Blue Valentine plumbs the emotional depths of a marriage unraveling.

When the MPAA handed Derek Cianfrance’s Blue Valentine an NC-17 rating this fall, cynics suggested that the so-called “kiss of death” was better publicity for the gently experimental marriage drama than anything famously crafty distributor Harvey Weinstein could buy. When the rating was reversed this month—downgraded to an R without…

Casino Jack: Pointlessly Manic and Missing an Edge

The late George Hickenlooper’s Casino Jack is an improbably blithe cautionary tale, recounting the rise and fall of D.C. superlobbyist Jack Abramoff. “You’re either a big-leaguer or you’re a slave clawing your way onto the C train,” the avid antihero (Kevin Spacey) tells his mirrored reflection in the pre-credit sequence;…

Rabbit Hole: The Lifeless Pursuit of “Normal” Life.

Based on the Pulitzer Prize-winning play by David Lindsay-Abaire, John Cameron Mitchell’s Rabbit Hole plops us down in the lives of Becca (Nicole Kidman, who also produced) and Howie (Aaron Eckhart), fortyish bourgie marrieds rattling around an East Coast dream house. In the film’s first scenes, the couple acts out…

True Grit: Coen Brothers Take Their Tongues Out of Their Cheeks.

Boldly reanimating the comic Western that secured John Wayne his Oscar 41 years ago, the Coen brothers’ True Grit is well-wrought, if overly talkative, and seriously ambitious. Opening with a strategically abbreviated Old Testament proverb (“The wicked flee when none pursueth”), the film returns the Coens to the all-American sagebrush…

Little Fockers: The Franchise Has Seen Better Days.

Just in time for the whole family to file into the multiplex on a silent Christmas night when there’s nowhere else to go: a return to the magnified dysfunction of the Focker household and the cozy holiday glow of some paychecking celebrities. This began a decade ago in Meet the…

Tron: Legacy: Bliss Out On a 3-D, CGI’d, Incomprehensible Head Trip.

Jeff Bridges is God and, as image-captured from the original 1982 Tron, he’s also the devil in Disney’s mega-million dollar reboot, Tron: Legacy. The notion of a tragically split persona might have been scripted to give the new movie a measure of emotional gravitas, but why bother with writing when…

The Fighter Falls Through the Ropes.

The Fighter is based on the true story of Lowell, Massachusetts, light welterweight champ “Irish” Micky Ward, but, starring Boston working-class hero Mark Wahlberg, it plays as a Rocky-fied fairy tale for our time: Consigned to Palookaville, a sweet, unassuming boxer with more heart than brains steps up—all the way…

The King’s Speech: How Therapy Saved the Monarchy.

A picnic for Anglophiles, not to mention a prospective Oscar bonanza for the brothers Weinstein, The King’s Speech is a well-wrought, enjoyably amusing inspirational drama that successfully humanizes, even as it pokes fun at, the House of Windsor. The story—shy young prince helped by irascible wizard to break an evil…

Yogi Bear: More Dimensions Than Your Average Bear

Rock-bottom expectations are rewarded, sort of, in this update of Hanna-Barbera’s necktied ursus, which hopes to outdo the live action/computer animation success of the Alvin and the Chipmunks franchise by adding one more dimension. Yogi (who debuted in 1958 and was loosely based on The Honeymooners’ Ed Norton) is voiced…

The Tourist Gawks at its Stars, Visits Venice, Has Twist.

Men follow Angelina Jolie in The Tourist. Men and cameras. They follow her — chic, coiffed, assless—through the streets of Paris. They follow her onto the train to impossible, floating Venice, where she heads on the instruction of her shadowy, fugitive lover. Eventually, they follow fellow passenger Johnny Depp as…

I Love You Phillip Morris: Jim Carrey and Crew Go Balls-Out.

It’s taken almost two years for the bonkers, exhilarating same-sex romantic comedy I Love You Phillip Morris to finally reach theaters. Premiering at Sundance in January 2009, the movie was a near-casualty of nervous-nellie U.S. distributors—more comfortable with innocuous gay genres like the homosexual weepie or the martyr biopic—and countless…

Narnia: An Ailing Franchise Gets Another Chance

A massive project, taken up lightly by Disney in the giddy post-Lord of the Rings atmosphere and dropped upon failing to return the requisite billions, this third adaptation from C.S. Lewis’s seven-volume (!) Chronicles of Narnia comes underwritten by a new studio, 20th Century Fox, and with a new director,…

William S. Burroughs: A Man Within: Profile of a Counterculture Saint

In Yony Leyser’s documentary hagiography—which ends with John Waters nominating its subject for iconoclast-artist sainthood—William Seward Burroughs’ literary efforts are of secondary interest, noted for their influence on rock lyrics and band names. In the main, celebrity talking heads have gathered here to celebrate Burroughs’ life as an 83-year masterpiece…

Hemingway’s The Garden of Eden: A Dull, Soft-Core Cocktail

Airily disregarding the Hemingway Unadaptability Principle, this quaintly racy version of Papa’s most hated novel has a few bullets in its barrel: Dynasty scion Jack Huston, as the Hem avatar, is dull but physically a perfect fit, the Mediterranean tourist-porn is addictive and the story, unique in this particular corpus,…

Black Swan: Natalie Portman Goes Batshit in a Tutu.

A near-irresistible exercise in bravura absurdity, Darren Aronofsky’s Black Swan deserves to become a minor classic of heterosexual camp—at the very least, it’s the most risible and riotous backstage movie since Showgirls. Tchaikovsky’s Swan Lake has had a spooky quality at least since Tod Browning appropriated a few bars of…

Client 9: Investigating Eliot Spitzer’s Own Worst Enemies.

The usually silver-tongued Eliot Spitzer, political hero of last month’s Inside Job and now ubiquitous media personality, stammers and hesitates when asked to explain the psychosexual motivations behind his spectacular flameout in Alex Gibney’s gripping Client 9—or, if you prefer, Inside Blowjob. Spitzer, whose tireless efforts to redeem himself led…

Burlesque Squanders Its Hottest Asset: Xtina.

“She doesn’t sing that way because she’s had it easy.” This is how Tess (Cher), the long-suffering owner of the nightclub at the center of Burlesque, defends her new star Ali (Christina Aguilera) to the club’s jealous deposed marquee attraction, Nikki (Kristen Bell). The same phrase could substitute as a…

Welcome to the Rileys: Kristen Stewart and the Birth of an Anti-Star.

Some young actors yearn for that flashy role in a blockbuster movie that will prove their bankability to a doubting Hollywood. Kristen Stewart, on the other hand, seems determined to accentuate her anti-star bona fides, delivering aggressively affectless interviews and bracketing this summer’s $300 million-earning Twilight: Eclipse with two grittier…