You read about it scrolling through social media. You’ve heard Sally at the water cooler talking about it. You aren’t sure what’s going on, but you’re intrigued. Not intrigued enough to Google the answer, but intrigued enough to click on this article, hoping some poor newsperson will explain it to…
Jay Longino’s sap-filled script turns Drew into a mythological Zen master, dispensing words of wisdom after living a life of solitude and regrets when he’s not chasing after buckets
People magazine released the season three trailer of The Real Housewives of Dallas on Thursday and announced the show will return at 8 p.m. Aug. 15 on Bravo. A “How They Got Here” special will air at 9 p.m. July 18. The one minute, 55 second trailer showed us a lot, but…
Harper and Charlie’s flirty dialogue rushes by at screwball comedy speeds, a funny affectation that’s no less effective now than it was in movies like It Happened One Night or The Lady Eve
… Eating Animals proves persuasive mostly in its diagnosis of what has gone wrong, and in its account of how it went wrong on such a massive scale (through thumbnail histories of KFC, Tyson, and Chicken McNuggets)
Granik says this about that near-decade between her narrative films: “It’s been like psycho-cardio workout on steroids the past eight years.”
During the summer movie season, all the major film studios pull out their biggest guns for box office dominance. That fight for moviegoers now starts before customers even pick their movies, with AMC Theaters announcing a new subscription service, called AMC Stubs A-List, to compete with MoviePass’ unlimited movie offer…
This ultra-violent crime thriller, satirizing some of Americans’ most despicable, imperialist impulses, somehow seems as though it is from a quieter, more decent time — and that’s depressing
The show’s production designers and costumers clearly revel in Claws’ setting; everything is slightly overdone, Florida-style, right down to the elaborately detailed designs that Desna’s salon specializes in
Like Nanette, Rape Jokes is in part a deconstruction of comedy itself, particularly the debates in recent years over what should, or shouldn’t, be acceptable in a stand-up set
The calamities come with accelerating speed, and everything happens so quickly that you don’t even have time to wonder if you’re having fun or not
The main character, this time named Frank (Nick Offerman), like (High) Fidelity‘s Rob, owns a record store and lectures women about music as if they don’t have opinions — or ears — of their own
Right from the opening scene, where Priest shakes down/humiliates a drug-dealing rapper and his crew, SuperFly establishes that no one can ever be as cunning and crafty as him
… Young soldiers Bartle (Ehrenreich) and Murphy (Tye Sheridan) face the unceremonious cruelties of deployment; through flashbacks and time shifts, we know that only Bartle returns and that he may be somehow responsible for Murphy being classified MIA
Several grown men have been playing the same game of tag for the last three decades, spending one month each year doing everything they can to avoid one another, while also doing everything they can to secretly find and touch one another
From the very first scene, Pose boasts a purposefully slick veneer of artificiality — it’s a little too art-directed, a romanticized version of poverty straight from the set of Rent
Now, a slick young billionaire (voiced by Bob Odenkirk) has a plan to make superheroes popular (and legal) again by televising their exploits, and chooses Elastigirl over Mr. Incredible as the face of this new campaign …
Like 2004’s The Raspberry Reich, a satire of what LaBruce has called “terrorist chic,” The Misandrists soaks audiences in the doings (and I do mean doings) of a radical cell of sexual dissenters
For all its jittery heist drama, American Animals is, above all else, an accidental study in just how much white kids can get away with and still be welcomed back into society
… While John Wick is all action, no talk, Artemis is the polar opposite, Pearce stretching out the will-they-won’t-they (kill each other) tension as long as possible, until every violent criminal is trapped in this hotel
The horror of Hereditary lays not just in scary images but in creeping sense that free will is a joke, and bad luck can be as inescapable as a family curse
In both the archives and in Novack’s footage, Talley appears so fully himself in every one of his garishly fascinating caftans that it’s difficult not to admire him or the endless knowledge of history and design (specifically Russian) he can spout from on cue
