Named for the spot in Christian fundamentalist hell where sinners are condemned to spend eternity, Tony Kaye’s Lake of Fire is a provocatively beautiful movie on the hottest hot-button issue in American life: a woman’s right to an abortion. The British-born Kaye, an enormously successful maker of deluxe TV commercials,…
No End in Sight (Magnolia) Charles Ferguson’s debut doc, easily the most important in a year full of notable fact-gathering films, assembles some of the key players behind the invasion and occupation of Iraq and seems to ask them but one question: “What went wrong?” In short: everything. But Ferguson’s…
American Gangster is a movie with obvious gravitas and a familiar argument: Organized crime is outsider capitalism. As archetypal as its title, Ridley Scott’s would-be epic aspires to enshrine Harlem dope king Frank Lucas in Hollywood heaven, heir to Scarface and the Godfather. Or, as suggested by the Mark Jacobson…
No matter how apparently brilliant or obviously slobbering a kid is, every single parent has said the exact same thing about 38 times this week alone: My Kid Could Paint That. We’re so proud of our little geniuses and so desperate to prove to the world that our children know…
John Cusack, who more or less began his career sneaking a peek at Molly Ringwald’s panties in Sixteen Candles, has finally become an on-screen daddy—only took, what, 23 years? Except, he’s not exactly the most fortunate family man on film: First, in Martian Child he plays a widower who adopts…
“There’s a reason I’ve had some good pictures and other guys will never have good pictures,” Sidney Lumet says matter-of-factly on a recent afternoon in his New York office — four cramped white walls, unadorned by awards or other memorabilia, on the top floor of the Ansonia Building, where Enrico…
I hope people ask me, ‘Where did you find that local actress?'” Ben Affleck told Amy Ryan when he cast her as a wreck of a single mother in his directing debut, Gone Baby Gone. When Ryan showed up on the Boston set in ratty hair, muddy makeup, and a…
After making a mint off a series about nothing, Jerry Seinfeld apparently decided his first feature film ought to be about something—in the case of Bee Movie, the enslavement and torture of bees for the pleasure and profit of humans, which is, like, hilarious. It’s rather tempting to approach Seinfeld’s…
The Boys Are Back Directors Series: Stanley Kubrick (Warner Bros.) Most of the old Kubrick DVDs were crap: full-screen editions with poor pictures and virtually no special features. This set makes up for them with 2001, A Clockwork Orange, The Shining, Full Metal Jacket and Eyes Wide Shut (hey, who…
Rick McCallum had nothing to do with the original Star Wars. He was just 23 years old when it was released in 1977 and chasing his first job in the film industry. So, please, don’t age him unnecessarily: “I’m portrayed as 70 years old on the Internet because somebody thinks…
Dan in Real Life has this much going for it: It is not the worst Steve Carell film of 2007. That honor, of course, goes to Evan Almighty, which even the Lord walked out of during the second reel. Fact is, Dan in Real Life isn’t really much of a…
Transformers (DreamWorks) No doubt, Michael Bay’s slam-bang action-figure commercial doesn’t play nearly as well on TV, no matter how high or high-def your screen; this demands to be seen on a screen the size of a skyscraper and heard on speakers as large as jet engines. So the first half-hour…
Late in Rendition, in case you’ve been blind and deaf enough not to have cottoned to the drift, a tense Washington exchange on the legitimacy of bundling dark-skinned Americans off to secret prisons abroad takes place. On one side is a driven young senatorial aide (Peter Sarsgaard); on the other,…
“Down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid,” Raymond Chandler wrote in 1950’s “The Simple Art of Murder,” smacking the ascot off the drawing-room mystery and all its crime-solving dilettante dandies. “He must be…a man of honor, by instinct,…
Sundance signals, for better or worse, the state of American independent filmmaking. Cannes keeps faith, for those who still believe, with the cinema d’auteur. And Toronto? The largest and most important film festival in North America seems to do nearly as many things as there are movies to see349 in…
You Kill Me (Genius) Funny thing seeing Philip Baker Hall in You Kill Me, as he’s already played the role of a drunken hit man’s boss in The Matador, to which this feels like a slapshtick-noir sequel. It’s also the photo-negative of Sexy Beast: Once more Ben Kingsley plays a…
The estranged brothers Whitman have reunited for a journey onboard The Darjeeling Limited, a colorful old locomotive traversing the Rajasthan region of India. Along the way, they will stop to visit temples (“Probably one of the most spiritual places on earth!”) and shop for souvenirs (slippers, cobras, pepper spray), with…
“Will you leave your kingdom to a heretic?” That was the question posed to a dying Queen Mary in 1998’s Elizabeth, director Shekhar Kapur’s grim and dingy film now viewed in retrospect as the origin story of a superhero: The Armored Virgin Queen, faster than a speeding lead pellet, more…
Caligula: Imperial Edition (Penthouse) (Spoiler alert: Fisting!) One day back in the swingin’ ’70s, somebody mentioned how “absolute power corrupts absolutely,” and then Bob Guccione, Gore Vidal, Malcolm McDowell, Helen Mirren and Peter O’Toole said, “Let’s make a big-budget movie about that, with come shots.” And Caligula was born. Actually,…
Calling all pundits. It’s a baffling caprice of the zeitgeist to have two studio Westerns released in the same month, 30-odd years after the genre basically gave up the ghost. James Mangold’s better-than-competent and highly crowd-pleasing 3:10 to Yuma has provided a harmonica fanfare for something more ambitious and polarizing…
It will no doubt be said time and again of Michael Clayton: best John Grisham adaptation ever. Only, of course, it did not spring from the billion-dollar mind of the attorney-turned-franchise, but from Tony Gilroy, who made his big-screen bow 15 years ago as the screenwriter of the ice-skating melodrama…
“Beautiful” and “cruel”: That’s how director Ang Lee describes Eileen Chang’s 1979 short story about obsessive love and effortless betrayal in Japanese-occupied Shanghai, a tale upon which Lee has based his epic-length Lust, Caution. Writing in the afterword to a recently republished version of the 54-page story, which took Chang…
