Dispatch From Cannes: Cannes Someone Please Get Me A Badge?

Apologies for not updating you sooner, but things (of course) did not work in my favor when I arrived in France. We were expecting to cover the whole festival, but Gordon and the Whale’s sponsor for the festival intended for us to cover only a few films. My associate, Joshua…

Start Staying Up Late With the Nasher

Late Nights at the DMA satisfies art and night owls on the third Friday of each month year-round, but neighbors at the Nasher Sculpture Center have officially returned with Late Nights’ warm-weather, outdoor counterpart, ’til Midnight at the Nasher. The music and movie series kicks off this Friday, with a…

Pirates of the Caribbean: On Stranger Tides

After sinking into self-important tedium with its prior two overstuffed installments, Pirates of the Caribbean seemed destined for permanent burial at sea. And yet the soggy franchise and Johnny Depp’s foppish rapscallion return again for On Stranger Tides—to search for the fountain of youth, no less, a quest that Chicago…

Cannes Chase Kick It? Yes, He Cannes!

My name is Chase Whale and I’m a movie addict. This is a really special week for me, Chase, movie addict, and there are two reasons for that. On Wednesday I headed out to France to cover the Cannes Film Festival for Stella Artois and film culture website GordonandtheWhale.com. Now,…

Meek’s Cutoff: Unsettled Settlers

Tenacious indie Kelly Reichardt has specialized in quirky, minimalist quasi–road movies in which loners come unmoored in some great American space. Meek’s Cutoff is that and more—one great leap into the 19th-century unknown. The members of a small wagon train crossing the Oregon Trail in 1845 follow their bombastic, wrong-headed…

Bridesmaids: Still a Man’s World

Bridesmaids is a high-profile test case. Directed by Paul Feig (a sitcom journeyman most lovingly known as the creator of Freaks and Geeks), it’s the first female-fronted comedy produced by Hollywood kingpin Judd Apatow, who has weathered criticism in the past for his brand’s dude-centric point of view. It’s also…

Everything Must Go: Will Ferrell Hits Bottom

Greatly expanded from a four-page, single-situation story by Raymond Carver, Dan Rush’s first feature, Everything Must Go, is an ambitious if enervated vehicle for Will Ferrell—playing it straight as Nick Halsey, a middle-class drunk fired from his job and locked out of his suburban home by an irate, never-seen spouse…

The Beaver: Mad, but not Madcap

An earnest, intermittently droll dramedy about a manic-depressive toy manufacturer and his bewildered family, The Beaver is a parable that’s not easily parsed. While director Jodie Foster fails to maintain a consistent tone, the movie’s lopsided wobble is undeniably enhanced by her star Mel Gibson, or at least by the…

Something Borrowed Will Make You Blue

Something Borrowed is based on a 2005 work of chick literature by Emily Giffin. It was directed with extraordinary impersonality by Luke Greenfield (Rob Schneider’s The Animal), and produced by Hilary Swank in collaboration, apparently, with the restaurant Shake Shack—one of the lifestyle brands prominently featured in this tale of…

Prom is a Formal Disaster

“This one perfect moment.” “That soul-crushing mistress.” “Our forever night.” These and other understated definitions are obsessively applied to a certain dreaded/anticipated ritual throughout Prom, a timely pop product set in a suburban high school during the last weeks before summer break and destined for the immortality of Vitamin C’s…

African Cats get the March of the Penguins Treatment .

Anthropomorphizing its animal stars to a borderline dubious degree, Disneynature’s nonfiction African Cats situates itself in Kenya’s Masai Mara National Reserve, where two four-legged mothers valiantly struggle to provide for and protect their young. On the northern side of the river that divides this gorgeous but pitiless land lives aging…

The Human Resources Manager: Compassion Meets Bureaucracy.

Tender irony and dark humor abound in The Human Resources Manager, Israeli director Eran Riklis’ latest account of bureaucracy colliding with burgeoning compassion. This follow-up to 2008’s Lemon Tree, based on the novel A Woman in Jerusalem by A.B. Yehoshua, hits the road when the restless personnel director (Mark Ivanir)…

Super Masked-Man Fantasy is Uneven and Annoying.

When a local crime boss (Kevin Bacon) lures away his wife (Liv Tyler), lifelong pushover Frank (Rainn Wilson)—under the influence of a bizarre Christian kids’ TV show and a sci-fi-style encounter with something like God—starts to make himself over into a real-life superhero. On discovering that the weird guy who…

The Conspirator: Redford Helms Another Dull History Lesson.

Set in the months after Lee’s surrender at Appomattox, The Conspirator follows the consequences of the fatal shot at Ford’s Theater—specifically, the trial of Mary Surratt, Catholic, 42, and the owner of a Washington, D.C., boarding house, who was presented before a military tribunal as the den mother in the…

Miral: Style, but Little Substance in Schnabel’s Palestine Plea.

A U.N. premiere! A Vanessa Redgrave cameo! Zionist hoodlums! Distributors the Weinstein Co. and director Julian Schnabel overcome their well-documented aversion to media attention to address the Israel-Palestine question, pleading peace, compromise and the creation of a self-governing Palestinian state. While Jewish advocacy groups swarm to Schnabel’s bait, it bears…

Hanna: Virtuoso Filmmaking, Retro Politics in a Crisp Thriller.

The era of the teenage action heroine is fully upon us. As pop-cultural correctives go, it’s a mixed blessing. In one corner, you’ve got the jailbait fantasies of Donkey Punch and Kick Ass, which eagerly trade on notions of naughty girliness rather than transcend or interrogate them. In the other,…