Like American Sniper (2014), Clint Eastwood’s Sully is a movie of nightmares. In Sniper, Chris Kyle (Bradley Cooper) sits rigidly in the living room, imagining the gunfire, roaring helicopters and wailing bystanders of Fallujah playing out on a turned-off television as his children race through the house. In Sully, Chesley…
Where were you when you learned that you’d be making your DJ debut at the biggest rave of the year? And that said rave was only eight hours away? Ethan, the sheepish main character of Netflix’s straight-to-streaming EDM movie XOXO, gets the news in his kitchen, where his mom is cooking breakfast…
Natalie Portman proves herself a filmmaker of intelligence, ambition and inventiveness in her debut as a director and writer — just not one who is always certain as a storyteller. A Tale of Love and Darkness adapts, with a passionate somberness, several threads from Amos Oz’s autobiographical novel of the…
Nepotism is occasionally a positive, and not just for the direct beneficiary. Ridley Scott gave us Alien, with heroine Ripley and a memorable cast of ne’er-do-wells and villains with defined personalities. And now Scott’s son, Luke, who’s been shadowing his dad on his last few big-budget films, has delivered unto…
Were we wrong to root for Kevin Smith? When he burst onto the scene in 1994, it was the most improbable of rags-to-riches movie narratives: bankrolling Clerks by selling his comic book collection and running up thousands of dollars in credit card debt. Almost overnight, he joined the likes of…
Tension and release is the driving principle of a tearjerker, where every good fortune is countered by something worse. And as dismissive as critics often are of the genre, it’s actually quite difficult for a director to make people cry en masse and genuinely feel things. Derek Cianfrance’s foreboding melodrama…
Late in Lo and Behold, Reveries of the Connected World, his unsurprisingly wry, quizzical documentary survey on life inside and beside the virtual world, Werner Herzog stumps two brain researchers with a lyrical question in that instantly recognizable (and often parodied) German accent: “Does the internet dream of itself?” An ever-adventurous…
Just like there’s a bizarro internet where Donald Trump is celebrated as a warm, loving, generous, successful businessman who really wants to earn a Purple Heart, I wonder if there’s also a bizarro, ravenous audience awaiting a feature-film reenactment of Donald and Melania’s epic first date. (He literally tricked his…
Cities, like young people, are forever becoming something new. The latest tender charmer from Ira Sachs chronicles the growing pains of teens and Brooklyn with the wry sensitivity and eye for economic reality that distinguished Sachs’ Love Is Strange (2014) and Keep the Lights On (2012), which began a sort…
Critics often dismiss blockbuster entertainments with the vague, half-assed complaint that they resemble “video games.” Movies like Fede Alvarez’s Don’t Breathe reveal games’ actual influence — for the better. The breakthrough with studio horror films in recent years, since the found-footage boom, is a welcome environmental immersiveness. It’s a testament…
Robert De Niro — the Raging Bull himself, now aged from boxer to trainer — is introduced in Hands of Stone bathed in Madison Square Garden’s overhead spotlights, more the image of a reigning champ than the promising fighter whose American debut his character Ray Arcel has come to see…
It’s hard out there for a TV comedy fan. That’s the case for network television, at least. Before All in the Family altered the TV comedy landscape, most sitcoms hewed closely to the formula of solving minor annoyances in 22 minutes (with the occasional “OMG Vincent Price in Hawaii” curveball)…
The sarcastic wag who first drawled the phrase “as exciting as watching grass grow” never intended it as a compliment. But have you ever actually watched grass grow? I mean, I haven’t either, but there must be a pretty cool hidden world of fresh-smelling earth and tickly dew and bugs…
“I’ve never considered myself the ‘Woman of the Year’ type,” said director Rachel Talalay into the microphone as she accepted her award from Women in Television and Film Vancouver in June. “I’m more the ‘Tank-Girl, post-punk feminist warrior.’” For those who never saw Tank Girl or were too young to remember…
Ira Sachs has become one of our great American filmmakers. His newest, Little Men, about two teenage boys (Theo Taplitz and Michael Barbieri) who become best friends even as their parents face off over the fate of a small dress shop in the ground floor of a Brooklyn home, is…
Once, American comedies concerned underdog heroes who challenged the status quo and seized the territory of the upper-class characters who thought they were in control. Slobs vs. snobs. During the wartime administration of the lesser President Bush, the wealthy thoroughly dominated the culture, occupying America the way the army patrolled…
From its opening image — of a distraught woman battling massive ocean waves on a moonlit night — to its surprisingly ambiguous final shot — of what, I won’t say — Kubo and the Two Strings sears itself into your brain. The stop-motion animation studio Laika has perfected, over the…
In a summer of disappointing reboots, underperforming sequels and rejected franchise bait, Ben-Hur is something rare: a remake no one asked for but weary moviegoers might accept as a small gift for lack of any better option. Timur Bekmambetov’s reimagining of William Wyler’s 1959 epic, itself preceded by two silent…
Michael German went undercover with white supremacists for a year and with right-wing militants for another eight months and now he wants to set some things straight. “One of the things I learned working undercover is that the studies that the FBI or even academia had on these groups were…
The Bronx is burning in the introductory episodes of The Get Down, Netflix’s new series that presents as urban-cinematic fable the genesis of rap. The cluttered, over-caffeinated 90-minute pilot, directed by creator and executive producer Baz Luhrmann, takes place in the summer of 1977, when a serial killer terrorized New…
Hey. Do you guys remember puppet comedian Jeff Dunham, whose downtrodden Mexican “on a steeeek” character José Jalapeño delighted many a middle-class white American in the ’90s? Well, imagine he blazed up a joint with Bill Maher, wrote a manifesto on atheism and then made a multimillion-dollar animated feature film…
The central conceit of Imperium — Daniel Radcliffe playing an FBI agent who goes undercover as a white supremacist — is laughable, and the film, to its credit, knows this. Harry Potter as a skinhead? Don’t worry, that’s all part of the plan. Well, maybe. Writer/director Daniel Ragussis tries to…
