Kids might well be amused by the frenetic pacing of Shrek, the latest computer-animated film from DreamWorks, which moves so quickly it’s nearly a blur; they need not get the jokes to enjoy frolicking in the muck (and the maggots) with a green, snaggle-toothed ogre who wants only to be…
Like nearly all Merchant-Ivory productions, The Golden Bowl, its latest book-to-film adaptation, is a feast for the eyes, with choice real estate, exquisite interior design and dazzling costumes all bathed in a golden light that not only enriches the colors but also helps to give the settings a sense of…
Chances are you don’t know a whole lot about Angel Eyes other than that it’s the brand-new Jennifer Lopez movie. Maybe you also know that it co-stars Jim Caviezel. It’s been described in some articles as a supernatural romance, and Caviezel himself has said that he can’t tell what the…
Irish. Sex. Farce. These are not three words you see snuggled up together very often. Given the ironclad no-no’s of the Catholic church, the preoccupations imposed by their political troubles for the last eight centuries or so and frequent commutes to the local pub, the Irish probably haven’t had much…
It’s a thrill to celebrate an American movie that’s smart, wry and awesome all at once. One doesn’t always opine harmoniously with venerable critic Peter Travers of Rolling Stone, but his giddy appraisal employed in this movie’s ad campaign is right on. Unabashedly formulaic though it is, this roguish adventure…
Why is John Travolta allowed resurrection after pathetic resurrection, forgiven for endless sins, yet no one cares at all about his frequent former co-star, Olivia Newton-John? Perhaps she should have waited to have her second coming heralded with a Behind the Music episode, but Newton-John returns to the big screen…
The current release of French director Nicole Garcia’s Place Vendôme–which was nominated for 11 César Awards when it debuted in France two years ago–is yet another sign that the drop-off in French imports that has plagued U.S. screens in recent years is reversing: This is roughly the 15th French film…
A shame, this frenetic mess, as there were loads of reasons to be hopeful. First and foremost, there’s the source material, a cute and clever children’s novel by late writer E.B. White, on par with the anthropomorphized menageries he presented in Charlotte’s Web and Stuart Little. There’s the fact that…
The Center of the World’s screenplay was written by Ellen Benjamin Wong, based on a story concocted by Wayne Wang, precocious filmmaker-performance artist Miranda July, novelist Paul Auster (who penned Wang’s Smoke) and novelist Siri Hustvedt. With this many cooks in the kitchen, one might expect a deceptively simple stew,…
The first thing you must know about Eureka, the new film from Japanese director Shinji Aoyama, is that it runs three hours and 38 minutes. With no intermission. Having said that, let me add that despite its length, despite its deliberately measured pacing and avoidance of flashy effects, Eureka is,…
At first glance, 1999’s The Mummy, starring Brendan Fraser as a lantern-jawed Indiana Jones-in-waiting facing off against an undead Telly Savalas look-alike, played like knowing spoof, a light-hearted, if half-assed, remake of the 1932 film starring Boris Karloff. At first listen, it was one big joke, a horror-movie parody masquerading…
Like some errant, black-sheep Coen brothers movie that slipped away in the night only to be shorn and butchered by neighboring filmmakers, One Night at McCool’s is set in an obnoxious alter-America populated by obtuse caricatures. While this production from Michael Douglas is being touted as a sexy romantic comedy,…
With luck, Yi Yi (A One and a Two), the seventh release from writer-director Edward Yang, one of Taiwan’s most respected filmmakers, will open a vein of interest in Taiwan’s cinema, but it will be an uphill struggle. While it’s a rich and rewarding film, its pace is more leisurely…
As a kid in Brooklyn, Darren Aronofsky used to steal into Manhattan, taking the D train across the East River to sneak into movies such as A Clockwork Orange and Eraserhead. These were R-rated, and he was still 15 or 16. “They were films,” he says, smiling, “you weren’t supposed…
If you don’t like Tom Green, there’s no point in going anywhere near Freddy Got Fingered, as it won’t win you over. If you don’t know much about Tom Green but are curious, you might be well advised to watch videotapes of his show first, and be aware that inasmuch…
“Keep a diary and one day it’ll keep you,” said Mae West, and while the sentiment rings true, it does little to explain the mystery of why Helen Fielding’s sliver of literary history managed to keep anyone. Fluffy, shrill and approximately as deep as Cosmo magazine, the book somehow hit…
Josie and the Pussycats is not a comedy, and it’s even possible the movie’s not a work of fiction, despite being “based on” Dan DeCarlo’s 38-year-old Archie Publishing comic book. It’s tempting to brand the film as documentary, this year’s Scared Straight. There’s very little that’s funny about a movie…
One doesn’t watch Amores Perros (Love’s a Bitch) so much as absorb–like a body blow. “I wanted to make a movie that smelled of filth,” Alejandro González Inárritu has said about his feature directorial debut. He has succeeded beyond perhaps even his wildest dreams. One of this year’s Academy Award…
September 9, 1966: Adam Sandler is born in Brooklyn, New York. He is raised in Manchester, New Hampshire. September 1987: Sandler joins Ken Ober, Colin Quinn and Denis Leary as cast member on MTV’s game show Remote Control. Sometime in 1989: Sandler lands first starring role in a movie, playing…
Hello, what’s this? Why, could it be another cautionary tale from Hollywood about recreational drugs being–alert the media!–not particularly good for people? (If only they could try the same with guns. Messrs. Heston and Silver: You awake yet?) Indeed, with Blow, director Ted Demme (Beautiful Girls, Monument Ave.) has set…
French director Patrice Leconte is a chameleonlike talent: Among his films to reach American screens are the psychological thriller Mr. Hire, the period satire Ridicule and the offbeat comic romance The Girl on the Bridge. But in truth, all of Leconte’s films are romances at heart, though they are often…
Easily the most creepy (and, by far, most interesting) thing about Along Came a Spider, yet another adaptation of one of James Patterson’s alleged mystery novels featuring beleaguered Detective Alex Cross, is how much co-star Monica Potter looks, sounds and acts like Julia Roberts. Granted, it’s hardly a startling revelation…
