In 1997, both the big studios and the independents got stuck in their respective sewers of cliche–conflagrations, computer graphics, and crazy comedies on the one hand; on the other, dysfunctional families, kooky proles, and drop-outs. Some of the most highly promoted and lauded films from either the big-studio or indie…
In his 1993 book Sarajevo: A War Journal, Bosnian journalist Zlatko Dizdarevic reported on an 11-year-old boy who was waiting in line for water when snipers killed his mother and father: “After the shooting, this boy started to fetch and pour water over the bodies of his dead parents. He…
Where would Irish filmmakers these days be without The Troubles? In just the past couple of years, we’ve seen The Crying Game, In the Name of the Father, Michael Collins, Some Mother’s Son, and now The Boxer, the latest collaboration between director Jim Sheridan, screenwriter Terry George, and Daniel Day-Lewis…
In Hollywood, writer-director Garson Kanin’s wonderful book of film-biz reminiscences, Kanin tells of a mortifying incident in the career of John Forsythe. In the early ’50s, the young actor, while working on a film, entertained his colleagues with a Bogart impression. When the great star visited Forsythe’s set one day,…
When was the last time the audience applauded a trailer and the movie lived up to it? Independence Day enticed millions with its preview shot of the White House blown to smithereens, but that film was a dumb, elephantine sci-fi pastiche. The trailer for Wag the Dog, a far more…
While not a movie year to go down in infamy, 1997 was still mostly full of hype and holler. If the annual yield is judged by how many great films came out, 1997 was a loser. If you factor in the number of films that brought fresh talents and fresh…
With 1994’s Exotica, Egyptian-born Atom Egoyan clinched his claim to being Canada’s leading director. His new film, The Sweet Hereafter, a Cannes hit based on Russell Banks’ celebrated novel, should solidify his hold on that problematic title. Egoyan’s work, in general, is small-scale enough to seem arty and plain enough…
The new Gus Van Sant film Good Will Hunting is like an adolescent’s fantasy of being tougher and smarter and more misunderstood than anybody else. It’s also touchy-feely with a vengeance. Is this the same director who made Mala Noche and Drugstore Cowboy? Those films had a fresh way of…
If Quentin Tarantino’s Jackie Brown didn’t arrive weighted with post-Pulp Fiction expectations, it might be easier to see it for what it is: an overlong, occasionally funky caper movie directed with some feeling. It’s derived from Elmore Leonard’s 1992 bestseller Rum Punch, with the location shifted from Palm Beach, Florida,…
The ad line for As Good As It Gets is “A comedy from the heart that goes for the throat.” Isn’t this simply another way of saying, “You’ll laugh, you’ll cry, you’ll gag”? Jack Nicholson plays, of all things, a prolific romance novelist who’s a virulent xenophobe and a hopeless…
Woody Allen’s Deconstructing Harry is a film made by a free man. Liberated, for whatever reason, of the need for playing a nice guy, playing the bad man he does here frees Allen of the optimistic sanctimony that has weighed down so much of his recent work. Allen the filmmaker…
Now that the Japanese Tora-san series–with fiftysome entries in 30 years–has presumably drawn to a close, following the death of star Kiyoshi Atsumi last year, the James Bond films constitute the longest-running continuous series around. They’ve had their ups and downs, but something about the Bond formula has proved enduring…
If one is in a Biblical frame of mind, the sinking of the White Star Line’s R.M.S. Titanic about 400 miles off the southern coast of Newfoundland in 1912 could well be characterized as an act of divine one-upmanship. The 46,328-ton “ship of dreams” was struck down on its maiden…
Was Steven Spielberg fated to make Amistad? “Amity,” you might recall, was the name of the shark-bedeviled island in his breakthrough picture, Jaws; my dictionary defines it as “friendship, esp friendly relations between nations.” Amistad, too, means “friendship”–although the ship the movie is named for is a slave ship, and…
It’s hard for anyone under, say, 35 to understand the impact that the so-called French New Wave directors in general–and Jean-Luc Godard in particular–had on cinemaphiles (and on the art of film itself) when their films suddenly burst upon American art-house screens in the early ’60s. There was almost nothing…
Wes Craven’s Scream, which opened almost exactly a year ago, was the surprise hit of an overcrowded Christmas season. In part, the success was a triumph of counter-programming: In the midst of a glut of classy Oscar contenders, Scream was the only teen horror film. And it was helped by…
Movie special-effects maestro Phil Tippett has won billowing praise for the jaw-dropping digital transformations that turned models of alien bugs into the fearsome insect armies of Starship Troopers. But the 46-year-old founder of Tippett Studio in Berkeley, California, is his own most astonishing piece of transformation. If he’s at the…
First, The Heiress was unofficially remade as Washington Square, then The Big Carnival as Mad City, and The Day of the Jackal as The Jackal. But now we get The Absent-Minded Professor, all dressed up in new threads, as Flubber. In this frenzy of plundering the past, is nothing sacred?…
You can’t exactly call Alien Resurrection a pleasurable experience, but, then again, you wouldn’t say that about its predecessors either. Directed by Frenchman Jean-Pierre Jeunet, who previously co-directed with Marc Caro Delicatessen and The City of Lost Children, this fourth installment in the Alien onslaught is once again designed to…
John Grisham’s The Rainmaker lulls you into the mindset you get while reading a bestseller at the beach. What a sad thing to say about a Francis Ford Coppola movie! Rather than heighten your awareness the way The Conversation or The Godfather did, The Rainmaker makes you feel lazy and…
In John Berendt’s beguiling travel-cum-true-crime book, Midnight in the Garden of Good and Evil, the people of Savannah, Georgia, (in Berendt’s words) “flourished like hothouse plants tended by an indulgent gardener. The ordinary became extraordinary. Eccentrics thrived. Every nuance and quirk of personality achieved greater brilliance in that lush enclosure…
This Australian answer to Bonnie and Clyde, inelegantly titled Kiss or Kill, is the kind of film that carries you along even as you know exactly where it’s headed. And where it’s headed, of course, is trouble–trouble for all involved. Two sweet and tender hooligans, Nikki and Al, pay the…
