the Devil Knows You’re Dead Has Family Issues

Before the Devil Knows You’re Dead is less Sidney Lumet’s comeback than his resurrection. Three years after being presented a Lifetime Achievement Oscar, the 83-year-old director comes forth with a violent family melodrama that is his strongest movie in at least two decades. Robustly directed from Kelly Masterson’s bear-trap screenplay…

Mr. Magorium Far Less Fantastical Than Its Title

Midway through the amiable children’s movie Mr. Magorium’s Wonder Emporium, there comes a speech that I’ll wager writer-director Zach Helm has been saving for future use ever since he discovered the Bard. As pop philosophy goes, it’s bracing stuff: Paraphrasing King Lear, Mr. Magorium (Dustin Hoffman), a 243-year-old “toy impresario”…

True Love

The Princess Bride: 20th Anniversary Edition (MGM) As far as anniversary-edition DVDs go, The Princess Bride is crushingly disappointing: no Rob Reiner commentary track, no outtakes, no making-of doc, no nothing, save for a lousy game and a few short interviews with Robin Wright Penn, Mandy Patinkin, Christopher Guest, and…

Nothing Left Behind in Southland Tales

A doom-ridden pulp cabalist with a dark sense of purpose as well as humor, Richard Kelly shoots the moon with his rich, strange and very funny sci-fi social satire, Southland Tales. Kelly’s debut, Donnie Darko, was the first post-millennial cult hit; his second feature, Southland Tales, achieved film maudit status…

The Kids Were All Right

Sesame Street: Old School Volume 2 (Genius) On the heels of the Electric Company boxed sets, which were at once educational and groovy as all get-out, comes the latest in greatest hits from Sesame Street before the neighborhood was gentrified for Elmo’s protection. Chief among the copious highlights in this…

Robert Redford and the American Façade

Although he plays a college professor in his latest film, Robert Redford was, by his own admission, never much of a student, consistently more interested in what was going on outside the classroom window than inside. But there’s one moment from Redford’s academic past that burns brightly in his memory…

Coen Brothers Transcend Themselves with No Country for Old Men

“Hold still”—it’s what the hunters say to the hunted in the Coen Brothers’ No Country for Old Men. The first time we hear it, it’s the out-of-work Vietnam vet Llewelyn Moss (Josh Brolin) whispering optimistically to the antelope he spies through his rifle sight while perched on the crest of…

The Upside of Lions for Lambs

Less a war drama than a set of dueling position papers, Robert Redford’s Lions for Lambs may be the gabbiest movie ever made about American foreign policy—and it wasn’t even written by Aaron Sorkin. Hot young screenwriter Matthew Michael Carnahan is fresh off his alpha-male script for The Kingdom, which…

Vince Vaughn Tries to Attract the Underage with Fred Claus

Banking on the career choices of Vince Vaughn garners increasingly erratic returns, which is ironic, given that he has finally settled on (or surrendered to) a consistent onscreen persona: his own bad self. Uneasy from the beginning, Vaughn avoided the superstardom that seemed within reach after Swingers by trying on…

Aborton doc Lake of Fire Gives No Answers

Named for the spot in Christian fundamentalist hell where sinners are condemned to spend eternity, Tony Kaye’s Lake of Fire is a provocatively beautiful movie on the hottest hot-button issue in American life: a woman’s right to an abortion. The British-born Kaye, an enormously successful maker of deluxe TV commercials,…

A Bitter End

No End in Sight (Magnolia) Charles Ferguson’s debut doc, easily the most important in a year full of notable fact-gathering films, assembles some of the key players behind the invasion and occupation of Iraq and seems to ask them but one question: “What went wrong?” In short: everything. But Ferguson’s…

Review: Ridley Scott’s American Gangster

American Gangster is a movie with obvious gravitas and a familiar argument: Organized crime is outsider capitalism. As archetypal as its title, Ridley Scott’s would-be epic aspires to enshrine Harlem dope king Frank Lucas in Hollywood heaven, heir to Scarface and the Godfather. Or, as suggested by the Mark Jacobson…

Li’l Pollock? Nah, My Kid Could Paint That

No matter how apparently brilliant or obviously slobbering a kid is, every single parent has said the exact same thing about 38 times this week alone: My Kid Could Paint That. We’re so proud of our little geniuses and so desperate to prove to the world that our children know…

Schmaltzy Martian Child Attacks John Cusack, All Dads

John Cusack, who more or less began his career sneaking a peek at Molly Ringwald’s panties in Sixteen Candles, has finally become an on-screen daddy—only took, what, 23 years? Except, he’s not exactly the most fortunate family man on film: First, in Martian Child he plays a widower who adopts…

Sidney Lumet’s Long Journey

“There’s a reason I’ve had some good pictures and other guys will never have good pictures,” Sidney Lumet says matter-of-factly on a recent afternoon in his New York office — four cramped white walls, unadorned by awards or other memorabilia, on the top floor of the Ansonia Building, where Enrico…

Amy Ryan is Here, Baby, Here

I hope people ask me, ‘Where did you find that local actress?'” Ben Affleck told Amy Ryan when he cast her as a wreck of a single mother in his directing debut, Gone Baby Gone. When Ryan showed up on the Boston set in ratty hair, muddy makeup, and a…

You’ve Got to Bee Kidding

After making a mint off a series about nothing, Jerry Seinfeld apparently decided his first feature film ought to be about something—in the case of Bee Movie, the enslavement and torture of bees for the pleasure and profit of humans, which is, like, hilarious. It’s rather tempting to approach Seinfeld’s…

The Boys Are Back

The Boys Are Back Directors Series: Stanley Kubrick (Warner Bros.) Most of the old Kubrick DVDs were crap: full-screen editions with poor pictures and virtually no special features. This set makes up for them with 2001, A Clockwork Orange, The Shining, Full Metal Jacket and Eyes Wide Shut (hey, who…

George Lucas’ Right-Hand Man

Rick McCallum had nothing to do with the original Star Wars. He was just 23 years old when it was released in 1977 and chasing his first job in the film industry. So, please, don’t age him unnecessarily: “I’m portrayed as 70 years old on the Internet because somebody thinks…

Steve Carrell’s Strke Two: Dan in Real Life

Dan in Real Life has this much going for it: It is not the worst Steve Carell film of 2007. That honor, of course, goes to Evan Almighty, which even the Lord walked out of during the second reel. Fact is, Dan in Real Life isn’t really much of a…

Genuine Fake Robots

Transformers (DreamWorks) No doubt, Michael Bay’s slam-bang action-figure commercial doesn’t play nearly as well on TV, no matter how high or high-def your screen; this demands to be seen on a screen the size of a skyscraper and heard on speakers as large as jet engines. So the first half-hour…