The late George Hickenlooper’s Casino Jack is an improbably blithe cautionary tale, recounting the rise and fall of D.C. superlobbyist Jack Abramoff. “You’re either a big-leaguer or you’re a slave clawing your way onto the C train,” the avid antihero (Kevin Spacey) tells his mirrored reflection in the pre-credit sequence;…
Based on the Pulitzer Prize-winning play by David Lindsay-Abaire, John Cameron Mitchell’s Rabbit Hole plops us down in the lives of Becca (Nicole Kidman, who also produced) and Howie (Aaron Eckhart), fortyish bourgie marrieds rattling around an East Coast dream house. In the film’s first scenes, the couple acts out…
Boldly reanimating the comic Western that secured John Wayne his Oscar 41 years ago, the Coen brothers’ True Grit is well-wrought, if overly talkative, and seriously ambitious. Opening with a strategically abbreviated Old Testament proverb (“The wicked flee when none pursueth”), the film returns the Coens to the all-American sagebrush…
Just in time for the whole family to file into the multiplex on a silent Christmas night when there’s nowhere else to go: a return to the magnified dysfunction of the Focker household and the cozy holiday glow of some paychecking celebrities. This began a decade ago in Meet the…
An odd duck of a romantic comedy from James L. Brooks, How Do You Know strays as far from a barrel of laughs as a writer-director formed by network television can get without losing his grip altogether. The movie’s rhythms are loose, disjointed and peppered with strategic silences or half-finished…
Jeff Bridges is God and, as image-captured from the original 1982 Tron, he’s also the devil in Disney’s mega-million dollar reboot, Tron: Legacy. The notion of a tragically split persona might have been scripted to give the new movie a measure of emotional gravitas, but why bother with writing when…
The Fighter is based on the true story of Lowell, Massachusetts, light welterweight champ “Irish” Micky Ward, but, starring Boston working-class hero Mark Wahlberg, it plays as a Rocky-fied fairy tale for our time: Consigned to Palookaville, a sweet, unassuming boxer with more heart than brains steps up—all the way…
A picnic for Anglophiles, not to mention a prospective Oscar bonanza for the brothers Weinstein, The King’s Speech is a well-wrought, enjoyably amusing inspirational drama that successfully humanizes, even as it pokes fun at, the House of Windsor. The story—shy young prince helped by irascible wizard to break an evil…
Rock-bottom expectations are rewarded, sort of, in this update of Hanna-Barbera’s necktied ursus, which hopes to outdo the live action/computer animation success of the Alvin and the Chipmunks franchise by adding one more dimension. Yogi (who debuted in 1958 and was loosely based on The Honeymooners’ Ed Norton) is voiced…
Men follow Angelina Jolie in The Tourist. Men and cameras. They follow her — chic, coiffed, assless—through the streets of Paris. They follow her onto the train to impossible, floating Venice, where she heads on the instruction of her shadowy, fugitive lover. Eventually, they follow fellow passenger Johnny Depp as…
It’s taken almost two years for the bonkers, exhilarating same-sex romantic comedy I Love You Phillip Morris to finally reach theaters. Premiering at Sundance in January 2009, the movie was a near-casualty of nervous-nellie U.S. distributors—more comfortable with innocuous gay genres like the homosexual weepie or the martyr biopic—and countless…
A massive project, taken up lightly by Disney in the giddy post-Lord of the Rings atmosphere and dropped upon failing to return the requisite billions, this third adaptation from C.S. Lewis’s seven-volume (!) Chronicles of Narnia comes underwritten by a new studio, 20th Century Fox, and with a new director,…
In Yony Leyser’s documentary hagiography—which ends with John Waters nominating its subject for iconoclast-artist sainthood—William Seward Burroughs’ literary efforts are of secondary interest, noted for their influence on rock lyrics and band names. In the main, celebrity talking heads have gathered here to celebrate Burroughs’ life as an 83-year masterpiece…
Airily disregarding the Hemingway Unadaptability Principle, this quaintly racy version of Papa’s most hated novel has a few bullets in its barrel: Dynasty scion Jack Huston, as the Hem avatar, is dull but physically a perfect fit, the Mediterranean tourist-porn is addictive and the story, unique in this particular corpus,…
A near-irresistible exercise in bravura absurdity, Darren Aronofsky’s Black Swan deserves to become a minor classic of heterosexual camp—at the very least, it’s the most risible and riotous backstage movie since Showgirls. Tchaikovsky’s Swan Lake has had a spooky quality at least since Tod Browning appropriated a few bars of…
The usually silver-tongued Eliot Spitzer, political hero of last month’s Inside Job and now ubiquitous media personality, stammers and hesitates when asked to explain the psychosexual motivations behind his spectacular flameout in Alex Gibney’s gripping Client 9—or, if you prefer, Inside Blowjob. Spitzer, whose tireless efforts to redeem himself led…
“She doesn’t sing that way because she’s had it easy.” This is how Tess (Cher), the long-suffering owner of the nightclub at the center of Burlesque, defends her new star Ali (Christina Aguilera) to the club’s jealous deposed marquee attraction, Nikki (Kristen Bell). The same phrase could substitute as a…
“Great,” sighs the wicked witch in Tangled, a CG-animated spin on the Rapunzel story, “now I’m the bad guy.” Mother Gothel, the frizzy-haired, sharp-featured enchantress with the inimitable voice of Donna Murphy, is Disney’s first villainess whose chief crime is being an underminer, and the heroine of Disney’s 50th animated…
Everest looks suitably majestic in this IMAX documentary, though five different expeditions on the peak are awkwardly cobbled into one dubious narrative. At issue is whether, in 1924, George Mallory and his rope-mate reached the summit 30 years before credited first-timer Edmund Hillary. Mallory’s body was discovered in 1999 by…
Some young actors yearn for that flashy role in a blockbuster movie that will prove their bankability to a doubting Hollywood. Kristen Stewart, on the other hand, seems determined to accentuate her anti-star bona fides, delivering aggressively affectless interviews and bracketing this summer’s $300 million-earning Twilight: Eclipse with two grittier…
A teenage witch stands trembling behind her unsuspecting mother and father, wand raised. Obliviate, she whispers, and her parents’ eyes go glassy, their memories erased. On the mantel, the girl’s image disappears from the family’s photos. Blinking back tears, she walks into the street, the link between herself and her…
What if we choose to exist solely in a reality of our own making?” asks Pittsburgh community-college lit professor John Brennan (Russell Crowe) rhetorically during a discussion of Don Quixote in The Next Three Days, Paul Haggis’ fourth effort as director. Like his lumpy protagonist, Haggis, who also scripted this…
