Spielberg’s Close Encounters Returns in All its Confounding Glory

In one sense, Steven Spielberg’s 1977 UFO bliss-out, Close Encounters of the Third Kind, is reprehensible. It is, after all, the story of a daydreamer dad (Richard Dreyfuss) who leaves his family for worlds unknown as he continually trades in one slender, luminous life companion for another: Teri Garr for…

Crown Heights Tells a Compelling True Story with Jarring Impatience

In adapting for the screen the long, hard story of Colin Warner — a Trinidadian native who, as a Brooklyn teenager in 1980, was wrongfully convicted of murder and sent to prison for more than 20 years — Matt Ruskin’s Crown Heights moves along in a counterproductive hurry. Scenes rich…

Feel-Good Rapper Comedy Patti Cake$ Doesn’t Earn Its Mic

The story beats of Patti Cake$, a socioeconomic-sermonizing comedy about a thick young white woman with huge hip-hop dreams and little prospects, are as predictable as the ticking of an egg timer, as generic and tinny as the pulses of a drum machine. I rooted not for Patricia Dombrowski (Danielle…

Lemon Squeezes the Hipster-Antihero Thing Hard, but Not Much Good Comes Out

A grating protagonist alone does not a bad film make, but the episodic, unsatisfying Lemon revels in purposeful nails-on-a-chalkboard unlikability. Isaac (Brett Gelman), a struggling actor and stage director, spins out of control after his girlfriend, Ramona (Judy Greer), leaves him. Another film would make the ensuing tale a mope-fest,…

First Look: What Carter Lost Is Dallas History Worth Retelling

Like any good set of tragic heroes, the 1988 Carter Cowboys reached fantastic heights before they fell. During the fall and winter of that year, a team loaded with players who went on to play football at big-time colleges and in the NFL cruised to Dallas ISD’s first football state championship…

Despite Breakout Role, Noomi Rapace is a Star Hiding in Plain Sight

In one of two new action films Noomi Rapace leads this summer, she plays seven different women — sisters — in a dystopian future in which single-child policies are stringently and violently enforced because of food-and-resource shortages (let’s be honest: global warming). This is Netflix’s What Happened to Monday. In…

Whitney: Can I Be Me Surveys the Pressures Faced by a Pop Great

Whitney: Can I Be Me premieres on Aug. 25 on Showtime In the February 2016 issue of ESPN The Magazine, Danyel Smith penned a powerful essay on Whitney Houston’s chill-inducing rendition of “The Star-Spangled Banner” at Super Bowl XXV, perhaps the pinnacle of national anthem performances. Smith frames Houston as…

Soderbergh Returns at Last With a Breezy, Comic Real-America Heist

In Steven Soderbergh’s hillbilly heist comedy Logan Lucky, the West Virginia prison where vault specialist Joe Bang (Daniel Craig) resides is pristine and peaceful. This is a high-security facility in a seemingly alternate world, a jail without racial tensions where the prisoners feast on edible food. While only a small…

The Hitman’s Bodyguard: A Giddily Irresponsible Action Comedy

Here’s what Patrick Hughes’ The Hitman’s Bodyguard has going for it: It’s exactly the movie it promises to be, but more so. It’s more wild, more hilarious, more giddily irresponsible — it’s the hard R action comedy that kids sneaking into it might imagine it’s going to be, minus ’70s…

Taylor Sheridan’s Wind River Is a Fine Crime Thriller, with Reservations

Taylor Sheridan isn’t afraid to embrace genre. His Wind River plays more like an unusually well-made episode of CSI: Wyoming than the highly anticipated directorial effort from the screenwriter of Hell or High Water (which may well have been last year’s best-written film). Set in the desolate, snow-covered Wind River…

The Dark Tower Looks Bad, But There’s Actually a Bright Side

Yes, you’ve heard it’s bad. It is. But there are some things to like in The Dark Tower, directed by Nikolaj Arcel, the new adaptation of Stephen King’s epic novel series. Just as in the books, an evil sorcerer named The Man in Black (Matthew McConaughey) orders around his henchpeople…

Simplified Onscreen, The Glass Castle at Least Boasts Strong Performances

The dictates of Hollywood screenwriting can’t quite constrain the wildness of Jeannette Walls’ family and her best-selling memoir. Despite a tidy resolution, too many scenes whose shapes are immediately familiar from other movies, and an absurd climax that dramatizes the conflict between a daughter and her father through the wheezy…