CANNES, France—The jury has their awards, and I have mine. Sometimes they even coincide. Palme d’Or winner Apichatpong Weerasethakul’s modest Uncle Boonmee Who Can Recall His Past Lives—the acme of no-budget, Buddhist-animist, faux-naïve magic realism—towered over a shockingly mediocre competition. (Distant runners-up were Abbas Kiarostami’s Certified Copy and South Korean…
CANNES, France—Midway through the 63rd Cannes Film Festival it’s clear that, although the competition oozes glamour and Wall Street never sleeps, the action this year (even more than in the past) is to be found in its less prestigious shadow, the section with the untranslatable moniker, “Un Certain Regard.” The…
In his work as writer-director, Rodrigo García has admirably distinguished himself through his commitment to creating intelligent, complex roles for his heavily distaff casts. Like his debut, Things You Can Tell Just by Looking at Her (2000), and Nine Lives (2005), Mother and Child is a compassionate, multi-threaded tale about…
MacGruber (Will Forte), a highly decorated soldier of fortune known for “making life-saving inventions out of household materials,” faked his death and went into hiding after his fiancée (Maya Rudolph) was killed at their wedding, likely by MacGruber’s archenemy, wealthy industrialist Dieter Von Cunth (Val Kilmer). Years later, when the…
Another movie, not as awful or deluded as this one, might one day find better use for the easygoing vibe between Queen Latifah and Common, the stars of Just Wright, a romantic comedy (for the ladies) with basketball and cameoing NBA players in it (for the fellas). That absolutely no…
Is it an accident that Ridley Scott’s Robin Hood plays like a rousing love letter to the Tea Party movement? It’s certainly something of a surprise. When the movie was announced in 2007 with the title Nottingham, reports suggested that it would sympathize with the normally vilified Sheriff of Nottingham…
The great boundary-crosser of Iranian cinema, Bahman Ghobadi, purposefully steps over the line with No One Knows About Persian Cats—a quasi-documentary, highly unofficial panorama of Tehran’s tenacious underground music scene and a movie that has accrued additional urgency since its first public screening at Cannes last May. Ghobadi’s co-writer, journalist…
As Iron Man 2 begins, Tony Stark—mechanical genius, Forbes 400 perennial, the pop-star CEO of Stark Industries—has dropped any pretense of a secret identity. Stark is garishly “out” as Iron Man, performing a one-man air show before touching down to host his Stark Expo, which transforms the World’s Fairground at…
I took the 6-year-old who lives in my house to the Sunday-afternoon sneak preview of Furry Vengeance. The boy’s a savvy consumer of kids’ popular culture—my greatest parenting triumph thus far. He knew from myriad Disney Channel commercials (the movie stars Matt Prokop of High School Musical 3) that Furry…
Watered-down Jungian analysis meets a GLAAD-approved weepie in Peter Bratt’s second feature, starring brother Benjamin (who also produces) as a swaggering, neck-tattooed macho who will finally realize the damage his rock-hard masculinity has caused during a funeral for a teenage gangbanger, his tears mixing with the rain as he flashes…
Writer Andy Diggle dedicated his snappy DC comic books The Losers to ’80s screenwriting superstar Shane Black, creator of the Lethal Weapon series. But in adapting The Losers for film, director Sylvain White and screenwriters James Vanderbilt and Peter Berg strain to achieve the pleasurable mix of cheap laughs and…
Though the breathtaking vistas of Big Sky Country in Ilisa Barbash and Lucien Castaing-Taylor’s unforgettable sheep-herding documentary come close to heaven, it’s telling that AC/DC’s “Highway to Hell” can be faintly heard over the sound of the electric contraptions that hired hands wield to shear the docile creatures, one of…
The Eclipse: The Eclipse is a curious Irish ghost story that fiddles with the recipe just enough to produce interesting results. Solidly built and middle-aged, Michael Farr (Ciarán Hinds) isn’t the kind of vulnerable-looking nightgown-clencher usually cast to jump at bumps in the night. Working for a literary festival in…
The Joneses: For a while, at least, a pitch-black tale of our times: Four business partners masquerading as a happy family move into suburbia and sell their friends and neighbors on their early-adopter, newer-than-brand-new layaway lifestyle. David Duchovny, Demi Moore, Amber Heard and Ben Hollingsworth are the client-sponsored grifters; they…
The Perfect Game: Director William Dear now appears to be your go-to guy for forgettable, family-friendly baseball flicks. Following his Angels in the Outfield and The Sandlot: Heading Home is this Downy-soft, by-the-numbers biopic with Christian undertones about nine poor kids from Monterrey, Mexico, who became the first non-U.S. team…
The Secret of Kells: Brendan (voiced by Evan McGuire) is a medieval boy monk who dreams of illuminating sacred books. The carrot-topped lad possesses more imaginative brio than can be contained by the cloistered life he leads under the sternly overprotective eye of his disillusioned uncle, the Abbott (Brendan Gleeson),…
Vincere: According to Marco Bellocchio’s Vincere, Mussolini was nearly as much of a bully in the bedroom as he was in office. Il Duce would eventually get busy with the Pope, but in the mid-1910s, he screwed—and screwed over—one Ida Dalser, who becomes this epic melodrama’s nobly suffering Jeanne d’Arc…
Kick-Ass, the Matthew Vaughn-directed adaptation of Mark Millar and John Romita Jr.’s graphic novel, sets itself up as an unadulterated exposé of the teenage mind. Tired of being mugged by high school thugs in a Manhattan that’s notably scummier than the real thing, our hero Dave Lizewski (Aaron Johnson) wonders,…
Never mind the “international” part of the moniker Dallas International Film Festival, formerly known as AFI Dallas International Film Festival. It’s the homegrowns with which you should concern yourself as you fill out your movie-going schedule. Eat local, dig? This is what Michael Cain had in mind way back when…
“We are not these people! We are a boring couple from New Jersey!” complains Claire Foster (Tina Fey) to her husband, Phil (Steve Carell), about halfway through Date Night, the latest high-gloss, middle-to-low-brow would-be blockbuster from director Shawn Levy (Cheaper by the Dozen, Just Married). Phil and Claire are middle-class,…
The script, costumes and props of The Last Song work hard to establish Miley Cyrus’ dramatic-role bona fides as the 17-year-old crosses over from G to PG: Her character, constantly sneering high school grad Ronnie Miller, sports a tiny nose stud, stomps on the beach in Doc Martens, believes meat…
Sad, funny and acutely self-conscious, Noah Baumbach’s new movie is the sort of mordant character study that people imagine was common in the ’70s. Greenberg is unafraid to project a downbeat worldview or feature an impossible protagonist—I’d be hard put to name one as maddening as the eponymous antihero unless…
