Clearly, director Malcolm Clark and writer Sean Kanan (an actor by day, not a writer, and no friggin’ duh) wanted to adapt J. D. Salinger’s The Catcher in the Rye, like thousands of other would-bes and wannabes before them. When they figured out that wasn’t going to happen, they instead…
Naked emotion is a tricky thing to sell, especially in semiautobiographical films about confused mama’s boys gradually learning that life exists beyond the control of their lens. The latter two of this cut’s three hours richly expand upon the romantic longing (for Agnese Nano young, Brigitte Fossey older) and deliver…
Steven Spielberg just might turn into a great director if only he’d stop sabotaging his movies. For the second time in as many films, he demolishes his product with a third act that renders all that’s come before it void. It’s as though Minority Report, set in a near future…
It’s easy to love Robin Tunney–she’s pretty, and she can act–but it gets harder and harder to understand her choices. The Craft was a good call, and undoubtedly furthered her options, as it did for co-stars Neve Campbell and Fairuza Balk. But many of her parts since that 1996 film…
Iranian director Majid Majidi received a mantelful of awards, was nominated for an Oscar for Best Foreign Film and got some American attention for his 1997 feature Children of Heaven, the simple story of a little boy who loses a pair of shoes and goes to great lengths to keep…
If it’s possible for a film to be simultaneously ambitious and banal, The Dangerous Lives of Altar Boys is it. There’s little here we haven’t seen repeatedly in some form or another–growing up Catholic is popular fodder for filmmakers, as is growing up in the American South, usually in a…
Naked emotion is a tricky thing to sell, especially in semiautobiographical films about confused mama’s boys gradually learning that life exists beyond the control of their lens. The latter two of this cut’s three hours richly expand upon the romantic longing (for Agnese Nano young, Brigitte Fossey older) and deliver…
This thoughtful and somewhat languid adaptation of Anton Chekhov’s 1904 play finds its beauty in the heady performance of Charlotte Rampling as Lyubov, childlike matriarch of a fast-fading period of social polarity. Returning from a long-term Paris retreat to her Russian estate and its complex web of disparate characters, not…
The challenge faced here by writer-director Robert Guédiguian (Charge!) is to keep his cheap melodrama from curdling his insightful societal appraisal. Michèle (Ariane Ascaride) is a dutiful young grandmother in Marseille, working nights packing fish to support her useless husband, Claude (Pierre Banderet), her junkie-prostitute daughter Fiona (Julie-Marie Parmentier) and…
Somewhere outside the Magic Kingdom, there are bored people. Blissfully unaware of the suits who design the multiplex fodder they’ll be mentally munching, these people discover a movie about a pug-nosed and pugnacious little Hawaiian girl bearing the boy’s name of Lilo (voiced by Daveigh Chase) and her barely adult…
The plot of The Bourne Identity is astonishingly straightforward: It is bereft of twists (instead, we’re offered tangible explanations), free of the gaping plot holes that swallow confused viewers and absent the cynical machinations of filmmakers who believe that to entertain it’s necessary to also bamboozle. This adaptation of Robert…
The “one thing” at the heart of Jill Sprecher’s 13 Conversations About One Thing may not have one name. But as you wend your way through this intricate meditation on urban solitude and the nature of fate, you’ll likely discover for yourself whether it’s called happiness, hope, domestic tranquility or…
We’ve only ourselves to blame. Our love for, if not obsession with, the detritus of popular culture has led us here–once more, into a theater screening a multimillion-dollar adaptation of a cartoon that always looked like it cost $4.93 to manufacture. (Of the cartoons proffered by William Hanna and Joseph…
The humidity outside, and even inside the Adolphus Hotel’s hallways, is stifling, but Nic Cage doesn’t sweat it–even in a leather jacket (with requisite fringes), black boots (wrapped in silver chains) and dark jeans, which makes one think he’s still Wild at Heart. He’s dolled up junket-style, playing mean and…
The swaggering neo-Nazi skinhead played here to scary effect by Ryan Gosling takes equal delight in punching out a frightened Talmudic scholar and justifying fascism with his articulate verbal harangues. But something distinguishes him from Russell Crowe in Romper Stomper and Edward Norton in American History X. Gosling’s Daniel Balint…
Sold as a romantic comedy about a 31-year-old grad student unable to find (or unwilling to choose) a bride, Dover Koshashvili’s second feature is hardly madcap or even touching. Zaza (Lior Ashkenazi) is no Bachelor being chased down the street by a mob of would-be brides. He’s merely torn–between his…
“Circuit parties,” the massive days-long gay events held periodically in major cities and fashionable resort towns nationwide, are a subject ripe for movie treatment, and Dirk Shafer’s film does a good job of capturing this scene, particularly its destructive side. While dance parties are supposedly celebratory events, “circuit” affairs are…
This is the kind of film Robert Forster starred in before his career was resurrected by Quentin Tarantino and Jackie Brown; it’s direct-to-video, by way of Starz! Forster stars as Eddie Miller, a traveling diamond salesman on his way out after a heart attack renders him uninsurable. He stays on…
The opening credit sequence of Windtalkers–a montage of Monument Valley–instantly invokes memories of the opening of John Woo’s immediately previous film, Mission: Impossible 2, in which Tom Cruise was dangling off a rock. It is the last moment of similarity between the two. Windtalkers is a World War II epic…
It’s no surprise that the Louisiana-born novelist Rebecca Wells has seen her wildly popular books translated into 18 languages, with no fewer than 6 million copies in print. She’s no deep-thinking stylist, but she has an unfailing gift for injecting Southern sentimentality, low-grade neurosis and mischievous charm into stories that…
So this is what it’s come to: another week, another terrorist-with-a-suitcase-nuke movie. Last Friday, it was up to Ben Affleck to save the world from nuclear annihilation, an unsavory proposition; he succeeded, but not before the Super Bowl disappeared in a holocaust flash. This Friday, it’s Chris Rock’s turn to…
Perhaps the most remarkable thing about the French film The Piano Teacher, aside from Isabelle Huppert’s unnerving and masterful performance, is the totally nonexploitative manner in which the story is presented. A tale of sadomasochism and self-destruction, the film easily could have succumbed to the inherently lurid aspects of its…
