Todd Solondz’s Wiener-Dog Embarks on a Satiric Odyssey

A wiener dog is the perfect mascot for Todd Solondz’s films. Dachshunds are ridiculous, funny without trying, but that zero-dignity waddle belies a much fiercer purpose: to hunt and kill small prey. Solondz’s body of work, stretching from coming-of-age cringefest Welcome to the Dollhouse to his newest, Wiener-Dog, has the…

13 Films That Were Shot in Dallas

Some people may think Dallas’ only contribution to the film industry is the Zapruder film, but they would be wrong. A surprisingly large number of movies have been filmed in the Dallas area over the years; we’ve put together a list of our favorites, some of which you may know…

A Woman and a Gun vs. the Medical Establishment

In his tight, trim, health insurance thriller A Monster With a Thousand Heads, Mexican-Uruguayan director Rodrigo Plá achieves a visual style that is ice cold but also deeply human — a clever way to depict an all-powerful system that feeds on our lives and thrives on our fallibility. Plá opens…

Anna Rose Holmer’s The Fits Makes Growing Up a Fight for Grace

In Anna Rose Holmer’s The Fits, emotion becomes motion and psychology becomes space. It’s a coming-of-age story, but Holmer mostly eschews dialogue and standard storytelling devices; she tells her tale through movements and patterns and the way that she films them. The Fits follows Toni (Royalty Hightower), an 11-year-old tomboy…

Pixar Dives Under the Sea Again — and Into Memory Itself

Finding Nemo may have been a cartoon about a clownfish traveling across the ocean looking for his son, but it was also one of Pixar’s first overt forays into the workings of the human mind. The film, from 2003, was haunted by loss: The protagonist, Marlin (voiced by Albert Brooks),…

The New Conjuring Can’t Measure Up to the Old Conjuring

Back in 2013, James Wan’s The Conjuring represented the high point of a wave of mainstream horror that showed there was still value in old-school scares — that there was life beyond torture porn and slick slasher reboots. It was a ghost story-turned-possession thriller that mined terror out of the…

Netflix’s Suspenseful Happy Valley Focuses on Police Work as Social Work

If mid-century pulp and noir gave us the cynical, quippy hardboiled detective, then Peak TV has given birth to its successor: the charbroiled cop, a bitter, corrupt, philandering, violent, addicted, nihilistic or just psychotic contemporary crime fighter. The supposed irony of this figure is that he (almost always a he)…

Genius Dramatizes Editor Maxwell Perkins’ Shaping of Thomas Wolfe

If you can get past the spectacle of British and Australian actors portraying some of the most important figures of 20th-century American literature, Genius is a good example of a prestige pic that is not only literate but surprisingly vibrant. It’s the story of the tumultuous relationship between hot-tempered, Asheville-born…

TMNT: Out of the Shadows and Out of Ideas

There’s something satisfying about hearing Tyler Perry, as mad scientist Baxter Stockman, say the words “Eliminate those turtles,” but it’s not quite novel enough to bring Teenage Mutant Ninja Turtles: Out of the Shadows up to street level and out of the sewers. Early on, giant squid-like brain Krang (Brad…

While Viva Finds Beauty in Cuba, Its Characters Seem Adrift

The lure of everything Cuba is strong. It’s in the news, on top of everyone’s travel list and in our movie theaters. But the recent films about Cuba aren’t exports from the still-embargoed country. Most come from visiting filmmakers. Irish director Paddy Breathnach captures a gorgeous portrait of Cuba with…

Yes, Comedies Look Better Than They Used to. Brandon Trost Is Why.

“Did I want to shoot comedies?” asks Brandon Trost, director of photography on two of this summer’s funniest films, Popstar: Never Stop Never Stopping and Neighbors 2: Sorority Rising. “It’s funny — not at all.” But then came MacGruber, Jorma Taccone’s 2010 SNL film.“The director wanted me because I wasn’t…

The Idol Mostly Scores With the Story of a Palestinian Singing Star

In 2013, a 22-year-old Palestinian named Mohammed Assaf won the second edition of the Middle Eastern singing competition Arab Idol, a spinoff of the same popular British Pop Idol franchise that also gave us American Idol. Mohammed had snuck out of Gaza and crashed the auditions in Egypt before making…

At Its Best, Lonely Island’s Popstar Blows Up Our Pop Moment

It’s a feat to out-idiot TMZ culture. In achieving that, the fake-doc white-rapper satire Popstar: Never Stop Never Stopping is a breakthrough for studio comedies, which here at last catch up to the metabolism and meaninglessness of the internet age. In its generous, frenetic first hour, Popstar’s jokes and parodies…