We started worrying about Vida Stegall the week she said: “See y’all later! I’m going on vacation!” And when we asked her WHERE she was going on vacation, she said “Brunei.” And we asked her where that was, and it turns out it’s somewhere over in the Middle East, and…
When Val Kilmer walked away from the Batman franchise, it was only a matter of time before he offered up his own competing brand. The Saint isn’t just his answer to Batman–it’s a full-length commercial for all the Saint movies to come. There’s a breezy effrontery in the ploy; Kilmer…
On its surface, The Daytrippers probably seems like your generic ’90s American independent let’s-get-our-friends-together-and-make-a-movie movie. Shot in Long Island and Manhattan in 16 days for about a half-million dollars, with a cast including the inevitable Parker Posey and the almost equally inevitable Stanley Tucci and Campbell Scott–where was Eric Stoltz?–it…
Film actors are generally said to have good chemistry or no chemistry. But bad chemistry in movies does exist, and a sleep-inducer called Inventing the Abbotts is a case in point. In ascending order of age, Liv Tyler, Jennifer Connelly, and Joanna Going play Pamela, Eleanor, and Alice Abbott, sisters…
Over the past five years, action star Jean-Claude Van Damme has become one of America’s leading importers of foreign talent. In 1993, he hired Hong Kong action ace John Woo to direct Hard Target. For last year’s Maximum Risk, he brought over Ringo Lam. And now he has used a…
Have you ever noticed that, every time they do a survey of sex in America, it always looks something like this: Guys who have cheated on their wives at least once: 75 percent. Gals who have cheated on their husbands at least once: 20 percent. Guys who have had sex…
By re-releasing The Godfather, Paramount Pictures is both honoring itself a and perpetrating a crime. The honor is that one of the greatest and most influential films ever made is being rereleased on the occasion of its 25th anniversary. The crime is that Paramount, according to a studio spokeswoman, has…
In The Devil’s Own, Brad Pitt plays Frankie McGuire, an Irish Republican Army gunman with 24 kills to his credit–13 British soldiers and 11 police officers. After a bloody firefight in Belfast, he escapes to New York, where, helped by a pro-IRA judge (George Hearn), he is placed in the…
Although Russian director Sergei Bodrov has made half a dozen features and won a fistful of awards since the mid-’80s, he is virtually unknown in the United States–despite having lived in Los Angeles on and off for several years. Orion Classics is now distributing his 1996 film, Prisoner of the…
I spent the 68th anniversary of the St. Valentine’s Day Massacre watching The Godfather with the new soundtrack prepared for its 25th anniversary. The scene was a mixing room in the Saul Zaentz Film Center in Berkeley, and the master of ceremonies was much-honored editor and sound expert Walter Murch,…
I noticed my buddy Donald Trump’s casino company lost 31 million bucks last year. But isn’t it strange that this announcement came just three months after The Donald announced that he had personally won $20 million by betting the long odds on the Tyson-Holyfield fight? Of course, we still don’t…
Cult auteur David Cronenberg crashes and burns–his talent, that is–in Crash, a vain attempt at a techno-age Persona. It follows a demented explorer named Vaughan (Elias Koteas) into an insane new world where twisted metal, curvy skin, automotive oil, and bodily fluids merge in an explosive carnal cocktail. To Vaughan,…
Selena opens with a reenactment of the slain Tejano singer’s February 1995 event-style concert at the Houston Astrodome. Bedecked in a sparkling purple jumpsuit, the beloved Texas native (played by Jennifer Lopez) is shown singing a few disco nuggets from her childhood, including “I Will Survive” and “Last Dance.” While…
Jim Carrey caught a lot of grief last year when The Cable Guy tanked at the box office. Carrey was way out of line, doomsayers yelped, to have deviated so far and in such a dark direction from his established, money-in-the-bank persona of the double-jointed dimwit for whom a lobotomy…
Wanda Bodine keeps raggin’ on me for Forgetting About The Weekend. This is some kinda sacred deal with her. Translation: “Get your butt over here and pay attention to me on Saturday night.” You know when I usually notice it’s the weekend? When I go to Aggie’s House of Pancakes…
City of Industry starts out promisingly and then turns into the kind of crime thriller only a pointy-headed postmodernist could love. Since a lot of critics these days have pointy heads, you might just want to brace yourself for a lot of steaming compost in the press about how “existential”…
If we take Bob Rafelson at his word, Blood & Wine completes a trilogy about family relationships that started with the director’s two crowning achievements, 1970’s Five Easy Pieces and 1971’s The King of Marvin Gardens. Those two films are so often pointed to as evidence of the brilliance of…
It could have been any town in America, and it often was: Athens, Georgia; Chapel Hill, North Carolina; Minneapolis; Austin. Seattle was just another stop on the A&R Express, another destination where the gold-card crowd could run up their expense accounts while they looked for the Next Big Thing. At…
I have a question. Whatever happened to the 40-hour work week? I don’t know ANYBODY who works 40 hours. I know guys who work zero hours and I know guys who work 80 hours. I don’t know anybody in between. And the guys who work 80 hours are not complaining…
The ingredients are familiar: Donnie Brasco stars Al Pacino as a Mafia soldier and Johnny Depp as an FBI undercover agent who infiltrates the mob. But there’s a twist. Based on a true story, the film is a grunt’s-eye view of the Mafia, and it’s not remotely “operatic” or Scorsese-ish…
Nobody is going to seriously accuse writer-director Alexander Payne of being chickenshit. For his first feature, the hilarious Citizen Ruth, he has not only chosen the number one issue a filmmaker is likely to get killed over–abortion and a woman’s right to make a personal decision on the subject–but made…
Waiting for Guffman is such a funny mess that it keeps you laughing even when you realize it’s not much better directed than a cable-access talk show. Christopher Guest’s is-this-where-I-point-the-camera? auteurism, last seen in The Big Picture, is redeemed by the performers–himself most of all–and the material they worked up…
