Click may be the first Adam Sandler movie in which the high concept isn’t dependent upon the star. Sandler comedies tend to take his standard character of the petulant man-child with anger-management issues and place him in different wacky situations: elementary school (Billy Madison), the golf course (Happy Gilmore), the…
It may not be an “iconic manifestation of civilization,” as documentarian Ken Burns proclaims, but The New York Times crossword puzzle is undoubtedly an institution. Printed every day for the past 64 years, in weekly cycles of increasing difficulty, the puzzle draws politicians, working stiffs, comedians, musicians, coders and homemakers…
Night Watch (Fox Searchlight) Every once in a while, Hollywood needs somebody else to steal a genre and totally reimagine it; it keeps old ideas young, like celluloid Botox. Well, Hollywood’s gonna need one big needle to absorb Night Watch, an insane, insanely cool Russian action/horror/sci-fi brew that’s like nothing…
There is no movie more overrated in recent history than Napoleon Dynamite; it’s to cinema what the Doors are to rock and roll, a thing blindly and inexplicably championed as though it were a religion above being blasphemed by nonbelievers. And every time someone tries to explain its appeal–the deadpan…
Remember what a fun couple Sandra Bullock and Keanu Reeves were in Speed? Well, forget that. In The Lake House, Warner Bros.’ slow and heavy kickoff to the summer romance season, Bullock and Reeves play the mopiest lovers to hit the big screen since Tony and Maria channeled Romeo and…
There’s a fine line between artistic genius and pretentious wankery, and most cineastes will tell you that the films of Matthew Barney exist right around that line. Those who like his work usually admit that it’s almost too insufferably pretentious to bear; those with no patience for it generally acknowledge…
Valley of the Dolls Beyond the Valley of the Dolls (Fox) Behold The Godfather and Godfather Part II of drag-queen cinema — two movies that provide the gateway to a lifetime of wig addiction. The films couldn’t be more different in temperament — the 1967 original is mile-high Hollywood kitsch,…
Cars, the latest vehicle to roll off a Pixar assembly line that has thus far yielded nothing but spit-shined classics, answers that age-old question: What would Doc Hollywood have been like had it been populated entirely by cars? If the promise of that particular premise–in which a hotshot (in this…
Like the Grand Ole Opry plopped into a fragrant barn at the county fair, Garrison Keillor’s A Prairie Home Companion befits its roots in frosty Minnesota soil through its worldview, Buddhist by way of Scandinavia: Life is about suffering. The wind chill is below zero, and so is your spouse;…
It’s clear by now that British director James Marsh regards America as a vaguely amusing madhouse–a reliably primitive, thoroughly benighted backwater infested with dangerous grotesques. He is, after all, the fellow who gave us the supercilious TV documentary The Burger & The King: The Life & Cuisine of Elvis Presley…
The John Wayne/John Ford Film Collection (Warner Bros.) Featuring the most epic pairing of director and actor in Hollywood history, this 10-disc box spews machismo all over. Wayne and Ford defined not only the western and war-movie genres, but also our culture’s image of rugged manhood. Among the highlights is…
With ice caps melting, sea levels rising and Poseidon sinking fast, this is no environment for any disaster movie–particularly a real one–to take our interest for granted. Thus An Inconvenient Truth, named for the superbad news of global climate change, isn’t just another lefty doc for the art-house set, but…
You know how in most romantic comedies, the best friends are nearly always more interesting than the actual leads we’re supposed to care about? The Break-Up doesn’t play that game. Vince Vaughn is the focus and the primary source of entertainment, which is all the more impressive when you consider…
There was a time when people moaned whenever Hollywood would remake–and thus suck the life out of–a classic movie. These days, Hollywood just sucks the life out of movies that weren’t that great in the first place. Ah, progress. Well, June 6, 2006, is upon us, which means it’s time…
About 10 minutes into Michael Cuesta’s 12 and Holding, the following thought came to mind: Not afraid to put children in harm’s way. Twenty minutes later, not afraid was replaced with compelled. As he did in L.I.E. , which introduced child molestation into a fetid tale of adolescent obliteration, Cuesta…
Will & Grace: Series Finale (Lions Gate) The way this got hustled to shelves, mere days after Will Truman and Grace Adler said their mushy farewells, you’d think this were some classic adios — another M*A*S*H or Cheers wrap-up. Alas, it was just another Very Special Episode of a show…
When kids of all ages discuss comic books and superheroes, there is inevitably one question that comes up time and again: If that one guy and that other guy had a fight, who would win? Comics companies occasionally indulge these debates with special issues pitting Thing against Hulk or Wolverine…
Trotted out like ol’ Trigger whenever there’s a movie with saddles and six-shooters, the term “revisionist Western” would surely be a cliché if there were enough Westerns to warrant its use more than every few years. Fact is, any movie in a genre as depressingly out-to-pasture as the Western is…
There are lots of ways to grow up. The method offered by Somersault is to do something awful and then flee from it. This dreamy, sexy and rather chilly coming-of-age story from Australia captures a teenager’s attempt to escape her past, to build something new atop the rubble of what…
The impassioned new documentary Sir! No Sir! never mentions the words “Iraq” or “Afghanistan.” It doesn’t have to. Unseen and unremarked-upon, those bloody venues nonetheless inhabit the entire 84 minutes of David Zeiger’s film like some deadly, creeping virus for which there’s no cure. Zeiger’s actual subject, which he says…
Boston Legal: Season One (Fox) David E. Kelley’s latest legal drama is nothing more than a TV show about TV shows; hence the casting of Captain Kirk and Murphy Brown, with guest shots by Diane Chambers, Golden Girl Rose Nylund, and Alex Keaton. It’s like a Nick at Night mash-up,…
Ejiofor plays Simon, aka Lola, a flamboyant drag queen who gets to sing show tunes, issue snappy putdowns, and look fabulous. (He is not, he explains, a transvestite, because while drag queens look good in a dress, trannies “look like Boris Yeltsin in lipstick.”) Lola is also nursing some deep…
