All’s Well and Ends Swell

The perfect antidote to the epidemic of bad acting and anemic material infecting Dallas stages this winter is Paul Rudnick’s I Hate Hamlet at Addison’s WaterTower Theatre. A wonderfully acted, bitingly witty paean to Willy the Shake and all things theatrical, the play also aims healthy doses of good-natured ribbing…

Drive In

The phrase “car show” typically conjures, within the hipper-than-thou set, images of beer guts, mullets and cheap beer poured into said guts. It is, in the eyes of these trendsetters, one step above a truck-and-tractor pull. But it doesn’t take too much investigation into the 42nd Annual O’Reilly Auto Parts…

Viva V-Day

When Ellen DeGeneres hosted the Emmys this past fall, she asked in her introduction, “What would bug the Taliban more than seeing a gay woman in a suit surrounded by Jews?” We’ve got a hunch: a single day featuring hundreds of performances of Eve Ensler’s Obie Award-winning play The Vagina…

Hart of Glass

Hart’s War, like most mediocre films, is little more than a movie about the movies. Set in a POW camp during the final months of World War II, it owes much of its existence to far superior films, chief among them La Grande Illusion, Stalag 17 and The Great Escape;…

A Closing Iris

After a long absence from American screens, British stage director Richard Eyre makes his return with an alternately depressing and uplifting drama about Dame Iris Murdoch’s descent into Alzheimer’s disease and the heroic efforts of her husband, John Bayley, to care for her, despite his own advanced age and generally…

Wet Dreamer

Every couple of years, it seems, we’re obliged to get at least one documentary that provides the revelation that porn stars just aren’t happy people. So now we know John Holmes was a drug addict and a criminal, Annabel Chong cuts herself and Stacy Valentine will submit to every surgical…

Banging Bigotry

In case the season has you feeling shamefully joyous, here’s a stark little oasis of misery to remind you that America sometimes sucks and its denizens aren’t all heroes. Featuring painstaking attention to the copious warts of this big, proud country, Monster’s Ball moseys down South to issue the staggering…

Hell Hole

Part comedy, part tragedy and all bite, No Man’s Land damns and mocks in equal measure, painting a picture of war’s absurdity that should make peaceniks of us all but likely won’t. Although set in the former Yugoslavia during the Bosnian-Serbian war, the movie transcends its geographic borders: Bosnian-born writer-director…

Asking for It

If they teach the work of Todd Solondz someday, assuming he’s not already in the curriculum somewhere, the lectures are bound to be rather short. To grasp the material without actually attending, just bone up on a little bargain-basement Freud, a whiff of primal therapy and a sprinkle of Jerry…

Damage Control

Though he takes a beating early on, watching his wife and son die in an embassy bombing carried out by Marxist, drug-running Colombian terrorists, it isn’t long before Arnold Schwarzenegger is striding through the jungles of Colombia as if on a Stairmaster, ignoring admonitions that to do so is “frickin’…

Big Fat Mistake

A bland, obnoxious 88-minute infomercial for Universal Studios and its ancillary products, chief among them birthday boy E.T. (due for re-release this spring) and the studio tour, this is a kids film for children who won’t shut up; it’s loud enough to be heard over the deafening chatter of restless…

And Finally…

This epic series of 10 hour-long films, each based on one of the Ten Commandments, finishes up with a rare note of whimsy. But first Kieslowski revs up the emotional wringer one last time for episode IX, “Thou shalt not covet thy neighbor’s wife,” in which a doctor must face…

Flame On

When Joe Quesada, writer and illustrator of comic books, went to work as a freelance contractor for Marvel Comics three years ago, he found the so-called House of Ideas in ruin. The comic-book industry was, as Quesada recalls, “going down the toilet”: Every month, 10 to 15 percent of readers…

White Man’s Burden

Remember when going to the theater felt like an escape from television? Great live theater once offered what so much prime-time TV did not: casts of fascinating characters saying magical, poetic, sometimes shocking lines of dialogue penned by bold young playwrights who wrangled with complex, provocative messages in their work…

Gypsies, Stomps and Beads

Most people don’t watch Jennifer Lopez to check out how accurate her flamenco dance steps are. We doubt they even notice her feet. Still, Dallas flamenco dancer and promoter Julia Alcántara believes anything–even a scantily clad pop singer–that draws attention to the ancient and constantly maturing Spanish gypsy art is…

Out of This World

The members of Monty Python knew that humor could be a great teaching tool in getting across serious ideas, such as when Eric Idle explained the ways of the galaxy in song during the film The Meaning of Life: “The universe itself keeps on expanding and expanding/In all of the…

Red Snare

You’ve got to hand it to any romantic comedy that makes The Mexican and the Sweet November remake seem like enduring classics, which appears to be the chief objective of Birthday Girl. This slipshod sophomore effort from Jez Butterworth (Mojo) has been sitting on the shelf since its original release…

Cheaters Never Win

Despite an energetic performance from Rushmore’s Jason Schwartzman and a flash of nudity from Pearl Harbor babe James King, Slackers sucks. There’s simply no one to like: Schwartzman’s lovesick nerd Ethan is revealed to be an obsessive psychopath, while the cool guys he must compete with for the love of…

Culture Clash

In May 1997, conductor Zubin Mehta recruited Zhang Yimou (Raise the Red Lantern) to mount a stage presentation of Puccini’s final opera, Turandot, which was based on an old Chinese story. “Usually,” Mehta says, “Turandot is full of Chinese clichés…it looks like a big Chinese restaurant.” So it seemed like…

Heaven Awaits

Sometimes the cinema is just heavenly, and this is one of those times. Returning in a beautifully restored print, with new subtitles, is Federico Fellini’s first color masterpiece (from 1965), bursting with unruly insights on ardor and release. The director’s stout and gleaming wife, Giulietta Masina, plays the leading lady…

Moral Dilemma

Originally made for Polish TV in 1987, and seen only sporadically at special festival and museum showings, Kieslowski’s epic series of 10 hour-long films, each based on one of the Ten Commandments, continues with two episodes. Episode VII, “Thou Shalt Not Steal,” raises the question of whether or not it’s…

Blind Leading the Bland

Plays about the nobility of disease inevitably bathe the afflicted characters in halos as the most normal, well-adjusted, right-thinking people onstage. It’s everyone else around them who has the problems, imply the playwrights in such dramas. In their canon, a handicap clarifies values, gives the bearer a right to inflict…