13 films that were shot in Dallas
The Zapruder film isn’t Dallas’ only contribution to the industry.
The Zapruder film isn’t Dallas’ only contribution to the industry.
In his tight, trim, health insurance thriller A Monster With a Thousand Heads, Mexican-Uruguayan director Rodrigo Plá achieves a visual style that is ice cold but also deeply human — a clever way to depict an all-powerful system that feeds on our lives and thrives on our fallibility. Plá opens…
In cinema, all things move towards acceptance. In time, debates about filmmakers usually settle in favor of the filmmaker — not because detractors change their minds, but because the urgency of the conflict wanes, and stalemates go to the fans. It’s hard to believe that battle lines were once drawn…
In Anna Rose Holmer’s The Fits, emotion becomes motion and psychology becomes space. It’s a coming-of-age story, but Holmer mostly eschews dialogue and standard storytelling devices; she tells her tale through movements and patterns and the way that she films them. The Fits follows Toni (Royalty Hightower), an 11-year-old tomboy…
Director Jake Paltrow (Young Ones, The Good Night) met Brian De Palma at a party. He’d had a few drinks and worked up the courage to talk to the legendary filmmaker, who turned out to be surprisingly open and kind. The next day, Paltrow got an email from the friend…
Finding Nemo may have been a cartoon about a clownfish traveling across the ocean looking for his son, but it was also one of Pixar’s first overt forays into the workings of the human mind. The film, from 2003, was haunted by loss: The protagonist, Marlin (voiced by Albert Brooks),…
In 2001 a friend, a grown-up, saw The Fellowship of the Ring more than a dozen time in the theater. Sometimes she’d leave with a half hour left. “I just needed to get to Galadriel and Lothlorien,” she told me. She didn’t need all the climactic fighting. In 2012 I…
Back in 2013, James Wan’s The Conjuring represented the high point of a wave of mainstream horror that showed there was still value in old-school scares — that there was life beyond torture porn and slick slasher reboots. It was a ghost story-turned-possession thriller that mined terror out of the…
If mid-century pulp and noir gave us the cynical, quippy hardboiled detective, then Peak TV has given birth to its successor: the charbroiled cop, a bitter, corrupt, philandering, violent, addicted, nihilistic or just psychotic contemporary crime fighter. The supposed irony of this figure is that he (almost always a he)…
At first glance, the most obvious analog to Mark Elijah Rosenberg’s Approaching the Unknown would be The Martian, both being about lone men on treacherous missions to Mars. But Approaching the Unknown operates on a much smaller and more philosophical scale, and is ultimately more satisfying. Captain William D. Stanaforth…
If you can get past the spectacle of British and Australian actors portraying some of the most important figures of 20th-century American literature, Genius is a good example of a prestige pic that is not only literate but surprisingly vibrant. It’s the story of the tumultuous relationship between hot-tempered, Asheville-born…
There’s something satisfying about hearing Tyler Perry, as mad scientist Baxter Stockman, say the words “Eliminate those turtles,” but it’s not quite novel enough to bring Teenage Mutant Ninja Turtles: Out of the Shadows up to street level and out of the sewers. Early on, giant squid-like brain Krang (Brad…
The lure of everything Cuba is strong. It’s in the news, on top of everyone’s travel list and in our movie theaters. But the recent films about Cuba aren’t exports from the still-embargoed country. Most come from visiting filmmakers. Irish director Paddy Breathnach captures a gorgeous portrait of Cuba with…
Even by the standards of Yorgos Lanthimos, The Lobster’s premise is a doozy: Colin Farrell plays a recently single schlub forced to report to the Hotel, where he has 45 days to form a romantic relationship lest he be turned into an animal of his choosing. This is the plight…
“Did I want to shoot comedies?” asks Brandon Trost, director of photography on two of this summer’s funniest films, Popstar: Never Stop Never Stopping and Neighbors 2: Sorority Rising. “It’s funny — not at all.” But then came MacGruber, Jorma Taccone’s 2010 SNL film.“The director wanted me because I wasn’t…
In 2013, a 22-year-old Palestinian named Mohammed Assaf won the second edition of the Middle Eastern singing competition Arab Idol, a spinoff of the same popular British Pop Idol franchise that also gave us American Idol. Mohammed had snuck out of Gaza and crashed the auditions in Egypt before making…
It’s a feat to out-idiot TMZ culture. In achieving that, the fake-doc white-rapper satire Popstar: Never Stop Never Stopping is a breakthrough for studio comedies, which here at last catch up to the metabolism and meaninglessness of the internet age. In its generous, frenetic first hour, Popstar’s jokes and parodies…
Something troubling is afoot in Westeros: The heroes are beginning to outnumber the villains. The sixth season of Game of Thrones has already seen Jon Snow’s return from the dead, Arya Stark’s vision restored and — courtesy of two Stark children’s long-awaited reunion — the show’s first-ever tears of joy…
There was a time when the summer movie season was a season, sandwiched between Memorial Day and Labor Day weekends. By the 21st century, the start date drifted back to the first weekend in May. This year, the superhero flicks started arriving with Deadpool’s release on February 12. Only two…
The guiding principle of Lewis Carroll’s classics Alice in Wonderland and Through the Looking-Glass is that logic does not exist. You tumble down rabbit holes and into mirrors willy-nilly, and you try to survive, feeling what you feel, having fun when you can — oh, and try not to drown…
Ben Wheatley and Amy Jump’s microbudget black-and-white English Civil War mushroom-trip movie A Field in England (2013) squeezed a tense and bizarre story from just a few dudes wandering around in a field. The married couple and filmmaking team — Wheatley as director and Jump as writer — previously made…
Richard Bridgland was given an impossible task: recreate 1970s Hollywood for Shane Black’s buddy conspiracy thriller The Nice Guys … in Atlanta. As a production designer, Bridgland’s had to make the Czech Republic look like 1930s rural North Carolina (Serena), New Orleans look like West Virginia (American Ultra) and a…