“Honey,” Ellen Burstyn’s character in The Last Picture Show remarks to her daughter, “everything gets old if you do it often enough.” The specific activity she had in mind was sex, but the maxim applies at least as appropriately to genre conventions in movies, which even the casual moviegoer can…
When hit men wore hats and Cadillacs had running boards, the average Mafia don could knock off the bosses of the five boroughs in mid-afternoon and sit down to a nice plate of chicken cacciatore that evening, content that he’d seen to the family business and blazed a path for…
Here’s the pitch: It’s New Year’s Eve, 1981. Wait, there’s more. But not much. Kevin (Paul Rudd) and Lucy (Courtney Love) are best friends out on the town, dateless. He’s a sad sack of self-loathing; she’s into slapstick sex in bathroom stalls. Kevin was just dumped by Ellie (Janeane Garofalo),…
In Hungary, the Holocaust lasted only for a year. But the word only is deceptive in this context. The Nazis, who entered the country in March 1944, had been in the genocide business for a few years by then, and they’d gotten good at it. They were efficient, and they…
Director Garry Marshall (Pretty Woman, Beaches) has always tended toward unrealistically feel-good movies, and The Other Sister is no exception. Billed as “a love story for the romantically challenged,” it concerns a mentally handicapped young woman (Juliette Lewis) struggling for independence from her overprotective mother (Diane Keaton). With the exception…
What’s entertaining about October Sky is the unlikely-but-true spectacle of backwater West Virginia teens teaching themselves rocket science in the Eisenhower ’50s. They progress from a glorified cherry bomb to sophisticated missiles through trial-and-error-and-error. Their inner rocket fuel is the desire to avoid getting stuck in the dying coal industry…
Plot is a central problem in both Jawbreaker and Office Space, two comedies opening this week: The first has too much, and the second (and far better of the two movies) has too little. Jawbreaker’s 26-year-old writer-director, Darren Stein, says he wanted to make an homage to the films he…
The independent production and distribution company The Shooting Gallery probably got a lot more attention when Monica Lewinsky showed up in Washington wearing a cap with its logo than it is likely to from the release of The 24-Hour Woman, a modest, deserving film from writer-director Nancy Savoca. Savoca has…
In the archetypal dead-end town of Lawford, New Hampshire, cold-eyed men looking for trouble prowl the streets in four-by-fours with chrome spotlights and loaded gun racks. The gloomy barrooms are not gathering places so much as solitary confinement cells, and the most popular local sport is macho posturing. In wintry…
Short of nuclear holocaust, a major sale at Kmart, or a confirmed Clint Eastwood sighting back in rural Iowa, there’s probably no way to keep the movie version of Message in a Bottle from overwhelming the tender emotions of the hearts-and-flowers crowd. After all, this relentless assault on the tear…
For better or worse, the father figure in Larry Clark’s ironically titled Another Day in Paradise turns out to be Mel, a foul-mouthed, 40-year-old junkie wearing a devil’s-red tennis shirt. His notion of good counsel is showing his surrogate son how to disable the burglar alarm at a medical clinic…
The new Mel Gibson movie, Payback, is arguably the first major-studio release this year to have even a modicum of aesthetic ambition. For his directorial debut, Brian Helgeland–who won an Oscar for his screenplay for 1997’s L.A. Confidential (cowritten with director Curtis Hanson)–has chosen to adapt The Hunter, the first…
In the 1993 hit Groundhog Day, Bill Murray played a show-biz smart-ass who grew into a human being. Murray added a core of warmth and romance to his comic arsenal without losing his zinging wit and crack-up irony, and he’s kept that progress going, even in piddling vehicles such as…
Nearly everyone–certainly every film buff–who saw the last James Bond movie, Tomorrow Never Dies, came away excited, though the film was certainly no match for Goldfinger or From Russia With Love. Audiences were buzzing, not about the gadgets or about Pierce Brosnan, but about Michelle Yeoh–the Hong Kong actress who…
Between the current nostalgia for platform shoes and the epidemic of midlife crises that has so many baby boomers in its grip, director Brian Gibson’s Still Crazy just might be able to find an audience among the disturbed, the deafened, and the disenchanted. It is, after all, the comic tale…
Elevate The Jerry Springer Show a notch or two–in other words, dispense with the one-legged serial killers who are having sex with their blind mothers, and other such nonsense–and you’ve got Willard Carroll’s Playing by Heart. Too harsh a judgment, some will say. After all, this well-meaning, relentlessly sincere ensemble…
“Freedom’s just another word for nothin’ left to lose,” Kris Kristofferson sings in his most beguiling song, “Me and Bobby McGee.” Stephen Frears’ The Hi-Lo Country tries in vain to be just as lyrical about love and liberty. In this 20th-century Western, a cattle rancher named Pete (Billy Crudup) narrates…
Directed by Walter Salles (1995’s Foreign Land), the Brazilian film Central Station concerns the relationship between a homeless 9-year-old boy and the insensitive, acerbic woman who reluctantly agrees to help him find his father. Winner of the Golden Bear for Best Film at the 1998 Berlin Film Festival (as well…
Viewers who find Hurlyburly one of the most weirdly annoying movies they’ve seen–which is likely–will probably locate different “last straws” in the self-indulgent bundle of hay that has been made from David Rabe’s grueling 1984 play. For me, it was watching Eddie (Sean Penn) stretched out beneath a glass coffee…
For critics (and for audience members who enjoy thinking too much), there are movie devices and there are movie effects. Movie devices–happy endings, sad endings, emotion-wracked confessions, harrowing confrontations–are those stock contraptions that filmmakers employ with varying degrees of subtlety to induce movie effects–making you laugh, making you cry, creating…
Somewhere under the glossy imbecility of Varsity Blues lurks an idea that could make a great American movie: a coming-of-age story in a setting where no one else has come of age, a place where the hero must find his way to maturity without a mentor. The setting, in this…
The great attorneys of our time–Tom Cruise, Susan Sarandon, Tom Hanks–must now make room in the firm for a new partner. John Travolta, who in past lives has been a disco king, a hip hit man, and a deep-fried presidential candidate, reinvents himself in A Civil Action as a greedy…
