Richard Linklater’s Last Flag Flying Never Snaps to Attention

Despite the many troubling trends in our media culture, the movies’ response to the Iraq War has been (gasp) surprisingly admirable. Since the mid-2000s, a steady stream of films have artfully addressed war’s aftermath and the homefront — from Stop-Loss and In the Valley of Elah, to Grace is Gone…

In All I See Is You, a Blind Woman Gets Her Sight — and Looks Disappointed

This fall, mainstream films are subverting expectations all over the place. Darren Aronofsky’s Mother! proved too much for some audiences looking for a moody drama who were then shocked by gory, allegorical narrative. Blade Runner 2049 sloughed off most of its predecessor’s lower-brow populist action for a somber tone and…