Over the first two Hunger Games films, we’ve watched coal miner’s daughter Katniss Everdeen become the pawn, then the pest, of the Capitol, whose President Snow (Donald Sutherland) has enslaved the adults of the 12 poorer Districts and annually commanded that they together sacrifice 24 of their children to likely…
Director Laura Poitras’ Citizenfour boasts an hour or so of tense, intimate, world-shaking footage you might not quite believe you’re watching. Poitras shows us history as it happens, scenes of such intimate momentousness that the movie’s a must-see piece of work even if, in its totality, it’s underwhelming as argument…
Adapted from Amy-Jo Albany’s memoir about growing up with her father, Joe, the jazz pianist best known for playing with Charlie Parker, Low Down stars John Hawkes and Elle Fanning as a father-daughter duo with a lot of love and even more problems. A charming, gifted musician with a heroin…
BY INKOO KANG Minor spoilers for the second episode of The Comeback’s sophomore season. It’s no mystery why The Comeback, which returned for its second season this past Sunday after a nine-year hiatus, never became a big hit for HBO. Other mockumentaries like The Office, Parks and Recreation and Modern…
Tales of fame and its trappings — and the way they’re never enough to build a life — are as old as show business itself. Maybe for that reason, almost any story about discovering the hollowness of fame is often written off as a cliché. But what’s the difference, really,…
If the universe is infinitely finite, an entity whose mystery is knowable only through an evolving progression of theories and equations, it’s nothing compared to a marriage. Every marriage or long-term partnership is knowable only to the people inside it — and sometimes not even then. The Theory of Everything…
During a 2009 Daily Show interview with Maziar Bahari, the Canadian-Iranian journalist who, earlier that year, had been imprisoned in Iran for 118 days on espionage charges, Jon Stewart said, “We hear a lot about the banality of evil, but so little about the stupidity of evil.” Or about its…
Citizenfour opens at the Angelika on November 21. With the first two documentaries in her post–9-11 trilogy — My Country, My Country, a portrait of Iraq under American occupation, and The Oath, which focused on two Guantánamo Bay prisoners — Laura Poitras seemed to be making a bid for the…
In the mid 1990s, self-appointed cultural gatekeepers used to wield Peter and Bobby Farrelly’s Dumb and Dumber as proof of the deterioration of film artistry. Those people hadn’t, of course, actually bothered to see the movie, and thus had no sense of its peculiar, sweet-spirited, un-toilet-trained brilliance. Times have changed,…
It’s a special The Daily Show edition of the Voice Film Club podcast, as we talk about Bennett Miller’s Foxcatcher (starring Steve Carell) and move onto Rosewater, the movie Jon Stewart left The Daily Show for three months in 2013 to direct. Both are in theaters starting November 14. Here’s…
Christopher Nolan’s space epic Interstellar is a big, ambitious picture but it didn’t connect with our critics. We discuss the film at the top of this week’s podcast before moving onto a few other notable films on screens large and small this week…
Imagine if nerdy Clark Kent didn’t have to remove his glasses and pocket protector to save the world. Then imagine him as fat and sweet as a marshmallow. Meet Big Hero 6’s Baymax, Disney’s new cuddly champion: a waddling, inflatable health care companion who can sense your pulse, diagnose disease,…
Laggies gets adult loneliness — and cross-generational friendship It’s an unwritten rule that we’re supposed to feel most in step with people our own age, as if sharing the same cultural and historical references somehow enables our ability to look into each other’s hearts. So why do we sometimes tumble…
BY INKOO KANG There’s more television today than at any other point in the medium’s history, but there’s a good chance you’re stuck in a TiVo rut. That’s because, with a handful of exceptions, this fall has delivered a truckload of mediocrity and dead-on-arrival trends. (Goodbye, “rom-sit-coms” like the already…
There’s so much space in Christopher Nolan’s nearly three-hour intergalactic extravaganza Interstellar that there’s almost no room for people. This is a gigantosaurus movie entertainment, set partly in outer space and partly in a futuristic dustbowl America where humans are in danger of dying out, and Nolan — who co-wrote…
Jake Gyllenhaal, not a particularly bulky guy to begin with, dropped 20 pounds or so to play a Los Angeles misfit who finds his calling as a freelance crime videographer in Dan Gilroy’s nervy thriller Nightcrawler. Even when Robert De Niro does it, weight change isn’t acting — it’s the…
First-Rate Force Majeure Exposes the Act of Manliness
Ruben Östlund makes films the way sociologists devise thought experiments: by posing a hypothesis and thinking fully through its consequences. The Swedish director’s previous feature, 2011’s Play, follows a group of black teenagers in Gothenburg as they blithely coerce a trio of affluent white children to hand over their valuables…
This essay contains a spoiler or two for John Wick. There’s too much violence in movies today — too much of the wrong kind, though if you asked me what the “right” kind is, I would only be able to tell you that I know it when I see it…
When we first meet the title character in Olive Kitteridge, she considers the revolver in her hands and looks up at the cloudless sky above the woods one last time. The 25-year journey (and the accumulation of mistakes and bad luck therein) that leads the elderly Olive to that moment…
Alexandre Aja’s Horns is the rare YA-ish romance that doesn’t make like a guidance counselor and force the characters to shake hands and forgive. It’s a biblically tinged, eye-for-an-eye vengeance thriller about an emo boyfriend named Ig (Daniel Radcliffe) whose childhood sweetheart Merrin (Juno Temple) has been murdered underneath the…
Keanu Reeves in John WickOn this week’s Voice Film Club podcast, we welcome Village Voice contributor and filmmaker Zachary Wigon, who tells us about his paranoid thriller The Heart Machine (iTunes)…
The Alamo Drafthouse is about to launch a massive invasion on the Dallas-Fort Worth area, opening several new theaters, and it starts downtown with a new movie house on South Lamar Street. Developers for the new theater announced plans to break ground on the construction next month but a gathering…
