A Netflix Doc Digs at the Truth Behind the Foxcatcher Killing

If you thought the billionaire played by Steve Carell in Bennett Miller’s Foxcatcher was eerie, please allow me to introduce you to the real John du Pont. A dangerous concoction of lonely and paranoid, du Pont was blessed with money and mobility and cursed with the kind of childhood that…

Tale of Tales Dares to Bite Into the Tangential Madness of Fairy Stories

Fairy tales were meant to be oral stories. Translating the tangents of old women in far-flung villages (whose chips on their shoulders about, say, their brother’s failed shipping business might inspire long asides about the shipping industry) into written texts doesn’t always make for the most linear, easy read. In…

As It Saves the Sitcom Once Again, Amazon’s Catastrophe Is Anything But

The second season of Amazon’s Catastrophe might do for the #TGIF-style family sitcom of the late ‘80s and ‘90s what the first did for the ailing rom-com: open-mouthed resuscitation on the operating table after one too many Garry Marshall–fueled heart attacks like Valentine’s Day. (Or New Year’s Eve? It doesn’t…

Tom Hanks Waits for Meaning, Connection and a King

Don’t hold it against Tom Tykwer’s A Hologram for the King that its best scene is also its first. As Alan Clay (Tom Hanks) strides down a suburban street singing a modified version of Talking Heads’ “Once in a Lifetime” (“You may find yourself … without a beautiful house ……

Elvis & Nixon Is as Two-Dimensional as That Famous Photo

Elvis Presley once watched Dr. Strangelove three times in one night at a Memphis movie theater. After that, he made them play the last reel several more times, marveling at it. It’s fascinating to wonder about: Here’s this country’s biggest musical star, the leading man in movies he knew were…

Sure, Hardcore Henry Bombed, but You Would Love It at Midnight

Hardcore Henry screened as a midnight movie at last September’s Toronto Film Festival, and was so ecstatically received that a distributor bidding war ensued. Six months later, the film has hit theaters nationwide and fallen flat, thanks to intensely negative reviews from critics upset by its unceasing violence. It didn’t…

Supergirl Proves Comic-Book Adaptations Can Soar Rather Than Punish

Here’s a question faced by the creators of almost every superhero adaptation: How do do you pull this off without copying Frank Miller’s Batman? Too many modern superhero dramas — including the Dark Knight films, Arrow, Daredevil and Batman v Superman: Dawn of Justice — either ape the dour realism…

In The Jungle Book, Disney Builds a Better Blockbuster

Here’s about as convincing an argument as I can imagine for the existence of the modern Hollywood blockbuster. Disney and Jon Favreau’s The Jungle Book reinvigorates an oft-told tale with star power, technology and calculated charm. It’s been billed as a live-action remake (it’s too good to be called a…

A Punk Band Faces Murderous Skinheads in the Harrowing Green Room

Jeremy Saulnier’s Green Room is an impeccably crafted cinematic torture machine — in the best possible way. The premise will make some cringe, while making others giddy: A punk band, trapped in a club in the middle of nowhere, have to fight off a bunch of murderous skinheads to get…

The Latest Barbershop Is a Cut Below

The effortless charisma of Ice Cube and Cedric the Entertainer, the headliners of the first two Barbershop movies (released in 2002 and 2004), helped keep those over-plotted comedies buoyant. Cube and Cedric are back as Calvin and Eddie in Barbershop: The Next Cut, but even their enormous appeal can’t rescue…