True/False: Eight Docs Not to Miss in 2016

“Why did you let me film this?” filmmaker Josh Kriegman incredulously asks Anthony Weiner late in Weiner, a documentary about the former New York congressman’s failed 2013 mayoral run. The disgraced candidate doesn’t have a good answer, but the question hangs over this fascinating film, which plays like it started…

Malick Goes L.A. in the Sumptuous Knight of Cups

What if Terrence Malick directed an episode of Entourage? Well, we’re about to find out, sort of. In Knight of Cups, the director of Days of Heaven, The Thin Red Line and The Tree of Life turns his roaming camera and ruminating voiceovers toward Los Angeles and the movie business,…

As Terrible Movies Go, Gods of Egypt Is Pretty Grand

Let’s give Gods of Egypt this much: An hour in, a giant cobra crashes and explodes like a bad guy’s car in a dumb movie from the ’70s. That snake, one of two in Alex Proyas’ film, is wide as a locomotive and long as a parade. It’s also straddled…

Disney’s Zootopia Paws at Segregated City Life

In Zootopia, animals do a lot of the things that animals in Disney movies usually do: They speak, to begin with; they walk upright and wear funny clothes; they exhibit attitudes that align or ironically misalign with their species’ appearance and reputation; they hold jobs; they experience outsize emotion and…

Whiskey Tango Foxtrot Confirms That the Movies Don’t Get Tina Fey

The title of Glenn Ficarra and John Requa’s strained dark comedy, in which the war in Afghanistan serves as the backdrop to an American woman’s self-actualizing journey, is the military phonetic-alphabet rendering of WTF. The mild Islamophobia and highly questionable casting choices in the film call to mind other texting…

Eddie the Eagle Is No Cool Runnings

In the Winter Olympics, ski jumping is one of those sports — bobsledding and luging are others — where Joe and Jane Satellite Dish cannot tell the difference between a great performance and a terrible one unless the athlete is carried away on a stretcher. No doubt there are crucial…

JoJo Fletcher Gets Hometown Date on The Bachelor, None of Dallas Is Shown

The eighth episode of this season of The Bachelor aired last night, which for every season means the chosen Bachelor visits his remaining ladies’ hometowns, which means he probably meets an over-protective father and possibly too-drunk-for-TV mother. Last night was no different. The ladies paraded Bachelor Ben around their hometowns…

A Defense of Togetherness’ Blinding Whiteness

In a September interview with GQ, Constance Wu, star of NBC’s Fresh Off the Boat, observed of the HBO series Togetherness, “It’s a show about white people.” She’s not wrong: Created by indie-film luminaries Jay and Mark Duplass, along with the actor Steve Zissis, Togetherness is a low-key look at…

A Comparatively Nuanced Faith-Based Drama, Risen Still Preaches to the Choir

The centerpiece of Hail, Caesar!’s mid-century Hollywood satire is the eponymous film-within-a-film itself, an overwrought biblical epic in which a skeptical Roman centurion played by George Clooney has a literal come-to-Jesus moment. Risen, whose plot can be described in exactly the same way, never inspires one of its own. Co-writer/director…

Jesse Owens Inspires, but Race Stumbles to the Finish Line

There is precisely one attempted coup de cinema in the Jesse Owens biopic Race, which otherwise defaults to the backlot handsomeness of other Great Men tributes from Hollywood. In 1935, Owens (Stephan James), a freshman sensation on the Ohio State University track team, returns to the locker room after practice…

Benicio Del Toro Shines in Dark War Comedy A Perfect Day

Benicio Del Toro has the basset-hound look of a beast you can trust — or, at least, he’ll happily admit when he’s lying. He’s the right man for a rotten world, with heavy-lidded, handsome eyes made for giving any tough spot an appraising squint. Recently, he’s played a string of…

The Witch Is Creepy, Beautiful — and a Shrieking Mess

A laugh comes at last just before the end credits of Robert Eggers’ lit-class horror-bummer The Witch: a boastful note attesting to the documentary truthfulness of the dialogue in the movie we’ve just seen. Over 90 minutes that prove shriekiness is no impediment to ponderousness, we’ve beheld the harrowing of…

12 Observations on the Premiere of 11.22.63 (SPOILERS)

Listen: James Franco has come unstuck in time. In the TV-MA debut (there are many, many excellent F-bombs) of 11.22.63, the Hulu miniseries partly shot in Dallas, James Franco is bouncing back and forth between present day and 11:58 a.m. on October 21, 1960. Chris Cooper is there, coughing. A…