With luck, Yi Yi (A One and a Two), the seventh release from writer-director Edward Yang, one of Taiwan’s most respected filmmakers, will open a vein of interest in Taiwan’s cinema, but it will be an uphill struggle. While it’s a rich and rewarding film, its pace is more leisurely…
As a kid in Brooklyn, Darren Aronofsky used to steal into Manhattan, taking the D train across the East River to sneak into movies such as A Clockwork Orange and Eraserhead. These were R-rated, and he was still 15 or 16. “They were films,” he says, smiling, “you weren’t supposed…
If you don’t like Tom Green, there’s no point in going anywhere near Freddy Got Fingered, as it won’t win you over. If you don’t know much about Tom Green but are curious, you might be well advised to watch videotapes of his show first, and be aware that inasmuch…
“Keep a diary and one day it’ll keep you,” said Mae West, and while the sentiment rings true, it does little to explain the mystery of why Helen Fielding’s sliver of literary history managed to keep anyone. Fluffy, shrill and approximately as deep as Cosmo magazine, the book somehow hit…
Josie and the Pussycats is not a comedy, and it’s even possible the movie’s not a work of fiction, despite being “based on” Dan DeCarlo’s 38-year-old Archie Publishing comic book. It’s tempting to brand the film as documentary, this year’s Scared Straight. There’s very little that’s funny about a movie…
One doesn’t watch Amores Perros (Love’s a Bitch) so much as absorb–like a body blow. “I wanted to make a movie that smelled of filth,” Alejandro González Inárritu has said about his feature directorial debut. He has succeeded beyond perhaps even his wildest dreams. One of this year’s Academy Award…
September 9, 1966: Adam Sandler is born in Brooklyn, New York. He is raised in Manchester, New Hampshire. September 1987: Sandler joins Ken Ober, Colin Quinn and Denis Leary as cast member on MTV’s game show Remote Control. Sometime in 1989: Sandler lands first starring role in a movie, playing…
Hello, what’s this? Why, could it be another cautionary tale from Hollywood about recreational drugs being–alert the media!–not particularly good for people? (If only they could try the same with guns. Messrs. Heston and Silver: You awake yet?) Indeed, with Blow, director Ted Demme (Beautiful Girls, Monument Ave.) has set…
French director Patrice Leconte is a chameleonlike talent: Among his films to reach American screens are the psychological thriller Mr. Hire, the period satire Ridicule and the offbeat comic romance The Girl on the Bridge. But in truth, all of Leconte’s films are romances at heart, though they are often…
Easily the most creepy (and, by far, most interesting) thing about Along Came a Spider, yet another adaptation of one of James Patterson’s alleged mystery novels featuring beleaguered Detective Alex Cross, is how much co-star Monica Potter looks, sounds and acts like Julia Roberts. Granted, it’s hardly a startling revelation…
Somewhere, in deepest New South Wales, Australia, there exists a humble sheep paddock. (In this particular case, the paddock is nearly devoid of sheep–barring the odd sound effect–but never mind that.) The setting is rural, it’s pastoral, it’s quaint as all heck–and it also happens to be hallowed ground for…
Amid the plethora of films starring Freddie Prinze Jr., Mena Suvari, Chris Klein and Jason Biggs, it’s nice–in theory, at least–to see a contemporary romantic comedy like Someone Like You, where the characters, while hardly over the hill, are all over 30. In practice, however, “nice” is really about as…
Justice may be blind, but vengeance, it turns out, has a very short memory. So it goes in Memento, the much anticipated “puzzle” movie from Christopher Nolan (Following), which–as is already fairly well-known–plays out its plot more or less in reverse. Pitting the protagonist (and us) against short-term amnesia and…
As its title suggests, Spy Kids is an action fantasy aimed primarily at the preteen/early-teen audience. For all its thrills–and it has plenty–it’s strictly a PG film…which is all the more surprising when you consider its source: Robert Rodriguez, master of bloody gunplay and monster films that sometimes even push…
We can run, we can hide, we can even try switching films, but there’s just no escaping that pesky Gene Hackman. He starred in The Conversation, he is ubiquitous, and revere him we must–virtually every single time we go to the movies. (There’s even a song by Robyn Hitchcock about…
In David Maquiling’s quirky little first feature, Too Much Sleep, a rudderless 24-year-old who lives at home with his mother and works nights as a security guard must go on a quest. Rising lazily from his bed, he sets out into the tidy suburbs of New Jersey to track down…
It’s a scenario we’re all familiar with by now: young single guys in search of hot babes, firing one-liners at each other, making pop-cultural references ad nauseam, and ultimately finding out that women are somewhat less shallow than they’ve been led to believe. At least, it’s a scenario you know…
To keep it simple, Enemy at the Gates plays like a cross between the PlayStation game Medal of Honor, a World War II Nazi-shoot-’em-up viewed through a sniper’s scope, and a Harlequin romance novel. It’s history lesson as video game, video game as soap opera, soap opera as highbrow drama,…
It’s always dangerous, when describing a film, to label it as “whimsical.” For one thing, it’s often hard to get a bead on what exactly that means. Then, once you get some idea, you realize that it generally means either (a) a movie that’s trying to be funny but isn’t;…
The heroine of Andrucha Waddington’s Me, You, Them is a force of nature who holds men in her thrall and deftly reshapes them to suit life. Without knowing it, they fall prey to her charms, her spirit, her very scent. But she’s no Cleopatra dripping with jewels, no Lucrezia Borgia…
Van Gogh was a lunatic who cut off his ear. Picasso was a self-absorbed cur who abused women. Warhol turned out to be a weird, desperate loner, Basquiat a doomed junkie. Try as he might, shriveled little Toulouse-Lautrec failed miserably at romance. As for El Greco’s explosive affair with that…
Director John Herzfeld’s last feature, the droll and underrated 1996 2 Days in the Valley, was a more than adequate counterbalance to the catastrophe of his first feature, Two of a Kind, a 1983 John Travolta vehicle that, together with Moment by Moment, put its star on the fast track…
