The idea of “getting axed” is exploited for maximum double-entendre value in Severance, a grisly horror-comedy from the U.K. that has its tongue planted so firmly in its cheek that you half expect it to pop out the other side. Yes, heads (and, in one indelible bit, a severed foot)…
CANNES, France—The world’s preeminent film festival celebrated its 60th birthday party — the opening banquet catered by the world’s hippest, or is that once-hippest? — filmmaker. Hardly the disaster many feared, but far from the triumph others anticipated, Wong Kar-wai’s first English-language feature, My Blueberry Nights — starring Norah Jones…
CANNES, France—The Cannes Film Festival is chiefly revered as a showcase for prolific, careerist auteurs, so the appearance of Savage Grace, the first feature in 15 years by New Queer Cinema co-instigator Tom Kalin (Swoon), was certainly striking — not that a film in which Julianne Moore stars as a…
Cannes, FRANCE — Sometimes the competition is actually competitive. No one disputes that the official section at the 60th Cannes Film Festival has been the strongest in recent memory. The heavy favorites are the Coen brothers’ No Country for Old Men; Julian Schnabel’s surprisingly restrained and bizarrely chic French-language adaptation…
I never gave much thought to the subject of health insurance until, in October of 2005, an odd swelling in my groin prompted me to make one of my infrequent trips to the doctor’s office. A referral to a urologist and one ultrasound later, the diagnosis was indisputable: testicular cancer…
Cannes, FRANCE —”Whaddya love about it so much?” Abel Ferrara — director of the strip-club-set Go Go Tales, my favorite film at Cannes — is interviewing the interviewer. Well, I say it’s consistent with the Ferrara oeuvre — King of New York, Bad Lieutenant, Dangerous Game, et cetera — in…
Hannibal Rising (Weinstein) Pointless beyond belief, Hannibal Rising serves more as a cautionary tale than horror story. Made for $50 mil, the movie pocketed half that during its U.S. run and likely wound up in the red–an appropriate adios for a franchise starring a peripheral character better served by shadows…
Once, written and directed by John Carney, is a deceptively simple movie—a narrative strung together by pop songs, but without the sheen (or arrogance) of most cinematic musicals. By day, a Dublin busker (Glen Hansard) sings Van Morrison on a street corner for spare change, which, on occasion, is swiped…
And so Disney’s immense, booty-busting, pro-piracy epic has come to an End. I doubt very much that Pirates of the Caribbean: At World’s End is, in fact, the last we’ll be seeing of Captain Jack Sparrow and, you know, all those other people. How could it be? Treasure remains to…
Porky’s: The Ultimate Collection (Fox) When writer-director Bob Clark was killed by a drunk driver in April, the obits trumpeted his holiday classic A Christmas Story…but were somewhat reluctant to mention that, oh, yeah, he also wrote and directed Porky’s. But there’s no question which is the more important movie–and…
The Wendell Baker Story, written by Luke Wilson and directed by Luke and older bro Andrew, bowed in March 2005 at the South by Southwest Film Festival in Austin, where the film had been shot two years earlier. That the movie—which also stars other brother Owen Wilson, Eva Mendes, Eddie…
Coming out of Shrek the Third, I asked the two smart pre-teen girls I had in tow what they had liked about the picture. Projectile vomiting and multiple farts, they said promptly, best Shrek ever. Ordinarily I’m not big on poop and flatulence, but in this instance I sympathized; there’s…
Pan’s Labyrinth (New Line) Guillermo Del Toro has made a career of mixing slam-bang special effects (Hellboy, Blade II) with creepy atmospheres (Cronos, The Devil’s Backbone). But with Pan’s Labyrinth, he’s used his entire palette for what will likely be remembered as his masterpiece. Mixing Franco’s Spain with fairy tales,…
Four years after “Mission Accomplished,” 28 Weeks Later reminds us that the mission, whatever the hell it was to begin with, is now officially, apocalyptically fucked. The story thus far: Seven months have gone by since the Rage virus passed from chimp fang to British bloodstream in an animal-rights intervention…
In the superbly tacit chamber piece Away From Her, intolerable pressure is brought to bear on the 44-year marriage between a college professor and his homemaker spouse after she is diagnosed with Alzheimer’s disease. Grant Andersson (played by veteran Canadian actor Gordon Pinsent) and wife Fiona (an artfully wrinkled and…
To Catch a Thief: Special Collector’s Edition (Paramount) Starring Cary Grant as a cat burglar and Grace Kelly as a hot-to-trot heiress, this is easily one of Alfred Hitchcock’s slightest films, especially coming on the heels of Rear Window; indeed, its idyllic setting on the French Riviera suggests it was…
What is it with the third installments in superhero film franchises? For whatever reason—oh, let’s just call it the lack of fresh ideas commingled with the love of money—they always strike out swinging their third time up to bat. It happened with Superman, when Richard Pryor became a superfriend hatching…
Jafar Panahi is a paradoxical populist. He makes crowd-pleasing art movies, often set in the midst of life—the urban crowd is one of his subjects—and is a virtuoso director of (non) actors. On the other hand, this most widely seen of Iranian filmmakers is also the most frequently banned. Like…
Awash in daily news of mass savagery, collective memory grows short. We feel for the women of Afghanistan, but who these days remembers the war widows and rape victims of the 1992-1995 civil war that sent Yugoslavia to hell and brought it back a divided country? Now comes the young…
A dozen years ago, Kelly Reichardt made her feature debut with a wonderfully desultory, nearly avant-garde riff on the last romantic couple. Reichardt’s River of Grass was a comic, slacker Bonnie and Clyde, set on the edge of the Everglades. Her belated follow-up, the more elegiac but no less site-specific…
Planet Earth (BBC/Warner Bros.) Roll over, Marlin Perkins, and tell Jacques Cousteau the news: There’s never been another nature series like this. You will spend forever glued to this five-disc collection, finding among such holy-shit discoveries a herd of never-before-photographed camels who live in the frozen wastelands, great whites dining…
“10 People will fight. 9 people will die. You get to watch.” So proclaims the poster for The Condemned, a movie executive-produced by World Wrestling Entertainment owner Vince McMahon and starring self-professed “whup-ass machine” Stone Cold Steve Austin and oft-suspended former soccer star Vinnie Jones. So can someone explain where…
