Director Curtis Hanson, a journeyman only recently bestowed the title of Great Director, has already made his horror movie (1973’s The Arousers), his kiddie action comedy (1980’s The Little Dragons), his teen sex romp (1983’s Losin’ It ), his handful of Hitchcock riffs (1987’s The Bedroom Window, 1990’s Bad Influence…
In 2001, Jonathan Safran Foer made an astounding literary debut. “A Very Rigid Search,” published by The New Yorker, was his hilarious, heartbreaking account of an attempt by a young American man (named, cheekily, Jonathan Safran Foer) to find a Ukrainian woman who had saved his grandfather from the Nazis…
Robots (Fox) The story of a small-town ‘bot (voiced by Ewan McGregor) who bolts for the big city, Robots is the first non-Pixar film to compete with that studio’s razzle and dazzle. The thing’s stunning to look at–and, frankly, it’s better to stare at than listen to, since listening entails…
Serenity, Joss Whedon’s big-screen spinoff of the 2002 TV show Firefly, which didn’t even last a dozen episodes, is already a cult phenom well before its opening. The show’s DVD boxed set lines the shelves of every fanboy who dreamed of gunslinging in space alongside preachers and prostitutes, and already…
To the knowledgeable comic book fan, all one need say about MirrorMask is that it was scripted by Neil Gaiman and directed by Dave McKean, with a final product that, while less plot-heavy than most of Gaiman’s writing, faithfully adapts McKean’s unique drawing/collage style into three dimensions. Since those who…
Into the Blue offers precisely what one would expect from the director of Blue Crush and the writer of Torque: beautiful stupidity. Its every frame dripping from a noxious recipe of suntan oil, summertime sweat and salt water, this heist movie (or whatever it is, which isn’t much) delivers a…
It’s almost impossible to watch Roman Polanski’s rendition of Oliver Twist without drawing parallels between the deprivations endured by the book’s young protagonist and the director’s own brutal boyhood. A Jew raised in Nazi-occupied Poland, Polanski first tackled the Holocaust head-on in his 2002 film The Pianist, but Oliver Twist,…
About once a year–twice, if we’re lucky–a first-time director shows up with something original, electrifying and humane, a film that shows us a new way to see, that presents complex and memorable people in whom we recognize ourselves. Last year, it was Joshua Marston and Maria Full of Grace. This…
Anyone vaguely familiar with the rules of golf knows that you may not improve your lie, ground your club in a sand trap, or–most grievous of all–subtract strokes from your score. This last one apparently never occurred to the makers of a new movie with the grandiose title The Greatest…
Desperate Housewives: The Complete First Season (Buena Vista) ABC’s juggernaut drama is made up mostly of elements that have trickled down from HBO: black humor, self-awareness, the radical notion that women over 30 can arouse the national libido. The bonus deleted scenes don’t add much to the story, and behind-the-scenes…
By conservative estimate, Tim Burton stands to rake in half a billion dollars at the box office this year, thanks to a childlike chocolate maker in mauve rubber gloves and, now, to a lively dead girl with marriage on her mind and the timid schlub who falls under her spell…
Anything can be anything to anybody, particularly in the case of David Cronenberg’s A History of Violence. If you want to believe that his new film, a loose adaptation of a little-known graphic novel, is a work of damning criticism aimed at the hypocrisy of Americans who believe violence is…
Andrew Niccol’s first two films as writer-director, 1997’s Gattaca and 2002’s S1m0ne, were hollow, sterile sci-fi masquerading as earnest satire: The former told of a near future in which parents could genetically engineer perfect children; the latter proffered an actress who became the most famous and beloved movie star in…
If you’re a character in a movie, and the rain is coming down so heavily that you cannot see out of your car’s windshield, for the love of God, don’t drive! Mack-truck drivers interpret such conditions as carte blanche to be reckless and will assume that honking their horn provides…
Da Ali G Show: Da Compleet Second Seazon (HBO Home Video) Sacha Baron Cohen’s inching closer to Tom Green territory; come this time next year, his HBO show is likely to be on the pop-culture junk pile. Which isn’t to say this double-disc set doesn’t hold up–it’s just wearing thin,…
The Blues Brothers 25th Anniversary Edition (Universal Studios Home Video) Dan Aykroyd and John Goodman’s modern-day revival of the Blues Brothers is less a stroke of comedy genius than a dose of karaoke night at Hooters. Fight off those thoughts and pop in this 1980 classic. John Belushi and Aykroyd,…
Fans of the last two Miramax films from Swedish director Lasse Hallström–Chocolat and The Shipping News–may be happy to know that he has stuck to the exact same formula for his latest, An Unfinished Life. Like its predecessors, this is the tale of an itinerant single parent with a precocious…
The Exorcism of Emily Rose, which is based on a true story the same way Harry Potter and Star Wars movies are, is the latest–though certainly not the last–movie of this bloody (awful) year trying to scare the money right out of your wallet. It has but one thing going…
The problem with making black-lacquered high school satire is this: Heathers came out in 1989, and it pretty much did the trick. There’s always room for an excellent addition to the genre, and in 1999, it appeared in the form of Alexander Payne’s Election, a film blessed both with a…
At the opening of The Constant Gardener, Brazilian director Fernando Meirelles’ adaptation of the novel by John le Carré, we hear a conversation before we see it. The screen remains black, still running credits, as a man and a woman negotiate a departure. Slowly, the scene dawns, revealing the couple…
Cineastes swooned over Hong Kong director Wong Kar Wai’s 2000 film In the Mood for Love, a slow-as-molasses melodrama about two tediously formal people whose spouses are having an affair with one another. Thrown together by circumstances, they find themselves falling in love but, determined not to emulate their cheating…
Terry Gilliam’s last film featured the former Monty Python troupe member as an eccentric, demanding and difficult director prone to destroying his ambitious projects before a single frame of footage was ever shot. “If it’s easy,” he says in the movie, “I don’t do it.” Alas, this was not a…
