It took Norman Mailer seven years and 1,282 pages to write 1991’s Harlot’s Ghost: A Novel of the CIA, and if memory serves, it took me 12 years to actually finish it. So director Robert De Niro and screenwriter Eric Roth can be forgiven for taking two hours and 40…
The Good German, directed by Steven Soderbergh from Joseph Kanon’s bestseller, is as much simulation as movie. Specifically, it’s the simulation of a 1940s private eye flick. It’s not just a period film, but one that feigns being shot as it would have been in that period. Filmed for maximum…
Bankrupt and brain-damaged in Rocky V, a bout fought so long ago that the other Bush was still sucker-punching Saddam, Sylvester Stallone’s titular pugilist returns to issue another beating in Rocky Balboa. How much punishment can an audience take? Even 007 gets his license renewed by younger models every decade,…
When the Levees Broke (HBO) Spike Lee’s four-part doc, easily the best non-fiction film of 2006, gets a fifth part on DVD: a 105-minute epilogue that reveals just how little has changed since Hurricane Katrina devastated the Gulf Coast in August 2005. Featuring new interviews with the displaced and displeased,…
“T.I.A.,” mutters Danny Archer (Leonardo DiCaprio), slouched across a bar in Sierra Leone. It is 1999. As the West obsesses over Clinton’s blowjob, the West African nation is mired in a savage civil war. Our hero, a world-weary soldier of fortune, has struck up a conversation with Maddy Bowen (Jennifer…
About Will Smith’s estimable talents, there is no doubt. Six Degrees of Separation, Ali…um…the “Parents Just Don’t Understand” video—the man’s got skills to pay the bills, yours and mine and his. That he seldom uses them, or their attendant clout, is dispiriting. This is an actor coming off a streak…
Talladega Nights (Columbia) This cut of Will Ferrell’s NASCAR comedy runs 13 minutes longer than the theatrical version, and that doesn’t take into account the deleted and extended scenes, outtakes, phony commercials, public-service announcements, and gag reel. A movie that already seemed to be constructed from deleted scenes is well…
Apocalypto has a faux Greek title and an opening quote from historian Will Durant that ruminates on the decline of imperial Rome. It may seem an odd way to comment on the supposed end of an imaginary, unspeakably barbaric Mayan civilization—but WWJD? Mel Gibson means to be universal. Not just…
From its wink-wink, nudge-nudge movie-within-a-movie opening through to its bold-faced quoting of such classic Hollywood farces as The Lady Eve and His Girl Friday, Nancy Meyers’ The Holiday wants us to know that it’s different from the kind of rom-com pabulum that fills the multiplexes these days. And it is…
Rocky: 2-Disc Collector’s Edition (MGM) An old TV commercial for Rocky included here compares Sylvester Stallone to Pacino, De Niro, and Brando — and though we now know this to be pure madness, it’s easy to see what inspired it. Sure, Stallone (who also wrote the Oscar-nominated screenplay) slowly destroyed…
When it premiered at the Sundance Film Festival in January, Bobcat Goldthwait’s Stay, now rebranded as Sleeping Dogs Lie for some inexplicable reason, was the talk of Park City, Utah, before anyone had even seen the movie. Based on pre-screening buzz, most folks figured the movie—shot on digital video, though…
No, the Virgin Mary doesn’t get high on aerosol fumes, and Joseph doesn’t ride in on a skateboard, but in most other respects, The Nativity Story is less of a departure for Thirteen and Lords of Dogtown director Catherine Hardwicke than one would have imagined. From our first glimpse of…
Superman II: The Richard Donner Cut (Warner Bros.) At long last, Richard Donner’s much-whispered-about “original version” of Superman II sees the light of day, and it quickly joins the ranks of the reconstructed Touch of Evil, Apocalypse Now, and Blade Runner as films made superior in the recutting and retelling…
Solemn, flashy and flabbergasting, The Fountain—adapted by Darren Aronofsky from his own graphic novel—should really be called “The Shpritz.” The premise is lachrymose, the sets are clammy and the metaphysics all wet. The screen is awash in spiraling nebulae and misty points of light, with the soundtrack supplying appropriately moist…
The first few minutes of Tenacious D in ¨The Pick of Destiny¨ are something to behold: a four-minute rock opera cranked to 11. A doughy young boy with dirty-mop locks (Nacho Libre’s Troy Gentile, once more playing li’l Jack Black) laments his tragic plight: He’s stuck in Kickapoo with “a…
An Inconvenient Truth (Paramount) This isn’t exactly the kind of DVD you buy to watch again and again; the ending doesn’t get happier, and there are no twists to decipher with repeated viewings. The producers hope instead that you buy it and share it; it’s less movie, after all, than…
By all rights, 2002’s Die Another Day should have been and could have been the final James Bond film. It was packaged like a cynical, weary best-of concert coughed up by an aging dinosaur, offering copious nods to the franchise’s past without bothering to offer any new material of consequence…
For Your Consideration pulls off the neat trick of skewering the movie industry while remaking it in its own image. The latest ensemble comedy by Christopher Guest and company may take place in Los Angeles, but its imaginative provenance lies somewhere between the la-la lands of Entourage and Mulholland Dr…
Fast Food Nation, directed by Richard Linklater from Eric Schlosser’s 2001 best-selling exposé of the McDonald’s conspiracy, is an anti-commercial. It’s designed to kill desire and deprogram the viewer’s appetite. Linklater—who, along with Steven Soderbergh and Gus Van Sant, has staked out a particular outpost on the indie-studio border—here takes…
Forbidden Planet (Warner Bros.) Long available as faded discount product, Fred McLeod Wilcox’s 1956 masterpiece–the movie without which Star Trek, Star Wars, 2001, and, oh, Lost in Space wouldn’t exist–at last gets its proper due; this double-disc collection comes with everything but stardust and rocket fuel. The tale of a…
Once an actor gets big enough to take whatever kind of role he wants, it makes sense that the biggest stretch imaginable, given his current situation, is the part of a powerless man with no control over the world around him. Call it a “nice” movie—a vehicle designed to tone…
Pity Max Skinner, emasculated over his lamb chops. On a gray afternoon, at London’s hot spot du jour, his gloating superior unveils a plot to poach his most lucrative client, divesting him of a six-figure bonus (pounds sterling) in the process. Fuck it. The bummed-out bond trader hands in a…
