thursday august 7 New Talent Exhibition: Texas may rank near the bottom in state and city funding for the arts in America, but what little support does manage to trickle through often helps one of the neediest of cultural populations–new artists who have a devil of a time breaking into…
John Leguizamo is lithe and full of juice–he’s like the shy boy who suddenly discovers he can dance and can’t keep still. Given his need to express himself physically–in his first one-man stage show, Spic-O-Rama, I don’t think his feet ever hit the ground–it’s a sad irony that his breakthrough…
There’s a famous maxim, ofttimes attributed to Mel Brooks, that tragedy is when I slip on a banana peel; comedy is when you slip on it. We can polish this little gem about human nature to a harder, more specifically theatrical gleam by adding: “But when we both slip on…
187, a number favored by adolescent thugs, is the California state penal code for homicide–and a harsh sentence for all involved in this hopeless, hapless movie. The gifted Samuel L. Jackson stars as a high school teacher who cracks under the constant threat of rabid teen machismo–and retaliates with his…
In Picture Perfect, Jennifer Aniston tells a whopper of a lie partially to win the attentions of a guy who has heretofore ignored her, interrupts a wedding, and humiliates a guy at his workplace. This follows on the heels of My Best Friend’s Wedding, which found Julia Roberts trying to…
thursday july 31 Ion: As the final production in its Adventure Series, Fort Worth’s Stage West has chosen a play written around 420 B.C. How adventurous, you might wonder, is a celebrated work by Euripides, the Greek master responsible for The Bacchae, Medea, and other classical lit staples? Well, that…
There are two kinds of despair in literature–mature and immature. Immature despair is a cry for attention disguised as a suicide attempt–it’s easily dismissed, even satirized, because the author cannot contain his or her narcissism for long. What might begin eloquently as a lament for the fragile human condition eventually…
It’s no secret that the “new” Jackie Chan releases in the U.S. aren’t really new at all. In fact, they’re not even showing up in chronological order: While New Line is issuing Jackie’s more current stuff in order, Miramax is putting out the star’s relatively recent back catalog out of…
Not satisfied with the president you have? Here’s Harrison Ford’s James Marshall in Air Force One–Vietnam war hero, straight as a ramrod, devoted husband and father. We first see him delivering a speech before a roomful of Russian dignitaries. Departing from the prepared, wishy-washy text, Mr. President fire-breathes his new…
Mrs. Brown (a Cannes hit and Miramax release) is dignified to the dead max–brownish-gray in mood and look and spirit. It’s based on the true story of the platonic but controversial bond between Queen Victoria (Judi Dench) and a Highlander named John Brown (Billy Connolly), who had been the devoted…
thursday july 24 Oh, Say Can You See…: The Dallas Poets Community couldn’t let July pass without staging its own skewed commentary on Independence month and the whole rocky love affair an individual has with his or her country. While there will doubtlessly be no burning flags displayed in “Oh,…
Since there’s no theater district in this town, the intrepid Dallas stagehound must sometimes endure a symphony of city noises–auto traffic, low-flying planes, construction equipment, etc.–to get a fix. But based on my recent experience at Theater Too, the small but surprisingly effective basement space of Theatre Three in the…
Writer-director Finn Taylor is a young filmmaker who’s smart enough to steal from the best, even if his precocious talent doesn’t always use what he’s swiped effectively. Dream With the Fishes is Taylor’s debut feature, a tightly executed, occasionally contrived study of two men trying to outrun death. The movie…
What must those poor guys in Insane Clown Posse be thinking? After all, the sad white rap act only made a record that included profanity, and still they got drop-kicked off a panicky Disney-owned Hollywood Records, a label whose greatest catalog asset is Queen. Martin Lawrence, on the other hand,…
thursday july 17 Second Annual Have a Ball: Over 40 artists from North Texas and around the country swoop in to contribute work for a very good cause–the continued health of Dallas’ McKinney Avenue Contemporary, the artspace dedicated to nurturing theater, poetry, film, and visual art from Dallas and around…
A lot of ink has been shed in the press lately about the “seriousness” of the new Robert Zemeckis film Contact, starring Jodie Foster as an astronomer who receives humankind’s first extraterrestrial message. Forrest Gump made Zemeckis a guru; now he’s being primed as a philosopher king. Is it rude…
At first glance, the new Japanese comedy Shall We Dance? appears to be an Asian remake of the Australian hit Strictly Ballroom–but, in fact, the similarities are only surface-deep (and just barely that). Part of the difference is rooted in the cultural gap between the two countries, but wider yet…
thursday july 10 Mark Curry: Basketball coach Mr. Cooper, of the five-season ABC-TV show Hangin’ With Mr. Cooper, was more than just a character for comedian Mark Curry–it was an alter ego. Witness Curry’s three-year stint hosting The Jim Thorpe Sports Awards, or his recently completed feature film with Ed…
I’ve long ago gotten over people’s surprised (and sometimes disdainful) reaction when I argue at parties and dinner conversations that Dallas maintains a fertile theater scene despite neglect from the city at large. I’ve come to understand that there are two kinds of people who ignore plays in this city–those…
When I was 12 years old, I went to my first rock concert–at Reunion Arena. My sister and I bought tickets for seats against the back wall of the first balcony–undoubtedly one of the worst deals you can get at Dallas’ almost-dormant downtown arena. Yet the assault of funny-smelling smoke;…
It’s late in the day on June 9, and I’m due to talk to John Woo about Face/Off, his new action film with John Travolta and Nicolas Cage. We are meeting at a sound facility in Los Angeles, where the director is only now finishing the final touches. Woo’s still…
One speech and one prop from Men in Black combine to sum up the movie. An alien in four-legged Earthly form delivers the speech: “You humans, when’re you gonna learn that size doesn’t matter? Just ’cause something’s important, doesn’t mean it’s not very, very small.” The most refreshing thing about…
