Raise a Finger

Chinese artist, activist and antagonist Ai Weiwei became a worldwide cause celebre last April when he was arrested by authorities at the Beijing Airport, detained in an undisclosed location for nearly three months, and released after allegedly confessing to tax evasion. The Sundance-feted documentary Ai Weiwei: Never Sorry concludes shortly…

The Lurid Pleasure of Killer Joe

At one point in Killer Joe, a hideously funny tabloid noir set on the outskirts of Dallas County, Chris Smith (Emile Hirsch) is let into the family double-wide by a relation whose face has just been pummeled into a Rorschach blot of dried gore. He doesn’t stop to ask what…

A Little From Our Files

Our sister paper The Village Voice has been around, like, forever and has some deep archives, including this December 28, 1967, review of The Graduate, which is being re-released, opening this week at the Angelika in Dallas. Enjoy.

The Best of Dallas’ Asian Film Fest

Distribution companies for Asian cinema have been in steady decline over the last decade, often citing illegal downloads and lackluster international market response when they fold. For lovers of the genre, this means fewer funds are being put toward the creation of new films, making it tougher for innovative talent…