Uncomfortable-silence auteur Joe Swanberg has made a career of testing how much falseness you can strip out and still have a movie. What if people on-screen talked like people off it, and if their moments of realization — this is the person I love! — worked out about as well…
With his stately drawl, Morgan Freeman has narrated nonfiction documentaries about penguins, slavery, the lemurs of Madagascar, ancient Egyptian pharaohs, and the expansion of the universe. His is a voice of authority tempered by warmth and wisdom, capable of evoking felt human experience and the majesty of creation. In writer-director…
One could be forgiven for being skeptical that a Hercules movie starring Dwayne “The Rock” Johnson and directed by Brett “Rush Hour Trilogy” Ratner might have a brain in its head, but it actually does. We’re not talking Snowpiercer levels of intelligence, but it’s far less aggressively stupid than, say,…
Dallas-based Jeremy Snead has a hot commodity on his hands these days. He’s the director, writer, and producer of Video Games: The Movie, a documentary on the history of video games. With his production company MediaJuice, he successfully raised over $100,000 through a Kickstarter campaign, got Zach Braff to be…
The business of childhood is the business of waiting: waiting for Christmas, waiting for school to let out, waiting to be old enough to stay up past 9 p.m. No other movie I can think of better captures the wistfulness of those days full of waiting than Richard Linklater’s Boyhood,…
Wish I Was Here, the movie that actor and second-time director Zach Braff partially funded with money raised through Kickstarter, isn’t nearly terrible enough to satisfy all the grumblers who are hoping to see it fail. When Braff couldn’t secure traditional financing for the film, he appealed to the fan…
It turns out that the cars and planes of Cars and Planes can kiss. Deep into Planes: Fire & Rescue, a time-killing kid-flick whose title is an exact summary of its plot, the filmmakers introduce us to two creaky old Winnebagos, a husband and wife in their sunset years, revisiting…
If the Saw series taught us anything, it’s that every quasi-inventive genre movie is fated to become a yearly franchise with increasingly diminishing returns. The Purge practically cried out for this treatment from its premise alone: James DeMonaco’s film had a big idea — a near-future in which “any and…
A defiantly R-rated farce seemingly commissioned to plug the We’re the Millers-shaped hole in the summer lineup, Sex Tape is warmer and more amusing than its ads would lead one to believe. In fact, it’s almost good enough, leaning a little too hard on the innate likability of stars Cameron…
On this week’s Voice Film Club podcast, we hear from L.A. Weekly film critic Amy Nicholson, who’s intrigued by the bizarre universe of Pixar’s Planes movies. We also hear about the film critic’s background and how she became interested in the movies by way of subliminal advertising and photography…
On this week’s Voice Film Club episode, film critics Alan Scherstuhl, Amy Nicholson and Stephanie Zacharek recommend seeing Matt Reeves’ Dawn of the Planet of the Apes (12:00) and Richard Linklater’s Boyhood (20:00), a movie filmed over twelve years with the same cast…
Who knows why, but the sight of apes sitting tall and proud on horseback is stirring in a primal way. That’s one of the best images in Matt Reeves’ Dawn of the Planet of the Apes, the sequel to the enormously successful 2011 Rise of the Planet of the Apes…
Plays adapted into movies always feel naked by the time they make it to the screen, their theatrical bones showing through in a most awkward and unbecoming way. That’s more or less true of Roman Polanski’s screen version of David Ives’ Venus in Fur, in which a playwright and first-time…
In contemporary genre-splash Indiewood, the task is often simple but bedeviling: You have an HD camera and a modest house in the L.A. hills; now what do you do? Shane Carruth, among others, has proven that you don’t need much more — just add ideas. Call it Home-Based Sci-Fi, from…
A major achievement in sunny wretchedness, Álex de la Iglesia’s splatter-comedy Witching & Bitching projectile pukes its outrages at you with a gusto recalling the early days of those (sadly) reformed upchuckers Sam Raimi and Peter Jackson. De la Iglesia doesn’t share those directors’ interest in making clear just why…
How has there not already been a Nicolas Cage movie called Rage? That title could fit many of the Drive Angry star’s late-career time-wasters. Here it works best as an imperative rather than an announcement of theme: You may feel some anger if you pay to watch this. Or you…
“It’s the secret films you have to watch out for,” jokes Richard Linklater of his new movie Boyhood, a furtive experiment that he kept quiet for more than a decade. In 2002, he chose a first-grader named Eller Coltrane, the 6-year-old son of two Texas artists; cast Patricia Arquette and…
“I forget that people think that I’m the girl with a ponytail and a briefcase,” says Anna Kendrick, perched on a couch in a T-shirt and jeans. Her career-launching role as a prim go-getter in Up in the Air is so far removed from her actual self that she’s still…
Sirens blare and an eerie voice announces that it’s best to remain indoors if you don’t plan to participate. While others make safety arrangements, and some sharpen their knives, one man loads his black, steel-armored car with plenty of guns and begins cruising. Fires erupt along the street, and gunshots…
On this week’s Voice Film Club episode, film critics Alan Scherstuhl, Amy Nicholson and Stephanie Zacharek race through the latest (and the most terrible) Transformers movie (2:01), Earth to Echo (13:14), and Tammy (16:30)…
If a toddler tried to re-create the mystifying behavior of adults, it would look a lot like Paul Haggis’ Third Person, a drama in which grown-ups scream and cry and kiss for reasons that are confounding even to those who understand speech. The film follows a handful of couples, or…
Earth to Echo is a slender kiddie flick about a quartet of preteens and their palm-sized alien pal that’s at once bland, well-intentioned and utterly terrifying about the mental development of modern children. As in the most honest kids films, our 5-foot heroes admit to being isolated, unhappy and cowed…
