Do we need another look back at the rotten heart of the ’50s nuclear family? Ira Sachs thinks we do, and as one who can’t get enough of sweaty melodramas about rotting families, I’m with him in principle. Mind you, Sachs’ noticeably childless new movie is less about families than…
No Country for Old Men (Paramount) “A horror comedy chase” is how a grinning Tommy Lee Jones describes No Country for Old Men in the making-of — meanwhile, his fellow actors add to the list such adjectives as “a very primitive ride,” “a rabbit chase through Texas,” and “a very…
The pleasing circularity of Gus Van Sant’s masterful Paranoid Park is not only a function of the film’s narrative structure but reflects the arc of its maker’s career. Few directors have revisited their earliest concerns with such vigor. Van Sant’s debut, the 1985 Mala Noche, was a moody drizzle of…
For the crime of obliterating high culture, for the crime of getting off on vicarious degradation—and, above all, for the crime of sitting through any movie that resembles the one he’s (re)made—Michael Haneke sentences you (me, us) to Funny Games. Scratch that: to a second fucking helping of Funny Games…
Into the Wild (Paramount) Sean Penn waited a good decade before adapting Jon Krakauer’s book about Chris McCandless, who graduated college in 1990, then disappeared into the American unknown, re-emerging as Alexander Supertramp before his final, tragic farewell in the Alaskan wilderness in ’92. Penn’s patience is evident in every…
Based on a true story,” brags The Bank Job before diving into the clear blue water of the Caribbean, where, in 1970, a topless woman frolics with two swimming mates—just another day in paradise. The trio retires to a hotel room for a sweaty, breathless afternoon quickie, which is photographed…
Near the beginning of The Counterfeiters, a fact-based Holocaust drama by Austrian filmmaker Stefan Ruzowitzky, we meet Jewish money forger and former jailbird Salomon Sorowitsch (brilliantly played by Karl Markovics), packing to flee Berlin in 1936 with a suitcase full of fake money. We know from an opening coda that…
Justice League: The New Frontier (Warner Bros.) Based on Darwyn Cooke’s comic-book miniseries — a masterpiece starring all of DC Comics’ major-leaguers at the dawn of their immortality during the Cold War — this animated adaptation plays stronger, faster, and further than any direct-to-DVD in recent memory. It’s a grown-up…
Semi-Pro’s much better than Blades of Glory, which wasn’t nearly as good as Talladega Nights: The Ballad of Ricky Bobby, which was a little better than Anchorman: The Legend of Ron Burgundy, which was almost as funny as Old School, which was better than everything else Will Ferrell had done…
Last fall, The Band’s Visit made headlines after being disqualified as Israel’s foreign-language submission to the 2008 Academy Awards—an ironic fate, indeed, for a movie that takes language as its very subject. The official ruling of the Oscar referees was that too much of the film’s dialogue is in English,…
Margot at the Wedding (Paramount) Margot (Nicole Kidman, or someone who looks just like her) is a fiction writer whose tales are based, uncomfortably and unkindly, on the real-life family for whom she seems to care very little. Hence sister Pauline’s (Jennifer Jason Leigh) late discovery that Margot’s a “monster”…
The pleasures of Be Kind Rewind do not extend far beyond the promise of its premise: Jack Black, magnetized and manic (yawn), erases every single video tape in the rental store where he hangs out and has to reshoot the movies with pal Mos Def. Theirs becomes a ramshackle filmography…
Remember the 1985 movie version of the Parker Brothers whodunit board game Clue, with its pre-DVD-era gimmick of multiple endings? Well, Vantage Point is like that, only instead of multiple endings, it gives us multiple beginnings. Oh, and Vantage Point, to the best of my knowledge, isn’t supposed to be…
Freudians disheartened by the Bearded One’s fall from psychotherapeutic grace may be cheered to learn that ol’ Sigmund lives and prospers at the movies, at least in child-friendly cinema. The Spiderwick Chronicles, an extravagantly oedipal fantasy adventure based on the popular children’s novels by Tony DiTerlizzi and Holly Black, comes…
No Reservations (Warner Bros.) From its cheap, mid-’90s-looking package to its woefully scant extras (one pre-chewed Food Network behind-the-scenes, blech) to its wide-screen/full-screen option, this feels like something dropped right into the discount bins; it probably debuts at half off this week. And this soufflé of a romantic comedy deserves…
Sandwiched somewhere between the American Spirit commercials and the Clinton campaigning that make up Definitely, Maybe is a surprisingly rewarding romantic comedy—one worth the effort, because some effort’s actually been put into it. Imagine really old-school Woody Allen starring that shit-eating smirker from Van Wilder, Ryan Reynolds, who’s always been…
The Assassination of Jesse James by the Coward Robert Ford (Warner Bros.) Beautifully shot, masterfully acted, and 19 hours too long, Assassination is an uneven mix of the artful and the arty that never had a shot at bringing in the audience that Brad Pitt’s chiseled melon should’ve delivered. Pitt…
No celebrity hairdresser should ever be allowed near Colin Farrell’s eyebrows with a tweezer. Black, fluffy and gloriously unilateral, they still aren’t the prettiest things about In Bruges—that honor falls to the Belgian city itself, known for its scenic medieval turrets, bourgeois tedium and unfavorable comparisons with Amsterdam. Bruges may…
When a friend recently told me that she’d been confused by the poster for the Matthew McConaughey-Kate Hudson fortune-hunting romp Fool’s Gold adorning her local multiplex—that she’d thought for sure this movie had already come and gone—I understood her bewilderment. Even as a professional film critic trained in such nigh-impossible…
The King of Kong (New Line) Seth Gordon’s best-of-2007 documentary about the battle for Donkey Kong supremacy remains a work-in-progress: Billy Mitchell, the longtime titleholder dethroned by Steve Wiebe over the course of this hysterical, thrilling, and occasionally sad little film, recently reclaimed the throne — and Wiebe has vowed…
Ryan Fleck and Anna Boden’s Sugar, which premiered in the U.S. Dramatic Competition at the 2008 Sundance Film Festival (and was inexplicably shut out at the closing-night awards ceremony), gets as much right about baseball as any movie I’ve ever seen. It gets the hum of the electric lights in…
Confessions of a Superhero (Arts Alliance) As one of those quoted on the package (“A more beautiful documentary you’re unlikely to find”), I can only reiterate my earlier praise: Matt Ogens’ doc, about mortals dressed as superheroes trolling Hollywood Boulevard for tourists’ loose change, is stunning to look at —…
