On this week’s Voice Film Club episode, film critics Alan Scherstuhl, Amy Nicholson and Stephanie Zacharek race through the latest (and the most terrible) Transformers movie (2:01), Earth to Echo (13:14), and Tammy (16:30)…
If a toddler tried to re-create the mystifying behavior of adults, it would look a lot like Paul Haggis’ Third Person, a drama in which grown-ups scream and cry and kiss for reasons that are confounding even to those who understand speech. The film follows a handful of couples, or…
Earth to Echo is a slender kiddie flick about a quartet of preteens and their palm-sized alien pal that’s at once bland, well-intentioned and utterly terrifying about the mental development of modern children. As in the most honest kids films, our 5-foot heroes admit to being isolated, unhappy and cowed…
It’s kind of happy-sad, like watching a kid you knew as a toddler graduate from high school: Chris Evans, seemingly destined to be a boy forever, is now officially a grown-up. In Bong Joon-ho’s futuristic snowbummer Snowpiercer, the Korean director’s first English-language film, Evans plays the leader of a group…
To call Roger Ebert one of the great populist film critics is to damn him with faint praise. Though he took pride in working for the scrappier of the two Chicago dailies, the Sun-Times, and though we do have him to thank — or curse —f or popularizing the thumbs-up/thumbs-down…
It’s a relief, after the wretched Identity Thief, to see movies whose makers love Melissa McCarthy as much as audiences do. Identity Thief’s comic centerpiece was predicated on the idea that McCarthy having sex is a hilarious gross-out, like she’s the pie Jason Biggs once had to diddle. Half an…
Horror, like porno, can be judged only by its effect on your pulse. If you jerked in your seat, it served its function. Biology requires us to react to jump scares, just it urges a lonely man to thrill to a great set of tits. But triggering a coronary reaction…
Mark Ruffalo’s great gift, besides those scruffy good looks and that prickish, hungover charisma, is capturing the essence of the guy who’s spinning toward a crash but trying to angle himself back. His greatest performance, in Kenneth Lonergan’s You Can Count on Me, one of the best films of the…
Here are some of the triumphant moments of recent history that make it into the climactic montage in America, the latest “America’s perfect!”/”America’s doomed!” pant load from felonious troll Dinesh D’Souza: Jackie Robinson rounding home. Elvis Presley swinging his hips. Ronald Reagan and the Berlin Wall. Boxed copies of Windows…
Horror movies are so not-horrifying because generally the idiots who get speared in the skull or chainsawed by a masked loon generally don’t have the wits to survive a weekend getaway. If you sent these dolts to a lavish weekend at the Mirabeau Inn in Skaneateles, New York, they would…
Romances are Hollywood’s most anxiety-inducing fantasy. Like superhero flicks or horror films, they exist in a phony world of big scenes and breathtaking climaxes. But while audiences know that geeks can’t meld with spiders and that the bogeyman isn’t real, they still hope to fall in love, and boy, it’d…
A truly punk act, a shout of freedom, frustration, and exaltation, hits about halfway through Lukas Moodysson’s girl-punk reverie We Are the Best! The three 13-year-old protagonists, high on the idea of the three-chord band they’ve just started, find some damp garbage bags on the street that, they discover, are…
Believe it or not, during Transformers: Age of Extinction, Michael Bay’s fourth rattling of the toy box, I felt one moment of near transcendence. Three-fourths of the way through the punishing 165-minute runtime — and 15 minutes after my seatmate took off her 3-D glasses in exhaustion — my brain…
On this week’s episode of the Voice Film Club podcast, Voice film critics Alan Scherstuhl and Stephanie Zacharek, along with L.A. Weekly film critic Amy Nicholson, discuss rom-com Begin Again (2:26), starring the always-interesting Mark Ruffalo. They also talk about the biting rom-com parody They Came Together (15:47), which might…
Nathan Felix fell in love with orchestral music on the open road. The leader of Austin-based indie-pop band The Noise Revival Orchestra was just out of college and touring with a punk band when he found himself in a moment of musical exasperation. “One night I was just so furious,”…
The Internet is full of hatred and bile-spewing comments about video games. Hell, I’m guilty of it myself. If you shelled out money for the Duke Nukem Forever: Balls of Steel Edition, you’re entitled to throw out a couple of curse words in front of someone’s children at a Best…
For all the Fox News fear-mongering that Hollywood is out to indoctrinate us with liberal values, when it comes to pregnancy, the movies have for years been curiously conservative. If a woman gets knocked up, she either loses the baby by accident (cue waterworks) or carries it to term (cue…
The Rover, Australian filmmaker David Michôd’s follow-up to the brutish family drama Animal Kingdom, is a post-apocalyptic Western from the Outback, a stretch of land that already looks like the world’s been blown away. All Michôd needs to convince us of the devastation is a title card pegging the events…
If you think summer movies are clamorous, try a current Broadway musical. Watching Jersey Boys onstage is like soldiering through some extreme eating contest where you’re force-fed dessert for three hours. It’s all falsetto heroics and hustled-through character drama, every beat of every scene over-scored, over-rehearsed and overbearing. And it’s…
Recently, Star Wars fans, along with much of the planet’s pop-culture collective, nearly ruptured the Internet in their enthusiasm to share set-building photos from next year’s long-awaited new feature film. But these weren’t shots of just any set. They depicted the construction of the Millennium Falcon. You’ve never heard of…
Comedies about the battle of the sexes tend to have one clear loser: the audience. Driven by an oppositional view of romance that proved outmoded and seldom funny, Think Like a Man introduced us to six men living in Los Angeles and their corresponding flames. Some of these entanglements were…
Aviation Cinemas staked its claim to Dallas’ film circuit three years ago with the annual Oak Cliff Film Festival, and from the onset OCFF’s programmers did things differently. A blend of old and new, the festival brings together the latest in experimental film from the indie world along with repertory…
