Texas’ Best Filmmakers Screen New Work Tonight at TexFest

Go local. We hear it, we do it (sometimes) and we chastise others when they don’t. Local food. Local beer. Local music. Well, now’s your chance to check out D-FW’s local film talent. On Thursday, the USA Film Festival once again partners with the Texas Association of Film and Tape…

Riddick’s Back, But Not Vin Diesel’s Charm

Richard B. Riddick — Dick to his friends, if he had any — is an intergalactic meathead who has glowered through three movies, two video games and a cartoon. He’s both the luckiest and unluckiest man alive: lucky because he’s impossible to kill, unlucky because everyone keeps trying. In the…

The Foster Life

Short Term 12 is the kind of film that sounds agonizingly depressing on paper but mesmerizes onscreen. It’s a delicate yet passionate creation, modest in scope but almost overwhelming in its emotional intricacy, ambition and resonance. Easily one of the best films so far this year, it’s a nearly perfect…

Venice Update: Nicolas Cage and the Misery of Joe

As at most festivals, screenings at Venice are preceded by a recorded message asking everyone to turn off their cell phones. A very cultured-sounding lady delivers this request first in Italian and then in English. She caps off the English version with the words, “Thank you for your collaboration.” My…

Even Abridged, Wong Kar-Wai’s The Grandmaster is Epic

Plenty of film critics and Asian cinema aficionados care deeply that The Grandmaster, Wong Kar-wai’s pointillist biopic of martial arts master Ip Man and the director’s first picture in six years, will be released in the States only in a 108-minute version. The cut released in China earlier this year…

Austenland Smartly Satirizes Romance, Until it Swoons

Since it’s called Austenland, and since it’s a romantic comedy, you probably expect it to open with “It’s a truth universally acknowledged” and to wrap with one lovesick sap madly dashing after another, right up to an airport’s departure gates, even though both presumably have cell phones and could just…

Suspense Flat-Lines in Closed Circuit

Intricate, intelligent thrillers made specifically for grown-ups are so rare these days that it’s tempting to award extra points to anyone who even scales an attempt. Tomas Alfredson’s 2011 John le Carré adaptation, Tinker Tailor Soldier Spy, may have been the last great example of an adult thriller that refused…

Mystery Science Theater 3000: The Movie: What Happened?

An average episode of the 1989-1999 cable show Mystery Science Theater 3000, in which a man and his robot buddies heckle bad movies, runs about 90 minutes. The 1955 film This Island Earth is 87 minutes. The 1996 feature Mystery Science Theater 3000: The Movie, in which the man and…

Five Great Summer Movies You Might Have Missed (And Can Still Catch!)

As another summer movie season characterized by cynicism and excess draws to a close, there are few activities less valuable or interesting than complaining about it. The blockbusters arrived, flattened cities, vomited effects, deafened with explosions, made money, didn’t make enough money, pleased populist critics, displeased elitist critics, and finally…

Alfonso Cuaron’s Gravity is Lightning From the Heavens

The late, great Elmore Leonard advised writers never to open a book with weather. Does a lightning storm count? Last evening I was welcomed to Venice, where I’m just settling in for the 2013 edition of the city’s film festival, with a spectacular lightning storm over the Grand Canal. This…

The World’s End Is a Likable Brew

The laddish pleasures of The World’s End, Edgar Wright’s comedy about a group of middle-aged guys drinking beer and facing mortality, come with a bittersweet edge. In the old days, the lead character, Gary King, used to be the coolest kid in school, at least in the outlaw sense: He’d…

Pining Gorgeously in Ain’t Them Bodies Saints

In David Lowery’s sublime new film, Ain’t Them Bodies Saints, Bob Muldoon (Casey Affleck), who’s serving 25 to life for armed robbery and wounding a cop during a shootout, frequently puts pencil to parchment paper and writes love letters to his girlfriend, Ruth (Rooney Mara). Bob’s aching, lovelorn voice can…

Alamo Drafthouse: A First Timer’s Tale

Now that Alamo Drafthouse has opened its Richardson location, here at Mixmaster we were curious: After all the hype and popularity Alamo enjoys, how does it measure up? So they chose me, a humble Louisianan who has no bias toward (and until recently not even knowledge of) Alamo, to investigate…

Kick-Ass Grows Up and Improves

Despite the giddy, gory ridiculousness of Kick-Ass 2, this summer’s most violent yet least punishing comic-book movie, there’s a kernel of ugly human truth at the core of the Kick-Ass fantasy. In the first issue of Mark Millar and John Romita Jr.’s Kick-Ass comic, from 2008, a lonely high school…

The Spectacular Now, Romance Finally Feels Real Again

Hey, Hollywood can still do romance! Ever since the marketeers worked out that the kiss kiss bang bang formula could be profitably split, with bang bang movies getting wide releases and the kiss kisses sold only to that slim niche demographic called “American women,” movie love stories had gotten frustratingly…