Writer-director Hal Salwen may be only now releasing his feature-film debut Denise Calls Up, but he is no neophyte to filmmaking. The New York University Film School graduate worked for years on spec as a screenwriter in Hollywood, and it was during these uncertain, lean, lonely years that Salwen conceived…
“I give great massages.” You ever know a girl who says this? When a guy hears this, something inside the male body goes, “yeeeeeeeessssssssssssss!” Seventeen thousand neurons rush through the nervous system and plant a flag on Mount Everest, if you know what I mean, and I think you do…
Stephen King embarked on a new project recently–The Green Mile, a serialized novel that he’s publishing in short monthly paperback installments. Luckily for King, he’s having much better luck with this new venture than with an earlier “first,” his directorial debut, which I reviewed a while back. Maximum Overdrive is…
There’s a junkie brilliance to Mission: Impossible that manages to out-shine the sparkling white teeth of its improbably smarmy star and producer, Tom Cruise. It reaches a level of such unregulated shamelessness that it easily crosses the line from schlocky fun to genuine camp. The movie doesn’t make any logical…
There are a couple reasons why director John Schlesinger’s Cold Comfort Farm should have made no splashier an American debut than Masterpiece Theatre. For one, Schlesinger filmed the project early last year to be broadcast on BBC-TV. Only a strong, favorable response from film festivals worldwide led to a chance…
While nothing can come close to duplicating the inimitable Drive-In experience, going to the videotape is the next best thing. I heartily recommend these classics–true Drive-In material–for every home library: * I Spit On Your Grave: This flick is considered “the most disgusting movie ever made” by Ebert the Wimp…
The camera loves 30-year-old French actor Olivier Martinez, but it doesn’t do him justice. In Jean-Paul Rappeneau’s deliriously romantic spectacle, The Horseman on the Roof, he wields heavy-lidded eyes that can make an offhand glance look like an invitation to hit the sack, yet there’s not an ounce of self-consciousness…
AMC’s The Grand–the Gotham City of film-exhibition venues–officially opened its doors in May 1995 with its inaugural movie, Die Hard with a Vengeance. One year later, The Grand can lay claim to unofficially opening the doors to something else as well–an unstoppable movie-house feeding frenzy that has seen three additional…
Sho Kosugi is the best kung-fu man since Bruce Lee. Forget Jackie Chan. Forget Jet Lee. Forget Bruce Lei, Bruce Li, Bruce Lea, and Bruce Leigh. It’s no wonder that they’re giving Hong Kong back to the Commies. They haven’t turned out a world-class thwacker since 1974, when Bruce’s head…
You have to wonder what compels capable actors–aside from pure greed, of course–to want to appear in franchise entertainment packages like Flipper. After all, it’s been predigested and massaged so much it hardly qualifies as a legitimate movie. Rather, it is an extended anecdote–or at best, a shaggy-dog story. There…
Sources as varied as the artist’s published diaries and Jean Stein’s Edie: An American Biography have documented that Andy Warhol had a peculiar disgust with bodily functions. He was, in fact, a highly anal hypochondriac who never touched drink or drugs and rarely participated in sex. It’s fitting, perhaps, that…
There is virtually no doubt in my mind that the opening scene of Twister is more terrifying than being trapped in an actual tornado. As a small farming family rushes to its storm cellar to escape the approaching maelstrom, the sense of wrenching danger comes off in two ways: first…
Vida Stegall threw all my stuff out on the lawn last week and refused to gimme my dog back just because I failed to mention I was having the occasional date with Cherry Dilday. It’s one of those woman things. They just never understand that men forget stuff. I just…
When I walked out of a screening of Dead Man Walking last January, I didn’t quite know what to think. Here was a movie written and directed by Tim Robbins, and starring Susan Sarandon and Sean Penn–three of the most unabashed liberals Hollywood has to offer–that did not allow easy…
The buzz on Heaven’s Prisoners, the screen adaptation of James Lee Burke’s novel, has been so miserable for such a long time that its release date has been changed more than Hillary Clinton’s hair style. (Not surprisingly, it’s been sitting on the shelf since roughly the Bush Administration.) I tend…
Today’s lesson is on The Texas Chainsaw Massacre. No matter how many times I’ve talked about this flick before, you guys still expect me to take time out from serious drive-in reviewing to go rehash all the Saw trivia just because you missed it the first time. So now I’m…
In 1975, Ellen Burstyn–who’d won the Academy Award for best actress the previous year–caused a stir when she publicly decried the lack of good female roles in movies, and encouraged her sisters in cinema to boycott the Oscars by refusing to nominate, vote for, or participate in the actress and…
Although they happen almost 60 years apart, a pair of funerals climax writer-director Ken Loach’s mournful Land and Freedom. The film opens with the death of one of these individuals: An English gentleman in his ’80s is found slumped on his couch by paramedics. We discover as his granddaughter discovers,…
The scariest thing you’ll ever find in a flick is not a goo-faced, bug-eyed monster and it’s not Freddy Krueger or Jason or Leatherface and it’s not a bunch of skinheads with razor blades. The scariest thing you’ll find in a movie is the Psycho Hag. The Psycho Hag is…
Since his death in 1990, the late British author Roald Dahl has only strengthened his relationship with international cinema. Dahl, perhaps most famous in America as the husband who nursed Patricia Neal through crippling strokes and promptly left her, wrote about the world of adults with the same acrid wit…
Here’s news that could presage a disturbing trend at the movies: Two films opening in Dallas within days of each other both deal with nebbish murderers whose decisions to poison family members, friends, and enemies alike form the basis of comedy. But The Last Supper is merely a peculiarly unfunny…
Mardis Note: The 26th Annual USA Film Festival runs Thursday, April 18 through Thursday, April 25. All screenings are at the AMC Glen Lakes Theatre, 9450 North Central Expressway at Walnut Hill Lane. All tickets, available exclusively through Ticketmaster, are $6.50, except for opening-night tickets to The Grass Harp, which…
