The two-part tale of French gangster-showman Jacques Mesrine is as densely packed and serially rambling as a well-trafficked Wikipedia entry. Director Jean-François Richet, who whipped up not-bad mayhem in his Assault on Precinct 13 remake, devotes so much time to tallying his subject’s career milestones and highlights that any insight…
The Switch is a loose adaptation of a Jeffrey Eugenides story called “Baster,” published in The New Yorker in 1996 and deemed fit for inclusion in the 2001 best-of anthology Wonderful Town. Last week, when asked by the New Yorker’s book blog about the film—which stars Jennifer Aniston and Jason…
Midway through Lottery Ticket, a teen-comedy-cum-wish-fulfillment fantasy, the movie’s hero, Kevin Carson, goes on a spending spree. The holder of a $370 million lottery ticket that he can’t cash in until after the July 4 holiday, Kevin accepts a $100,000 loan from a local gangster and proceeds to spend it…
“If the money’s right, we don’t care where the job is.” So explains the leader of hired-gun task force The Expendables, Barney Ross (Sylvester Stallone). This credo lands Ross and his team in the Gulf of Aden as our story begins. Somali pirate kidnappers staging a videotaped decapitation are pinned…
Edgar Wright’s Scott Pilgrim vs. the World is every bit as faithful to its source material (Bryan Lee O’Malley’s six-volume series about a 22-year-old go-nowhere man-boy fending off his new girlfriend’s seven evil exes) as Zack Snyder’s Watchmen was to his (Alan Moore and Dave Gibbons’ brooding comic-hero deconstruction). Both…
After obligatory helicopter views of New York’s skyline open Adam McKay’s The Other Guys, we’re introduced to Danson and Highsmith (Dwayne Johnson and Samuel L. Jackson), a duo of headline-grabbing, unflappable supercops who keep the city exciting, if not safe, with law enforcement by the Michael Bay book. The Other…
If the plot of Middle Men sounds familiar—Luke Wilson gets in bed with James Caan, who just wants to fuck him—that’s because it’s the same as the plot of Bottle Rocket, Wes Anderson’s 1996 directorial debut, in which Wilson and Caan worked together for the first time. Middle Men is…
Strictly speaking, the two scrappy Irish kids in Lance Daly’s Kisses aren’t homeless, but in every sense that matters, they have only each other for shelter. Kylie and Dylan (played by Kelly O’Neill and Shane Curry, both plucked from Dublin schools and oozing forlorn defiance) live next door to each…
In Steve Carell’s first few episodes of the American version of The Office, his character, Michael Scott, hewed closely to the template created by the series’ British mastermind, Ricky Gervais. Scott, like David Brent before him, was cruel and obtuse, a nightmare of a boss who thinks he’s a leader…
Salt, famously the Spy Flick Rewritten for Angelina Jolie After Tom Cruise Dropped Out, has been publicized as the cinematic equivalent of the 19th Amendment: finally, a level playing field for female action stars! This is mostly bullshit, of course—Jolie’s Evelyn Salt is not the first action hero to be…
Agora: Not lacking for conviction or cojones, Alejandro Amenábar’s Agora is a big, broad, stridently atheistic sword-and-sandals entertainment that recounts a tragic turning point in world history. Rachel Weisz plays Hypatia, a brilliant astronomer in 4th-century Alexandria whose life and work is increasingly threatened by a bloody societal shift toward…
The Nature of Existence: We’d all like to get to the bottom of the titular conundrum posed by Roger Nygard’s The Nature of Existence, but traveling around the world asking religious leaders, skeptics, scientists and a few ringer celebrities “life’s big questions” is probably not the best way to pursue…
Ramona and Beezus: Despite the presence of Mouse House starlet Selena Gomez, Ramona and Beezus is less Disney than Hallmark Channel, a loose adaptation of Beverly Cleary’s first novel in her beloved kid-lit series that’s wholesome to the point of dull. Elizabeth Allen’s innocuous film charts Ramona Quimby (Joey King)…
Inception is a chilling trip into the psyche…of writer-director Christopher Nolan, an Anglo-American action director who shattered the Tomatometer of mass-consensus with The Dark Knight. Nolan’s follow-up offers more muted colors, gift-wrapped themes and GQ leading men with stockbroker comb-backs over the frowns carved in their brows—indicators of high-minded artistry,…
Implicit in its title, the premise of The Killer Inside Me—directed by Michael Winterbottom from Jim Thompson’s 1952 crime novel—could be summed up in a classified ad: Texas cop with pleasant boyish demeanor seeks compliant dames for sadistic sex games culminating in murder. What complicates this tale is its telling…
In the summer of 2007, two Western journalists dug in with a platoon of American soldiers on a 15-month deployment in the Korengal Valley, a strategic outpost near Afghanistan’s border with Pakistan. The mountainous region was infested with Taliban fighters and possibly was also used by Al-Qaeda leaders as a…
Serious comedy, powered by an enthusiastic cast and full of good-natured innuendo, Lisa Cholodenko’s The Kids Are All Right gives adolescent coming-of-age and the battle of the sexes a unique twist, in part by creating a romantic triangle between a longstanding, devoutly bourgeois lesbian couple Nic and Jules (Annette Bening…
The Father of My Children, a drama about love, sorrow and the heartbreak of independent film financing, is sliced neatly in half by the sudden death of its protagonist, Grégoire Canvel. I’m not spoiling: Writer-director Mia Hansen-Løve has admitted that Grégoire is based on the French producer Humbert Balsan, who…
As the lights were dimming before a preview screening of Despicable Me, the 6-year-old who lives in my house leaned over and said, “I hope this is funny–not like Toy Story 3.” Now don’t misunderstand: He adored that movie. It’s just that whenever the subject comes up, the first word…
In Cyrus, a freakishly engrossing black comedy about excessively mothered men and the women who enable them, the excellent John C. Reilly plays John, a middle-aged editor who lives like a stalled graduate student in his cluttered Los Angeles cottage. That’s where his former wife and close friend, Jamie (Catherine…
Why is Eclipse, the third film in the Twilight series, so fantastically successful? Why does the audience shriek and moan and giggle throughout in feverish joy? Well, perhaps they’d do that no matter what, but Eclipse is the least laughable installment yet in the series, and director David Slade efficiently…
You know and love Jason Bourne as an implacable killing machine. But what if he were a mouthy asshole instead? That’s the provocative question posed by James Mangold’s Knight and Day, which casts Tom Cruise as a Bourne wannabe who seriously can’t shut up. As Roy Miller, an agent gone…
