Rule of law scarcely discourages the endless reprisals in Rachid Bouchareb’s Algerian War–era family-ties drama Outside the Law, which shows the FLN’s militant campaign for Algerian independence, as fought on French soil, through the experiences of three brothers. Reuniting in a Nanterre shantytown, this tattered family brings with it the…
Fresh from Sundance, Miguel Arteta’s amiable Cedar Rapids is a mild comedy of embarrassment, set in the dark heart of Middle America and starring sitcom secondario Ed Helms (The Office’s obnoxious angry salesman Andy Bernard) as Tim Lippe, a prematurely middle-aged man-child. Taking an airplane for the first time in…
To age brutishly is Liam Neeson’s apparent career goal—with Taken, Clash of the Titans, The A-Team, and now Unknown, the actor continues to follow the Nicolas Cage path from respected thespian to big-budget ass-kicker. In this tepid thriller from Jaume Collet-Serra (Orphan), Neeson is Dr. Martin Harris, who, after arriving…
The late Canadian writer Mordecai Richler, best known south of the border for the film version of his 1959 novel The Apprenticeship of Duddy Kravitz, was a bellicose practitioner of Jewish fiction in the manner of Philip Roth and Saul Bellow, with a mad helping of Joseph Heller. The joyfully…
The Eagle, directed by Kevin Macdonald and adapted from Rosemary Sutcliff’s 1954 historical novel, The Eagle of the Ninth, a bestselling tale of second-century Roman legions and youthful derring-do on the far side of Hadrian’s Wall, is a thunderous boys’ adventure of the old-school type—there’s not a female speaking part…
In past years, the theatrical release of the Oscar-nominated live-action and animated shorts has provided a fun peek into intriguing bite-size cinema from across the globe. But for the 2011 edition, the series is at last making room for the five nominated documentary shorts as well. Unfortunately, this year’s nonfiction…
A not-quite sequel to the 1984 L.A. punk classic Repo Man, Alex Cox’s Repo Chick is both an extreme formal experiment and a genre-mashing goof-off. Starring some of the same actors but none of the same characters, and still using the grungy edge-of-L.A. milieu as ground zero for apocalyptic panic,…
Sylvain Chomet’s The Illusionist breathes life into a celluloid fossil, lovingly animating an unproduced script by the great filmmaker Jacques Tati. Chomet sets The Illusionist on the cusp of the ’60s, around the time Tati wrote the script as a follow-up to his hit Mon Oncle. The title character, a…
An apocalyptic take on the social network comes from, of all places, Mamoru Hosoda’s childlike, yay-go-team japanime, Summer Wars, about a hijacked Second Life-esque world. Shy math whiz Kenji joins pretty, older schoolmate Natsuki on a trip to her family’s rural ancestral home, where he’s supposed to pose as her…
An adaptation of Love and Other Impossible Pursuits, Ayelet Waldman’s novel of Upper Manhattan entitlement and sanctimony, 2009’s The Other Woman has been dusted off to capitalize on insatiable, inexplicable Natalie Portmania. Portman, who also executive-produced, stars as Emilia Greenleaf, the home wrecker of the title who becomes the second…
The Rite is the latest of at least a dozen widely released American movies in half as many years with demonic possession a major plot point. This doesn’t mean the subject is wrung out—its continuing resonance with audiences hasn’t been effaced by secular pop psychology or modernization within the church…
Another Year, the 10th feature-length British soap written and directed by Mike Leigh, concerns a year in the life of Tom (Jim Broadbent) and Gerri (Ruth Sheen), the happiest post-middle-aged married couple in the whole of the London suburbs. Heading into their fifth decade together, Tom and Gerri are healthy…
Tracking the parallel trajectories of three employees laid off from cushy corporate jobs at the same Boston-based manufacturing conglomerate, The Company Men is transparent in its ambition to capture The Way We Live Now from a sensitive, equitable—rather than a withering and satiric—point of view. Writer/director John Wells portrays the…
Ivan Reitman, master of the high-concept, big-budget Hollywood comedy (Ghostbusters, Dave), would seem an unlikely candidate to direct No Strings Attached, an extremely low-concept, low-key romantic comedy of contemporary sexual mores centered on the dating foibles of attractive nerds. Fully devoid of the fantasy contrivance that often sets a Reitman…
They call it “human interest.” There are few narratives more compelling than a survival story like Peter Weir’s new adventure yarn. The protagonists of The Way Back, the veteran director’s first movie in the seven years since his seafaring Master and Commander, are a group of Soviet prisoners who escape…
“Maybe I should just tell you some of the facts as I remember them,” Spalding Gray says a few minutes into And Everything Is Going Fine, Steven Soderbergh’s fascinating posthumous documentary on the writer/actor/monologist, who apparently jumped off the Staten Island Ferry in 2004. Soderbergh, who filmed the monologue Gray’s…
A 2009 Cannes winner, Dogtooth is hyperrealist sci-fi detailing an (anti)social experiment gone awry. The matriarch and patriarch of an upper-class Greek family have taught their three nameless, college-age offspring an alternate language (“A sea is a leather armchair, like the one we have in the living room. A pussy…
In her recent English-speaking roles, 50-year-old bilingual Kristin Scott Thomas has gamely endured the fate of most actresses her age, cast as the fretful mother of Natalie Portman and Scarlett Johansson in The Other Boleyn Girl and the pinched, sexless guardian of Aaron Johnson’s John Lennon in Nowhere Boy. Her…
Claire Denis’ strongest movie in the decade since Beau Travail, her tense, convulsive White Material is a portrait of change and a thing of terrible beauty. The time is unspecified. The subject is the collapse of an unnamed West African state, and the protagonist, Maria, a French settler unflinchingly played…
Writer-director Tanya Hamilton’s striking debut is the rare recent American-independent film that goes beyond the private dramas of its protagonists, imagining them as players in broader historical moments. Set in the Germantown section of Philadelphia in the summer of 1976, Night Catches Us examines the failed hopes of ’60s liberation…
Only inertia will bring people to Michel Gondry’s 3-D spectacle, The Green Hornet. Opening amid persistent negative buzz in the mid-January dead zone, this long-germinating prospective franchise, based on a character that first saturated the nation’s radio waves in 1939, seems pretty much DOA. Rather than a $90 million Gondry…
Dissolute action-movie star Johnny Marco (Stephen Dorff), first seen doing laps in his black Ferrari, has no destination in Somewhere, Sofia Coppola’s mood ring of celebrity lassitude. Coppola’s fourth feature is, at times, similarly aimless and empty. But those who groan that the writer-director has made another indulgent film about…
