Film, TV & Streaming

And it looks, I must say, rather awesome. Read Jamie’s preview of the fest, and get details on the festival web site…

Distribution companies for Asian cinema have been in steady decline over the last decade, often citing illegal downloads and lackluster international market response when they fold. For lovers of the genre, this means fewer funds are being put toward the creation of new films, making it tougher for innovative talent…

Take This Waltz, director Sarah Polley’s second feature, is much like her first, 2006’s superb Away From Her, in that it thoughtfully probes the pitfalls of coupledom and third-party threats. Five years into their marriage, Torontonians Margot (Michelle Williams) and Lou (Seth Rogen) have regressed fully into sexlessness, heat and…

Not to knock films as fantastic as his Rachel Getting Married, The Silence of the Lambs and Something Wild, but there’s something wilder — or at least, more directly stimulating and pure — about Jonathan Demme’s live-performance docs. The 68-year-old auteur immortalized a Talking Heads show (and David Byrne’s oversized…

Bart Weiss is a man of many camera angles. He’s the artistic steering power behind the Dallas Video Festival (which enters its 25th installment this September), serves as President of the Board of Directors of the Association of Independent Video and Filmmakers, and sits on the Board of Directors of…

Distribution companies for Asian cinema have been in steady decline over the last decade, often citing illegal downloads and lackluster international market response as the culprit when they fold. For lovers of the genre, this means that fewer funds are being put towards the creation of new films, making it…

Walter White’s life of crime began in a busted-up 1986 Fleetwood Bounder. For Dallas fans who have followed the Breaking Bad protagonist’s story since the beginning, the last ride begins on the Rooftop Patio at Sundown at Granada July 15, where the bar will screen every episode of the show’s…

Beasts of the Southern Wild may be director Benh Zeitlin’s first feature film, but it certainly doesn’t feel like it. Aside from winning four awards at Cannes and the Grand Jury Prize at Sundance this year, the film got picked up for distribution by Fox Searchlight – the studio behind…

The Amazing Spider-Man, an inexcusably good reboot-thing from director Marc Webb, celebrates the heartwarming arachno-genetic bar mitzvah in which a boy becomes a spider, and a spider becomes a man, a rite of passage last observed in Sam Raimi’s uneven but often pretty great trilogy in the aughts. And there’s…

In Woody Allen’s new film, To Rome With Love, people — like, really young people — still talk, improbably, about “neuroses.” Horny, middle-age businessmen actually stand around the water cooler and ogle the hot secretary, as in the Playboy cartoons of the ancients. In the Allen Legendarium, Freudian psychiatrists never…

“Welcome to the recession, boys,” says John Travolta’s DEA-double-agent profiteer in Oliver Stone’s Savages, based on Don Winslow’s novel. Savages is a movie of its moment, though both its good guys and bad guys (if there’s really even a difference) are unquestionably the 1 percent of their industry — that…

A zealous gumbo of regionalism, magical realism, post-Katrina allegory, myth and ecological parable, Beasts of the Southern Wild, the southern Louisiana-set debut feature of 29-year-old Benh Zeitlin, rests, often cloyingly, on the tiny shoulders of Quvenzhané Wallis. Her character, Hushpuppy, the film’s 6-year-old (also Wallis’ age during filming) protagonist and…

There’s no doubt that you know the name Chris Pine. He is of course the leading man who made Captain James Tiberius Kirk synonymous with cool again. And the name Alex Kurtzman might not ring a bell, but it should. After all, he is the writer who made Star Trek…

The tense moments came fast and furious during the fourth episode of the new Dallas this week, making us salivate – no, downright drool – for the moment that J.R. finally reclaims control of Southfork Ranch. We’re supposed to be rooting for the bad guy, right? Because it’s a hell…

When Channing Tatum stood up and revealed his bare ass to the camera a minute or two into Steven Soderbergh’s Magic Mike — which the actor conceived of and produced based on his own experience as a teenage dancer in an all-male exotic revue — the audience in my screening…

Fans of Seth MacFarlane’s Fox mainstay Family Guy who wish he would run afoul of FCC regulations every week might be pleased with Ted, the story of a 35-year-old man and his foul-talking teddy bear. Plushies, too, might be turned on by the pot-smoking, whore-banging CGI toy ursus of the…

The DeLorean, Bond’s DB5, the Bandit’s Trans Am. Sometimes it’s an iconic car that makes a movie as much as Reynolds’ mustache or Connery’s brogue. (Did Bullitt even have a plot? Your guess is as good as ours.) Well, this just in, today from 1:00 to 6:00 p.m., you can…

Hey Dallas lady, you seem really sweet but you didn’t need Bethenny’s advice about “shaking things up” today to “shake things up.” You just did it. By Skyping your way onto a national talk show, you have guaranteed that everyone who knows you or your boyfriend of ten years are…

After last week’s uneven, unintentionally comical premiere (“I never SENT you an EEEEEE-MAIL.”), TNT’s re-launch of Dallas hit a gusher on Wednesday (isn’t that what the oil people say when they do well?). J.R. Ewing, like, TOOK-OVER took over. Asses were kicked, names taken, delicious one-liners uttered. He began his…

Apocalypse movies are a venerable enough genre (and reliable enough as box-office cash spigots) to support a few lightweight, funny-sad-romantic entries every once in a while. Given the right touch, this approach can be just the antidote to the idea-free, effects-laden blockbusters and art-house pity parties that dominate the form…

Beginning with a bilious toast and ending with a group hug, Lynn Shelton’s Your Sister’s Sister, her fourth film, expertly makes us squirm for about half its running time only to soothe us with empty pop-psych declarations. In Shelton’s previous feature, the bolder Humpday, two straight guys, in a moment…

The logical outer limit of the whole horror-as-metaphor thing, Abraham Lincoln: Vampire Hunter shoehorns the entire personal history of the 16th president into mega-budget The Legend of the 7 Golden Vampires chop-socky/grind house schlock, and casts the seditious South as a nation of slave-sucking undead. “History,” narrates Abe (Benjamin Walker),…