George Miller’s sci-fi series began in 1979 with the low-budget, practically DIY gearhead grindhouse flick Mad Max, and it was revived in 2015 with the delirious action masterpiece Mad Max: Fury Road. All along the way, these pictures have captured something about their times that has allowed them to break…
Legion, the much-anticipated new FX series created by Fargo showrunner Noah Hawley, wastes no time plunging us into the murky depths of its lead’s unraveling mind, from blissful youth to harrowing adulthood plagued by a failed suicide attempt. Every scene is a dense visual and sonic cornucopia. Even quiet moments…
Boundaries are violated repeatedly in Fifty Shades Darker, a film that demands even more submission of its audience than its predecessor, 2015’s Fifty Shades of Grey. No safeword can protect you from the sequel’s depleting incoherence, its punishing pileup of plot and its inability to successfully stage, even once, the…
In 1902, Dr. John Kellogg changed two letters in the word “sanatorium” — defined as a resting spot for disabled soldiers — and changed the world. “Sanitariums” became the health resort of choice for the wealthy and weary, instilling in the privileged a sense that they were perpetually ill, and…
First, the good news: The dog doesn’t die in John Wick: Chapter 2. This will come as a relief to some of us who adored the original, an action masterpiece about a retired hitman taking unholy revenge on the Russian scumbags who killed his pup and stole his car. The…
Given that it’s a sequel/spinoff built around a mostly throwaway gag in The LEGO Movie, The LEGO Batman Movie is funnier than you might think it has any right to be. But those of us who were expecting something more can’t help but feel a twinge of disappointment. The LEGO…
Iranian director Asghar Farhadi’s The Salesman is a tense, visceral drama of wounded masculinity — and therein lies part of its problem. Farhadi, whose About Elly and A Separation are two of the greatest movies of the past decade, can find tension in the most mundane of exchanges, and he…
Contemporary American horror’s obsession with morality and psychotherapy can really be a downer. In 2002, Gore Verbinski expertly remade the J-horror hit Ringu with a layered story about a single mother (Naomi Watts) who watches a cursed videotape. To stop the curse, she travels through the warped psyche of the…
James Baldwin passed away in 1987. Well, that’s partially true. He indeed succumbed to stomach cancer at age 63, but most of his life essence remained, via his books and essays deconstructing American culture. Filmmaker Raoul Peck (Lumumba, Sometimes in April) has been a Baldwin devotee since reading The Fire…
We made it to February! Hooray us! Hey, it wasn’t a guarantee, and I’m so proud of us all. As a reward, make sure to watch every single one of these TV shows this month, and I don’t want to hear any excuses! You deserve it. The Quad (BET), Feb…
In October of last year, in southwestern Kansas, three members of a militia called “The Crusaders” were arrested and charged with planning to blow up an apartment complex in tiny Garden City housing 120 Somali immigrants. According to Tom Beall, the Acting U.S. State’s Attorney, one defendant had said that…
… The film has three sections, and each part seems to assume a different set of genre conventions, a different set of emotional cues
Like Ava DuVernay’s 13th, Raoul Peck’s I Am Not Your Negro travels a straight, well-researched path from the darkest tragedies of American history to the ones that plague the country today. Both films filter African-American life through the prism of the societal construct called race, but while DuVernay’s dissertation focuses…
The title offers the first clue about what’s off. Calling this movie The Comedian suggests that Robert De Niro will be playing something definitive or archetypal, as if there’s just one kind of stand-up comic, as if he’s representing a genus rather than embodying someone singular. A glut of other…
Andrew Dosunmu’s Where Is Kyra? and Miguel Arteta’s Beatriz at Dinner appear to have very little in common other than the fact that they both feature a star actress getting her biggest and best role in years: Michelle Pfeiffer in the former, Salma Hayek in the latter. But if recent…
Mary Tyler Moore, who died Wednesday at 80, was a reluctant feminist. She wouldn’t even call herself one at all. In 1970, when Moore embodied the character of flighty, 30-year-old single TV news producer Mary Richards on The Mary Tyler Moore Show, there was no other such woman portrayed on…
Say this for Sleepless: It gives Michelle Monaghan more to do than almost anything else you’ve seen her in lately, whether it beTrue Detective or Patriots Day, and confirms once again that she should be in the lead far more often than Hollywood would have you believe. The positives don’t…
One of the most powerful documentaries of 2016, Keith Maitland’s Tower immerses the viewer in the 1966 massacre at the University of Texas, during which Charles Whitman fired from a clock-tower in Austin, shooting 49 people and killing 16. The film takes a somewhat surprising and stylized approach to re-creating…
The film drags when Haneke pulls focus to the other, duller characters, perhaps inevitably, as it seems his intention for those people to lack interiority or thoughtfulness
A Dog’s Purpose, based on the novel by W. Bruce Cameron, combines the philosophical belief that living beings are reborn into a different physical body after biological death with the voiceover narrative technique of Look Who’s Talking. The main character, Dog, dies in multiple wrenching scenes and is subsequently reborn;…
Quick, name an Archie Andrews personality trait. Yes, he’s red-headed and red-blooded, a horndog naïf with hashtag sideburns who is forever battled over by beauties he can’t be bothered to get anywhere with. But beyond that — who is he? Sometimes he’s in a sugar-sweet pop combo. Sometimes he tools…
I’m still trying to decide if Sundance’s decision to kick off its 2017 festival with An Inconvenient Sequel, Al Gore’s follow-up to his influential (and terrifying) climate change documentary An Inconvenient Truth, is an act of political confrontation or a sign of helplessness. (Or both?) What kind of message does…
