LA Weekly film critic Amy Nicholson found out first-hand that Michael Shannon is a pretty stern Monopoly player during a recent game with the actor, who portrays a tortured Orlando real-estate baron in the upcoming 99 Homes. Nicholson and Village Voice film editor Alan Scherstuhl open this week’s Voice Film…
Despite a vibrant and burgeoning film community here in Dallas (thanks Dallas Film Society, Texas Theatre, Video Association of Dallas and the many, many others who make it happen) we tend to pay a great deal of attention to what’s new while more or less neglecting the old. We can…
The success of Jean-Jacques Annaud’s handsome lupine adventure Wolf Totem relies in large part on the ratio between wolf and totem. There are wolves — those howling, majestic hunters of the Mongolian grasslands — and then there are the many things they stand for: freedom, teamwork, the delicate harmony of…
In 2012, documentary filmmaker Joshua Oppenheimer made a splash with The Act of Killing, in which he sought out members of Indonesian killing squads, individuals who murdered thousands of innocent citizens accused of being communists after a military takeover in 1965, and invited them to re-enact their crimes in the…
The American Dream killed Jay Gatsby and Willy Loman, but their TV counterparts have mostly fared better. Sure, Walter White ends up in a metaphorical ditch and Tony Soprano may too. But the serialization of TV storytelling largely means that characters on shows like Roseanne, The Fresh Prince of Bel-Air,…
The upcoming Steve Jobs documentary from Alex Gibney (Steve Jobs: The Man in the Machine) is worth seeing even if you’re tired of Apple fanboys — if only for the curious parallels between Apple worshippers and the members of the Church of Scientology, the subject of Gibney’s other recent doc…
There’s a knot of tough, tender, persuasive scenes near the end of Isabel Coixet’s life-advice drama Learning to Drive. These are muscular enough that, had they come earlier, they might have powered the movie — the filmmakers’ hearts might be in the right place, but the film’s doesn’t kick in…
Director Alex Gibney’s choice to follow this spring’s Scientology slam Going Clear with the fascinating portrait Steve Jobs: The Man in the Machine might seem like an about-face. The first documentary clinically eviscerated a religion that everyone loves to loathe. Apple CEO Steve Jobs, however, is adulated to an incredible…
A sense of humor will take you far in life, even along a daunting stretch of the Appalachian Trail. In his hugely popular 1998 book A Walk in the Woods, Bill Bryson chronicled his attempt to hike the full length of the trail, from Georgia to Maine, accompanied by an…
Here’s a brief history lesson: in the 1950s, there was a little French magazine called Cahiers du Cinéma. It was written by film critics, for film critics, which the general public ate up because it taught them the theory of film and what was good and bad at the local…
Narcos, Netflix’s new drug-war docudrama, is nearly as ambitious as its central character, Pablo Escobar. Over the course of 10 dense, sprawling episodes, the series tells the 20-year history of the narcotrafficker’s rise and fall in relation to Colombia’s blood-soaked history and the U.S.’s escalating drug war, from Richard Nixon…
Last year one of the best American revenge tales Blue Ruin, funded through Kickstarter, went on to play the Cannes Film Festival, where it won the prestigious FIPRESCI Prize — the same award Quentin Tarantino, Martin Scorsese, Paul Thomas Anderson, and many great filmmakers of all time won once upon a…
Remake The Graduate today, and an adult might corner Benjamin Braddock and whisper, “Startups.” Debut director Max Joseph gives that a good shot, though the result — the EDM-fueled, drug-laced dream-crusher We Are Your Friends — is so sweaty and silly people may not notice. Like Mike Nichols, Joseph wants…
This mean and vigorous men’s adventure pulp throwback has everything going against it. It’s a late-August release whose leads, Owen Wilson and Lake Bell, tend to be the best things in movies you otherwise regret seeing. The trailers, teasing the story of a toothsome American family hunted by peasant-rebels in…
Brooke, Greta Gerwig’s latest Manhattan creation, is a hurricane gobbling up lives. She’s a singer, restaurateur, interior decorator, math coach, spinning instructor and self-described autodidact. When 18-year-old admirer Tracy (Lola Kirke), Brooke’s sister-to-be following their parents’ Thanksgiving wedding, squeaks that she wants to write short stories, Brooke devours that idea,…
There’s steady, scary thrill in the final third of Meru, the latest attempt to conquer the climb-and-tweak-the-nose-of-God mountaineering documentary, a genre that has yet to reach its apex. The terrible beauty of the Shark’s Fin point of northern India’s Mount Meru is enough to make this worth seeking out on…
Alan Scherstuhl and Stephanie Zacharek of the Village Voice, along with Amy Nicholson of the LA Weekly, run down the worst and best of the movies they saw this summer, which as summers go, wasn’t so terrible! Among the best performances were those by Sam Elliott, wonderful in two movies,…
On this week’s Voice Film Club podcast: We love Guy Ritchie’s stylish, charming The Man From U.N.C.L.E., while LA Weekly film critic Amy states her case for American Ultra. We move onto Lily Tomlin’s memorable performance in Grandma (be sure to read our interview with Tomlin, too). Later, Village Voice film editor…
Here at the Dallas Observer Arts and Culture section, we are proud, sort of, we guess, to announce Another Former Bachelor Contestant Hosts A Thing And You Can Go If You Want. It’s art and culture, baby. For this edition, Dallas guy and a former Bachelor himself Sean Lowe and…
Nima Nourizadeh’s American Ultra is a bloody valentine attached to a bomb. It’s violent, brash, inventive and horrific, and perhaps the most romantic film of the year. Jesse Eisenberg and Kristen Stewart star as Mike and Phoebe, two West Virginia stoners blissed out on weed and each other. “We’re the…
Is it in honor of its subject that the high-flying doc Being Evel indulges so often in hilarious overstatement? “He opened the door and invited people to buy a ticket to watch truth,” one talking head insists, somehow keeping his face straight. Another speaks of how in the early 1970s…
“You could make five different N.W.A movies. We made the one we wanted to make.” That’s director F. Gary Gray during an audience Q&A after a recent screening of Straight Outta Compton, the long-awaited N.W.A movie. In our review, Amy Nicholson writes that there’s much more to the group’s story:…
